Taylor, Edward, editor. Madrigals, by the best Italian, Flemish, and English composers. [For 4, 5, and 6 voices.] London. Taylor. [184-?] 5 v. in 19 parts.

--

M.237.15 Contents.-Wilbye: Stay, Corydon; Flora gave me; The Lady Oriana. Morley: Arise! Awake!; I follow, lo!; Fire! Fire! · Croce: Cynthia thy song. Marenzio: So saith my fair; Nel più fiorito. Palestrina: Quando del terzo. - Bennett: All creatures now; Thyrsis, sleepest thou? Gastoldi: Viver lieto voglio. Weelkes: To shorten winter's sadness; As Vesta was. - Festa: Down in a flowery vale. Lassus: Ye nightingales. Gibbons: Hosanna to the Son. Creyghton: I will arise. The people's music book. Edited by James Turle and Edward Taylor. London. 1844. 3 v. M.111.4 The vocal school of Italy in the sixteenth century. Madrigals, full anthems, motets & villanellas, composed by eminent masters. Adapted to English words by Edward Taylor. London. Taylor. [1839.] M.237.28

Contents. Palestrina: I will praise Thy name; Jehovah reigns; Where'er my Cynthia wanders; O say what nymph. Morales: Me ye have bereaved; Hearken to thy faithful swain. Marenzio: Lilies white, crimson roses; The shepherd's pipes; The joyous birds; Spring returns; See where with rapid bound; Queen of the world. — Anerio: Now morn awaketh. — Giovanelli: Lose not your chance. Durante : Lovely and gracious. Vittoria: Sing ye praises. Croce: Ye pearls of snowy whiteness. Ferretti: Tell me, O lady fair; Ladies, I fain would warn ye; Lady unkind. Gastoldi: Maidens fair; Soon as the silver moonbeams. — Vecchi: The white delightsome swan. Renaldi: Speed to my Celia. Trofeo: Lady, I pray thee. Monteverdi: Thine am I dearest.-Pallavicino: Young shepherd swains.-Striggio: No din of rolling drum.

PURCELL, H. King Arthur.

SPOHR, L. The fall of Babylon.

The last judgment (Die letzten Dinge).

Taylor, Edward, translator.

M.234.24 M.243.30 M.243.26; etc.

SPOHR, L. Calvary. "Des Heilands letzte Stunden."

The atonement. A sacred cantata for soli, chorus and orchestra. The words written by Alice Parsons. The music composed by S. Coleridge-Taylor. (Op. 53.) [Score with piano accomp.] London. Novello, Ewer & Co. 1903.

No. 1 in M.384.61 The blind girl of Castél-Cuillé. Cantata for soprano and baritone soli, chorus and orchestra. The poem translated from the Gascon of Jasmin by H. W. Longfellow. The music composed by S. Coleridge-Taylor. (Op. 43.) [Accomp. for pianoforte.] London. Novello & Co.

Taylor, Samuel Coleridge-. (Continued.) The death of Minnehaha. A cantata for soprano and baritone soli, chorus, and orchestra. The words written by H. W. Longfellow. The music composed by S. Coleridge-Taylor. [Accomp. for pianoforte.] Octavo edition. London. Novello & Co. 1899. No. 2 in M.384.45 Hiawatha's departure. A cantata for soprano, tenor, and baritone soli, chorus and orchestra. The words written by H. W. Longfellow. The music composed by S. Coleridge-Taylor. [Accomp. for pianoforte.] London. Novello & Co. 1900. No. 3 in M.384.45 Hiawatha's wedding-feast. A cantata for tenor solo, chorus and orchestra. The words written by H. W. Longfellow. The music composed by S. Coleridge-Taylor. [Accomp. for pianoforte.] London. Novello & Co. 1898. No. 1 in M.384.45 Same. Proof-private. Full score. [1898?] M.398.1 Meg Blane. A rhapsody of the sea for mezzo-soprano solo, chorus and orchestra. The words written by Robert Buchanan. The music composed by S. Coleridge-Taylor. Op. 48. [Vocal score.] London. Novello & Co. 1902. No. 2 in M.384.61 Three choral ballads by Longfellow. Set to music as fourpart songs (S. A. T. B.) with accompaniment of orchestra or pianoforte by S. Coleridge-Taylor. Op. 54. Vocal score. London. Breitkopf & Härtel. [1904.] No. 1 in M.379.20

Contents. 1. Beside the ungathered rice he lay. 2. She dwells by great Kenhawa's side. 3. Loud he sang the Psalm of David. There is inserted another setting of She dwells by great Kenhawa's side, arranged for three voices [s. s. A.]. Taylor, Sedley.

Sound and music: a non-mathematical treatise on the physical constitution of musical sounds and harmony. London. Macmillan & Co. 1873. Illus. M.107.22

The "substantial"and 'wave' theories of sound. Two letters, by A. Wilford Hall, and Sedley Taylor. London. Macmillan & Co. 1891. No. 7 in M.216.18

The spirit of music. [Part-song.] London. Jefferys. N. d.
No. 34 in M.121.3
Taylor, A, and his wife. Part-song. WELLESLEY, G. C.
No. 42 in M.220.9.3

Taylors Sang. Song. KJERULF. Sånger och Visor. Band 1.
M.158.47
Tchaikovski, Modest Il'itch.
Iolanthe. Lyrische Oper. Text (russisch) nach Henrik
Hertz',,König Renés Tochter." Musik von P. Tschai-
kowsky.
M.324.25

,,Nal und Damajanti." Oper. Musik von A. Arenski. ,,Наль и Дамаянти“. Опера. Музыка А. Аренскаго.

1901. M.240.2

Contents.

Das Vöglein. Drunten in des Hades Nacht.

M.415.48 Einst

1812. Торжественная увертюра для большаго оркестра. Оп. 49. Партитура. Спб. Юргенсонъ. [189-?] No. 1 in M.334.22 Trio für Pianoforte, Violine und Violoncell. Op. 50. [Partitur und Stimmen.] Hamburg. Rahter. [1881?] M.356.31 Valse scherzo. Pour le violon avec accomp. de piano ou d' orchestre. Op. 34. Partition d'orchestre. Moscou. JurNo. 4 in M.334.24 genson. [189-?]

Variations sur un thème rococo pour violoncelle avec accompagnement d'orchestre. Op. 33. Nouvelle édition. Partition. Hambourg. Rahter. [188-?] No. 4 in M.407.25 Воевода. Симфоническая баллада для оркестра. Соч. 780 (посмертное). Voyvode. Ballade symphonique pour orchestre. Op. 78 (posthume). Partition. Leipzig. Belaieff. 1897. No. 2 in M.356.33 Walzer aus dem Ballet ,,Dornröschen.“ Op. 66, No. 6. Partitur. Hamburg. Rahter. [188-?] No. 6 in M.343.13 Walzer aus der Oper: „,Eugen Onegin." See his Eugen Onegin.

Wintertraum. See his Symphonie No. 1. Зимнія грезы. See his Symphony No. 1. Tchaikovski, Petr Il'itch. Works about.

BEYER, C. Peter Iljitsch Tschaikoffsky, Symphonie in Emoll (No. 5.). Op. 64. Erläutert. Frankfurt a. M. [1898.] No. 20 in M.217.12.6

JURGENSON, B., editor.

P. Tschaikowsky. [1897.]

Catalogue thématique des œuvres de
Rédigé par B. Jurgenson. Moscou.
M.203.44

KNORR, I. Peter Tschaikowsky, Serenade für Streichorchester. Op. 48. Erläutert. Frankfurt a. M. [1895.] No. 17 in M.217.12.1

Peter Tschaikowsky, Suite No. 3 (in G-dur) für Orchester. Op. 55. Erläutert. Frankfurt a. M. [1894.] No. 5 in M.217.12.1 NIEMANN, W. Peter Tschaikowsky, Francesca da Rimini. Op. 32. Erläutert. Leipzig. [1901.] No. 14 in M.217.12.10 Peter Tschaikowsky, Mozartiana-Suite. Op. 61. Erläutert. Leipzig. [1901.] No. 8 in M.217.12.10 POCHHAMMER, A. Peter Jljitsch Tschaikoffsky, Konzert für Violine mit Begleitung des Orchesters oder des Pianoforte (D dur). Op. 35. Erläutert. Leipzig. [1900.] No. 10 in M.217.12.7 RIEMANN, H. P. Tschaikoffsky, VI. Symphonie (H-moll). (Symphonie pathétique. Op. 74.) Erläutert. Frankfurt a. M. [1898.] No. 5 in M.217.12.6 Peter Iljitsch Tschaikoffsky, Symphonie „Manfred" (H-moll). Op. 58. Erläutert. Frankfurt a. M. [1898.] No. 15 in M.217.12.6 Riemenschneider, G. Peter Tschaikowsky, Der Nussknacker, Suite für grosses Orchester. Op. 71A. Erläutert. Leipzig. [1902.] No. 4 in M.217.12.10 TEIBLER, H. Peter Tschaikowsky, Erste suite, D moll, für grosses Orchester, Op. 43. Erläutert. Leipzig. [1901.] No. 13 in M.217.12.11 Peter Tschaikowsky, Capriccio italien für grosses Orchester. Erläutert. Leipzig. [1902.] No. 25 in M.217.12.11 Peter Tschaikowsky, Hamlet. Erläutert. Leipzig. [1901.] No. II in M.217.12.9

Tchaikovski, Petr Il'itch. Works about. (Continued.)
Peter Tschaikowsky, Romeo und Julia. Ouverture-
Fantaisie nach Shakespeare. Erläutert. Leipzig. [1901.]
No. 15 in M.217.12.9
Peter Tschaikowsky, 1812. Ouverture für grosses Or-
chester. Op. 49. Erläutert. Leipzig. [1902.]
No. 3 in M.217.12.10
Peter Tschaikowsky, Vierte Symphonie, F moll, für
grosses Orchester. Op. 36. Erläutert. Leipzig. [1902.]
No. 4 in M.217.12.11
Tcherépnin, Nikolai Nikolaevitch.
Fantaisie dramatique pour grand orchestre d'après un
poème de Tiutscheff. Op. 17. Partition. Leipzig.
Belaïeff. 1904.
M.406.67
Prélude pour la pièce de Rostand ,,Princesse Lointaine"
pour grand orchestre. Op. 4. Leipzig. Belaïeff. 1899.
No. 3 in M.410.61
Suite pour grand orchestre tirée du ballet „Le pavillon d'
Armide." Op. 29. Partition. Leipzig. Belaïeff. 1906.

No. 25 in M.190.1
M.341.25

No. 18 in M.157.30
No. 4 in M.233.23.1
No. 30 in M.190.1; etc.
No. 32 in M.190.1
No. I in M.233.23.2; etc.
No. I in M.391.33

No. 1 in M.405.7; etc.
M.233.14.2

No. 2, 4 in M.190.2; etc.
No. 6 in M.190.2
No. 3 in M.233.23.1

No. 9 in M.157.30
No. 37 in M.158.14

No. 3 in M.233.10; etc.

No. 30 in M.157.30
No. 6 in M.158.15
No. 12 in M.157.30
No. 10 in M.290.19; etc.
No. 17 in M.190.2
M.233.14.1
No. 18 in M.190.2; etc.
No. 19 in M.190.2; etc.
No. 23 in M.100.4.2
No. 25 in M.233.9; etc.
M.233.14.2

No. 22 in M.190.2
No. 26 in M.190.2; etc.

No. I in M.201.40
No. 34 in M.190.2

Tedde, Mostyn.
Mynheer Jan. Comic opera. Libretto by Harry Paulton
and Mostyn Tedde. Music by Ed. Jakobowski.
No. 1 in M.286.19
Tegnér, Esaias.
Frithjof. Scenen aus der Frithjof-Sage. Für Männerchor,
Solostimmen und Orchester componirt von Max Bruch.
M.334.3; etc.
Same. Dramatisches Gedicht. Für Soli, Chor und Or-
chester componirt von C. A. Mangold. No. 1 in M.155.33
Frithjof auf seines Vaters Grabhügel. Concert-Scene für
Baritonsolo, Frauenchor und Orchester. Musik von Max
Bruch.
No. I in M.270.19
Wikingerbalk (des Seemanns Gesetze). 15ter Gesang aus
Frithjof's Sage. Mit Benutzung der original Melodie
gesetzt für Männer-Chor-Stimmen, Tenor Solo und Or-
chester-Begleitung von Joseph Panny. No. 7 in M.212.13
Teibler, Hermann.

Alexander Borodin, Erste Symphonie (Es dur). Erläutert.
Leipzig. Seemann. [1903?]
No. 10 in M.217.12.8

Georges Bizet, Suite ,,Roma." Erläutert. Leipzig. See-
[1901.]
No. 22 in M.217.12.10

mann.

Gustav Mahler, Symphonie No. 2 in C-moll. (Mit Text.)
Erläutert. Leipzig. Seemann. [1901.]
Hugo Röhr, Ekkehard.

[1901.]

No. 5 in M.217.12.9 Erläutert. Leipzig. Seemann. No. 10 in M.217.12.9 Joseph Haydn, Symphonie in C-dur (L'ours). Erläutert. Leipzig. Seemann. [1901.] No. 9 in M.217.12.10 Joseph Haydn, Symphonie in C-dur (Le midi). Erläutert. No. 12 in M.217.12.9 Leipzig. Seemann. [1900?] Joseph Haydn, Symphonie in G-dur (Militär-Symphonie). Erläutert. Leipzig. Seemann. [1901.] No. 8 in M.217.12.8 Jules Massenet, Scènes pittoresques. IV. Orchester-Suite. Erläutert. Leipzig. Seemann. [1902.] No. 10 in M.217.12.11 Peter Tschaikowsky, 1812. Op. 49. Seemann.

[1902.]

Peter Tschaikowsky, Capriccio italien. Seemann. [1902.]

Erläutert. Leipzig. No. 3 in M.217.12.10 Erläutert. Leipzig. No. 25 in M.217.12.11

Peter Tschaikowsky, Erste Suite, D moll. Erläutert. Leipzig. Seemann. [1901.]

No. 13 in M.217.12.11

Peter Tschaikowsky, Hamlet. Erläutert. Leipzig. Seemann. [1901.]

No. II in M.217.12.9 Peter Tschaikowsky, Romeo und Julia. Ouverture-Fantaisie nach Shakespeare. Erläutert. Leipzig. Seemann. [1901.] No. 15 in M.217.12.9

Teibler, Hermann. (Continued.)

Peter Tschaikowsky, Vierte Symphonie, F moll. Op. 36. Erläutert. Leipzig. Seemann. [1902.] No. 4 in M.217.12.11 Richard Strauss, Macbeth. Tondichtung. Erläutert. Leipzig. Seemann. [1902.] No. 7 in M.217.12.9 Richard Wagner, Siegfried-Idyll für kleines Orchester. Er läutert. Leipzig. Seemann. [1902.] No. 19 in M.217.12.8 These sixteen works form respectively Nos. 186, 247, 207, 212-13, 234, 215, 184, 261, 254, 250, 264, 214, 219, 255, 210, 197, of Der Musikführer.

Amen! Lob und Ehre. Motett [s. s. A. A. T. T. B. B.]. (In
Rochlitz. Sammlung vorzüglicher Gesangstücke. Band
3, pp. 66-70.)
No. 12 in M.202.6.3
Mercy, judgment. Aria, s. [Accomp. for pianoforte.] (In
Latrobe. Selection of sacred music. Vol. 6, pp. 72–76.)
No. 12 in M.290.29.6
Sonata in E. Für Violine & Klavier. Nach der Original-
Ausgabe bearbeitet von Alfred Moffat. [Partitur.] Mainz.
Schott. 1909. [Kammer-Sonaten für Violine & Klavier
des 17ten & 18ten Jahrhunderts. 17.] No. 2 in M.432.42.4
Télémaque dans l'isle de Calypso, ou le triomphe de la sagesse.
Opera. For the MUSIC see Lesueur. For the LIBRETTO
see Dercy.

Telephone girl, The. Opera. For the MUSIC see Serpette.
For the LIBRETTO see Burnand.
Tell me, dear. Song. HILTON. Ayres or fa las.

No. 3 in M.234.21

Tell me, dearest, what is love. Song [s. or T.]. (In Smith.
Musica antiqua. P. 55.)
M.236.10
From a manuscript of James the First's time.
Tell me, Flora. Part-song. PINSUTI. No. 10 in M.158.19; etc.
Tell me, fond youth. Round. SPOFFORTH. No. 6 in M.220.6
Tell me, gentle shepherd. Glee. ATTERBURY.
No. 96 in M.157.6.2; etc.
No. 51 in M.235.18.2
Song. ABT, F.

Tell me, lovely shepherd. Song. BOYCE.
Tell me, O bird of the merry greenwood.

No. 30 in M.192.2 No. 17 in M.192.10 No. 18 in M.237.28

Tell me, oh gentle maiden. Song. GOUNOD.
Tell me, O lady fair. Part-song. FERRETTI, G.
Tell me on what holy ground. Part-song. Fuss.