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She came with smiles the hour of pain to cheer;
Apart she sigh'd; alone, she shed the tear;
Then, as if breaking from a cloud, she gave
Fresh light, and gilt the prospect of the grave.

One day he lighter seem'd, and they forgot
The care, the dread, the anguish of their lot;
They spoke with cheerfulness, and seem'd to think,
Yet said not so- perhaps he will not sink.'
A sudden brightness in his look appear'd,-
A sudden vigour in his voice was heard;
She had been reading in the Book of Prayer,
And led him forth, and plac'd him in his chair;
Lively he seem'd, and spoke of all he knew,
The friendly many, and the favourite few;
Nor one that day did he to mind recall,
But she has treasur'd, and she loves them all;
When in her way she meets them, they appear
Peculiar people-death has made them dear!
He nam'd his friend, but then his hand she prest,
And fondly whisper'd, Thou must go to rest.'
'I go!' he said; but, as he spoke, she found
His hand more cold, and flutt'ring was the sound;
Then gaz'd affrighten'd; but she caught at last
A dying look of love and all was past!-

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She plac'd a decent stone his grave above,
Neatly engrav'd-an offering of her Love;
For that she wrought, for that forsook her bed,
Awake alike to duty and the dead;

She would have griev'd, had friends presum'd to

spare

The least assistance-'twas her proper care.

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The hours of innocence ;-the timid look
Of his lov'd maid, when first her hand he took
And told his hope; her trembling joy appears,
Her forc'd reserve, and his retreating fears.

"Yes! all are with him now, and all the while
Life's early prospects and his Fanny smile:
Then come his sister and his village friend,
And he will now the sweetest moments spend
Life has to yield:-No! never will he find
Again on earth such pleasure in his mind. [among.
He goes through shrubby walks these friend
Love in their looks and pleasure on the tongue.
Pierc'd by no crime, and urg'd by no desire
For more than true and honest hearts require,
They feel the calm delight, and thus proceed
Through the green lane, then linger in the mead,-
Stray o'er the heath in all its purple bloom,
And pluck the blossom where the wild-bees hum⚫
Then through the broomy bound with ease they

pass,

And press the sandy sheep-walk's slender grass.
Where dwarfish flowers among the gorse are spread,
And the lamb brouzes by the linnet's bed! [way
Then 'cross the bounding brook they make their
O'er its rough bridge-and there behold the bay!-
The ocean smiling to the fervid sun-
The waves that faintly fall and slowly run-
The ships at distance, and the boats at hand:
And now they walk upon the sea-side sand,
Counting the number, and what kind they be,
Ships softly sinking in the sleepy sea:

'Here will she come, and on the grave will sit, Now arm in arm, now parted, they behold
Folding her arms, in long abstracted fit ;
But if observer pass, will take her round,
And careless seem, for she would not be found;
Then come again, and thus her hour employ,
While visions please her, and while woes destroy."
pp. 23-27.

any

There is a passage in the same tone, in the letter on Prisons. It describes the dream of a felon under sentence of death; and though the exquisite accuracy and beauty of the landscape painting are such as must have recommended it to notice in poetry of order, it seems to us to derive an uspeakable charm from the lowly simplicity and humble content of the characters-at least we cannot conceive any walk of ladies and gentlemen that should furnish out so sweet a picture as terminates the following extract. It is only doing Mr. Crabbe justice to present along with it a part of the dark foreground which he has drawn, in the waking existence of the poor dreamer.

"When first I came
Within his view, I fancied there was shame,
I judg'd Resentment; I mistook the air-
These fainter passions live not with Despair;
Or but exist and die:-Hope, Fear and Love,
Joy, Doubt, and Hate, may other spirits move,
But touch not his, who every waking hour
Has one fix'd dread, and always feels its power.
He takes his tasteless food; and, when 'tis done,
Counts up his meals, now lessen'd by that one;
For Expectation is on Time intent,
Whether he brings us Joy or Punishment.

"Yes! e'en in sleep th' impressions all remain;
He hears the sentence, and he feels the chain;
He seems the place for that sad act to see,
And dreams the very thirst which then will be!
A priest attends-it seems the one he knew
In his best days, beneath whose care he grew.
"At this his terrors take a sudden flight-
He sees his native village with delight;
The house, the chamber, where he once array'd
His youthful person: where he knelt and pray'd:
Then too the comforts he enjoy'd at home,
The days of joy; the joys themselves are come ;-

The glitt'ring waters on the shingles roli'd:
The timid girls, half dreading their design,
Dip the small foot in the retarded brine,
And search for crimson weeds, which spreading
| Or lie like pictures on the sand below; [flow,
With all those bright red pebbles, that the sun
Through the small waves so softly shines upon;
And those live lucid jellies which the eye
Delights to trace as they swim glitt'ring by:
Pearl-shells and rubied star-fish they admire,
And will arrange above the parlour fire-
Tokens of bliss!"-pp. 323-326.

If these extracts do not make the reader

feel how deep and peculiar an interest may
be excited by humble subjects, we should
almost despair of bringing him over to our
opinion, even by Mr. Crabbe's inimitable de-
scription and pathetic pleading for the parish
poor. The subject is one of those, which to
many will appear repulsive, and, to some
fastidious natures perhaps, disgusting. Yet,
if the most admirable painting of external
objects-the most minute and thorough know-
ledge of human character-and that warm
glow of active and rational benevolence which
lends a guiding light to observation, and an
enchanting colour to eloquence, can entitle a
poet to praise, as they do entitle him to more
substantial rewards, we are persuaded that
the following passage will not be speedily
forgotten.

"Your plan I love not with a number you
Have plac'd your poor, your pitiable few;
There, in one house, for all their lives to be,
The pauper-palace, which they hate to see!
That giant building, that high bounding wall,
Those bare-worn walks, that lofty thund'ring hall!
That large loud clock, which tolls each dreaded
hour.

Those gates and locks, and all those signs of power
It is a prison, with a milder name,
Which few inhabit without dread or shame."-

"Alas! their sorrows in their boscms dwell,
They've much to suffer, but have nought to tell
They have no evil in the place to state.
And care not say, it is the house they nate:

They own there's granted all such place can give,
But live repining,-for 'tis there they live! [see,
"Grandsires are there, who now no more must
No more must nurse upon the trembling knee,
The lost lov'd daughter's infant progeny!
Like death's dread mansion, this allows not place
For joyful meetings of a kindred race.

"Is not the matron there, to whom the son
Was wont at each declining day to run;
He (when his toil was over) gave delight,
By lifting up the latch, and one Good night?'
Yes. she is here; but nightly to her door
The son, still lab'ring, can return no more.

"Widows are here, who in their huts were left,
Of husbands, children, plenty, ease, bereft;
Yet all that grief within the humble shed
Was soften'd, soften'd in the humbled bed:
But here, in all its force, remains the grief,
And not one soft'ning object for relief.

To gain the plaud ts of the knowing few,
Gamblers and grooms, what would not Blancy
do?"-

"Cruel he was not.-If he left his wife,
He left her to her own pursuits in life;
Deaf to reports, to all expenses blind,
Profuse, not just-and careless but not kind."
pp. 193, 194.

Clelia is another worthless character, drawn with infinite spirit, and a thorough knowledge of human nature. She began life as a sprightand a beauty in the half-bred circles of the ly, talking, flirting girl, who passed for a wit borough; and who, in laying herself out to entrap a youth of better condition, unfortunately fell a victim to his superior art, and forfeited her place in society. She then became the smart mistress of a dashing attorney-then tried to teach a school-lived as the favourite of an innkeeper-let lodgingswrote novels-set up a toyshop-and, finally, was admitted into the almshouse. There is nothing very interesting perhaps in such a story; but the details of it show the wonderful accuracy of the author's observation of char weep-acter; and give it, and many of his other pieces, a value of the same kind that some pictures are thought to derive from the truth and minuteness of the anatomy which they display. There is something original, too, and well conceived, in the tenacity with which he represents this frivolous person, as adhering to her paltry characteristics, under every change of circumstances. The concluding view is as follows.

Who can, when here, the social neighbour
Who learn the story current in the street? meet?
Who to the long-known intimate impart
Facts they have learn'd, or feelings of the heart?-
They talk, indeed; but who can choose a friend,
Or seek companions, at their journey's end?"-
"What, if no grievous fears their lives annoy,
Is it not worse, no prospects to enjoy ?
'Tis cheerless living in such bounded view,
With nothing dreadful, but with nothing new;
Nothing to bring them joy, to make them
The day itself is, like the night, asleep;
Or on the sameness, if a break be made,
'Tis by some pauper to his grave convey'd;
By smuggled news from neighb'ring village told,
News never true, or truth a twelvemonth old!
By some new inmate doom'd with them to dwell,
Or justice come to see that all goes well;
Or change of room, or hour of leave to crawl
On the black footway winding with the wall,
Till the stern bell forbids, or master's sterner call.
Here the good pauper, loosing all the praise
By worthy deeds acquir'd in better days,
Breathes a few months; then, to his chamber led,
Expires-while strangers prattle round his bed."-
pp. 241-244.

These we take to be specimens of Mr. Crabbe's best style;-but he has great variety; -and some readers may be better pleased with his satirical vein-which is both copious and original. The Vicar is an admirable sketch of what must be very difficult to draw; -a good, easy man, with no character at all. His little, humble vanity;-his constant care to offend no one;-his mawkish and feeble gallantry-indolent good nature, and love of gossipping and trifling are all very exactly, and very pleasingly delineated.

"Now friendless, sick, and old, and wanting bread,
The first-born tears of fallen pride were shed-
True, bitter tears; and yet that wounded pride,
Among the poor, for poor distinctions sigh'd!
Though now her tales were to her audience fit;
Though now her dress-(but let me not explain
Though loud her tones, and vulgar grown her wit;
The piteous patchwork of the needy vain,
The flirish form to coarse materials lent,
And one poor robe through fifty fashions sent);
Still 'twas her wish, her comfort to be seen:
Though all within was sad, without was mean-
She would to plays on lowest terms resort,
Where once her box was to the beaux a court;
And, strange delight! to that same house, where
Join'd in the dance, all gaiety and glee, [she
Now with the menials crowding to the wall,
She'd see, not share, the pleasures of the ball,
How she too triumph'd in the years of old."
And with degraded vanity unfold,

pp. 209, 210.

To the character of Blaney, we have already objected, as offensive, from its extreme and impotent depravity. The first part of his history, however, is sketched with a masterly The graphic powers of Mr. Crabbe, indeed, hand; and affords a good specimen of that are too frequently wasted on unworthy sub sententious and antithetical manner by which|jects. There is not, perhaps, in all English Mr. Crabbe sometimes reminds us of the style and versification of Pope.

"Blaney, a wealthy heir at twenty-one,
At twenty-five was ruin'd and undone :
These years with grievous crimes we need not load,

He found his ruin in the common road;
Gam'd without skill, without inquiry bought,
Lent without love, and borrow'd without thought.
But, gay and handsome, he had soon the dower
Of a kind wealthy widow in his power;
Ther he aspir'd to loftier flights of vice!
To singing harlots of enormous price:
And took a jockey in his gig to buy

An horse, so valued, that a duke was shy:

poetry a more complete and highly finished
piece of painting, than the following descrip
tion of a vast old boarded room or warehouse,
which was let out, it seems, in the borough,
as a kind of undivided lodging, for beggars
and vagabonds of every description. No Dutch
painter ever presented an interior more dis-
tinctly to the eye; or ever gave half such a
group to the imagination.

"That window view!-oil'd paper and old glass
Stain the strong rays, which, though impeded, pass,
And give a dusty warmth to that huge room,
The conquer'd sunshine's melancholy gloom;

When all those western rays, without so bright,
Within become a ghastly glimm'ring light,
As pale and faint upon the floor they fall,
Or feebly gleam on the opposing wall:
That floor, once oak, now piec'd with fir unplan'd,
Or, where not piec'd, in places bor'd and stain'd;
That wall once whiten'd, now an odious sight,
Stain'd with all hues, except its ancient white.

"Where'er the floor allows an even space,
Chalking and marks of various games have place;
Boys, without foresight, pleas'd in halters swing!
On a fix'd hook men cast a flying ring;
While gin and snuff their female neighbours share,
And the black beverage in the fractur'd ware.

The dark warm flood ran silently and slow;
There anchoring, Peter chose from man to hide
There hang his head, and view the lazy tide
In its hot slimy channel slowly glide;
Where the small eels that left the deeper way
For the warm shore, within the shallows play,
Where gaping muscles, left upon the mud,
Slope their slow passage to the fallen flood;-
Here dull and hopeless he'd lie down and trace
How sidelong crabs had scrawl'd their crooked race;
Or sadly listen to the tuneless cry

Of fishing Gull or clanging Golden Eye."

pp. 305, 306. Under the head of Amusements, we have a

"On swinging shelf are things incongruous stor'd; Scraps of their food-the cards and cribbage board-spirited account of the danger and escape of With pipes and pouches; while on peg below, Hang a lost member's fiddle and its bow: That still reminds them how he'd dance and play, Ere sent untimely to the Convict's Bay!

"Here by a curtain, by a blanket there, Are various beds conceal'd, but none with care; Where some by day and some by night, as best Suit their employments, seek uncertain rest; The drowsy children at their pleasure creep To the known crib, and there securely sleep. "Each end contains a grate, and these beside Are hung utensils for their boil'd and fry'dAll us'd at any hour, by night, by day, As suit the purse, the person, or the prey.

"Above the fire, the mantel-shelf contains Of china-ware some poor unmatch'd remains; There many a tea-cup's gaudy fragment stands, All plac'd by Vanity's unwearied hands; For here she lives, e'en here she looks about, To find small some consoling objects out. "High hung at either end, and next the wall, Two ancient mirrors show the forms of all." pp. 249-251.

The following picture of a calm sea fog is by the same powerful hand:

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"When all you see through densest fog is seen;
When you can hear the fishers near at hand
Distinctly speak, yet see not where they stand;
Or sometimes them and not their boat discern,
Or half-conceal'd some figure at the stern;
Boys who, on shore, to sea the pebble cast,
Will hear it strike against the viewless mast;
While the stern boatman growls his fierce disdain,
At whom he knows not, whom he threats in vain.
""Tis pleasant then to view the nets float past,
Net after net till you have seen the last;
And as you wait till all beyond you slip,
A boat comes gliding from an anchor'd ship,
Breaking the silence with the dipping oar,
And their own tones, as labouring for the shore;
Those measur'd tones with which the scene agree,
And give a sadness to serenity. pp. 123, 124.

We add one other sketch of a similar character, which though it be introduced as the haunt and accompaniment of a desponding spirit, is yet chiefly remarkable for the singular clearness and accuracy with which it represents the dull scenery of a common tide river. The author is speaking of a solitary and abandoned fisherman, who was compelled

At the same times the same dull views to see, The bounding marsh-bank and the blighted tree; The water only, when the tides were high, When low, the mud haif-covered and half-dry; The sun-burn'd tar that blisters on the planks, And bank-side stakes in their uneven ranks: Heaps of entangled weeds that slowly float, As the tide rolls by the impeded boat. "When tides were neap, and, in the sultry day, Through the tall bounding mud-banks made their Which on each side rose swelling, and below [way,

a party of pleasure, who landed, in a fine covered with the tide at high water, and were evening, on a low sandy island, which was left upon it by the drifting away of their boat. "On the bright sand they trode with nimble feet, Dry shelly sand that made the summer seat; The wond'ring mews flew flutt'ring o'er their head, And waves ran softly up their shining bed."-p. 127.

While engaged in their sports, they discover their boat floating at a distance, and are struck with instant terror.

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"Alas! no shout the distant land can reach, Nor eye behold them from the foggy beach; Again they join in one loud powerful cry, Then cease, and eager listen for reply. None came-the rising wind blew sadly by. They shout once more, and then they turn aside, To see how quickly flow'd the coming tide: Between each cry they find the waters steal On their strange prison, and new horrors feel; Foot after foot on the contracted ground The billows fall, and dreadful is the sound! Less and yet less the sinking isle became, And there was wailing, weeping, wrath, and blame. Had one been there, with spirit strong and high, Who could observe, as he prepar'd to die, He might have seen of hearts the varying kind, And trac'd the movement of each different mind: He might have seen, that not the gentle maid Was more than stern and haughty man afraid," &c. Now rose the water through the less'ning sand, And they seem'd sinking while they yet could stand! The sun went down, they look'd from side to side, Nor aught except the gath'ring sea descry'd; Dark and more dark, more wet, more cold it grew, And the most lively bade to hope adieu; Children, by love, then lifted from the seas, Felt not the waters at the parent's knees, But wept aloud; the wind increas'd the sound, And the cold billows as they broke around. But hark! an oar, That sound of bliss! comes dashing to their shore: Still, still the water rises, Haste!' they cry, Oh! hurry, seamen, in delay we die!" The drifted boat, and thus her crew reliev'd.) (Seamen were these who in their ship perceiv'd And now the keel just cuts the cover'd sand, Now to the gunwale stretches every hand; With trembling pleasure all confus'd embark, And kiss the tackling of their welcoine ark; While the most giddy, as they reach the shore, Think of their danger, and their God adore."

pp. 127-130.

In the letter on Education, there are some fine descriptions of boarding-schools for both sexes, and of the irksome and useless restraints which they impose on the bounding spirits and open affections of early youth. This is followed by some excellent remarks on the ennui which so often falls to the lot of the learned-or that description at least of the

learned that are bred in English univer- | been the model of our author in the follow sities. But we have no longer left room for ing :

any considerable extracts; though we should. That woe could wish, or vanity devise.”
have wished to lay before our readers some
part of the picture of the secretaries—the de-
scription of the inns-the strolling players-
and the clubs. The poor man's club, which
partakes of the nature of a friendly society,
is described with that good-hearted indulgence
which marks all Mr. Crabbe's writings.

"Sick without pity, sorrowing without hope."
"Gloom to the night, and pressure to the chain"-
and a great multitude of others.

The printed rules he guards in painted frame, And shows his children where to read his name." We have now alluded, we believe, to what is best and most striking in this poem; and, though we do not mean to quote any part of what we consider as less successful, we must say, that there are large portions of it which appear to us considerably inferior to most of the author's former productions. The letter on the Election, we look on as a complete failure or at least as containing scarcely any thing of what it ought to have contained.The letters on Law and Physic, too, are tedious; and the general heads of Trades, Amuseinents, and Hospital Government, by no means amusing. The Parish Clerk, too, we find dull, and without effect; and have already given our opinion of Peter Grimes, Abel Keene, and Benbow. We are struck, also, with several omissions in the picture of a maritime borough. Mr. Crabbe might have made a great deal of a press-gang; and, at all events, should have given us some wounded veteran sailors, and some voyagers with tales of wonder from foreign lands.

The style of this poem is distinguished, like all Mr. Crabbe's other performances, by great force and compression of diction-a sort of sententious brevity, once thought essential to poetical composition, but of which he is now the only living example. But though this is almost an unvarying characteristic of his style, it appears to us that there is great variety, and even some degree of unsteadiness and inconsistency in the tone of his expression and versification. His taste seems scarcely to be sufficiently fixed and settled as to these essential particulars; and, along with a certain quaint, broken, and harsh manner of his own, we think we can trace very frequent imitations of poets of the most opposite character. The following antithetical and half-punning lines of Pope, for instance :

"Sleepless himself, to give his readers sleep ;" and-

"Whose trifling pleases, and whom trifles please ;have evidently been copied by Mr. Crabbe in the following, and many others :

"And in the restless ocean, seek for rest." "Denying her who taught thee to deny."

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On the other hand, he appears to us to be frequently misled by Darwin into a sort of mock-heroic magnificence, upon ordinary oc casions. The poet of the Garden, for instance, makes his nymphs

"Present the fragrant quintessence of tea."

And the poet of the Dock-yards makes his
carpenters

"Spread the warm pungence of o'erboiling tar."
Mr. Crabbe, indeed, does not scruple, on
some occasions, to adopt the mock-heroic in
good earnest. When the landlord of the
Griffin becomes bankrupt, he says-
"The insolvent Griffin struck her wings sublime,"
and introduces a very serious lamentation
over the learned poverty of the curate, with
this most misplaced piece of buffoonery:-
"Oh! had he learn'd to make the wig he wears !”

One of his letters, too, begins with this wretched quibble

"From Law to Physic stepping at our ease, We find a way to finish-by Degrees." There are many imitations of the peculiar rhythm of Goldsmith and Campbell, too, as our readers must have observed in some of our longer specimens;- but these, though they do not always make a very harmonious the tame heaviness and vulgarity of such combination, are better, at all events, than verses as the following:

"As soon

Could he have thought gold issued from the moon."
"A seaman's body-there'll be more to-night."
"Those who will not to any guide submit,

Nor find one creed to their conceptions fit-
True Independents: while they Calvin hate,
They heed as little what Socinians state.”—p. 54.
"Here pits of crag, with spongy, plashy base,
To some enrich th' uncultivated space," &c. &c.

Of the sudden, narsh turns, and broken con ciseness which we think peculiar to himself, the reader may take the following speci

mens:

"Has your wife's brother, or your uncle's son, Done aught amiss; or is he thought t' have

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done?"

Stepping from post to post he reach'd the chair; And there he now reposes :-that's the Mayor !" He has a sort of jingle, too, which we think is of his own invention;-for instance,

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For forms and feasts that sundry times have past
And formal feasts that will for ever last."

"We term it free and easy; and yet we
Find it no easy matter to be free."

We had more remarks to make upon the taste and diction of this author; and had noted several other little blemishes, which we meant

o have pointed out for his correction: but we mirable account in maintain.ng the inte.er have no longer room for such minute criticism and enhancing the probability, of an extended -from which, indeed, neither the author nor train of adventures. At present, it is impos the reader would be likely to derive any great sible not to regret, that so much genius should benefit. We take our leave of Mr. Crabbe, be wasted in making us perfectly acquainted therefore, by expressing our hopes that, since with individuals, of whom we are to know it is proved that he can write fast, he will not nothing but the characters. In such a poem, allow his powers to languish for want of exer- however, Mr. Crabbe must entirely lay aside tise; and that we shall soon see him again the sarcastic and jocose style to which he has tepaying the public approbation, by entitling rather too great a propensity; but which we himself to a still larger share of it. An author know, from what he has done in Sir Eustace generally knows his own forte so much better Grey, that he can, when he pleases, entirely than any of his readers, that it is commonly relinquish. That very powerful and original a very foolish kind of presumption to offer performance, indeed, the chief fault of which any advice as to the direction of his efforts; is, to be set too thick with images-to be too but we own we have a very strong desire to strong and undiluted, in short, for the diges see Mr. Crabbe apply his great powers to the tion of common readers-makes us regret, construction of some interesting and connected that its author should ever have stopped to be story. He has great talents for narration; and trifling and ingenious or condescended to that unrivalled gift in the delineation of char- tickle the imaginations of his readers, instead acter, which is now used only for the creation of touching the higher passions of their na of detached portraits, might be turned to ad-ture.

(November, 1812.)

Tales. By the Reverend GEORGE CRABBE. 8vo. pp. 398. London: 1812.

their venial offences, contrasted with a strong sense of their frequent depravity, and too constant a recollection of the sufferings it produces; and, finally, the same honours paid to the delicate affections and ennobling passions of humble life, with the same generous testimony to their frequent existence; mixed up as before, with a reprobation sufficiently rigid, and a ridicule sufficiently severe, of their excesses and affectations.

WE are very thankful to Mr. Crabbe for these Tales; as we must always be for any thing that comes from his hands. But they are not exactly the tales which we wanted. We did not, however, wish him to write an Epic as he seems from his preface to have imagined. We are perfectly satisfied with the length of the pieces he has given us; and delighted with their number and variety. In these respects the volume is exactly as we could have wished it. But we should have If we were required to make a comparative liked a little more of the deep and tragical estimate of the merits of the present publica passions; of those passions which exalt and tion, or to point out the shades of difference overwhelm the soul-to whose stormy seat by which it is distinguished from those that the modern muses can so rarely raise their have gone before it, we should say that there flight-and which he has wielded with such are a greater number of instances on which terrific force in his Sir Eustace Grey, and the he has combined the natural language and Gipsy Woman. What we wanted, in short, manners of humble life with the energy of were tales something in the style of those true passion, and the beauty of generous two singular compositions-with less jocu- affection;-in which he has traced out the larity than prevails in the rest of his writings course of those rich and lovely veins in the -rather more incidents-and rather fewer rude and unpolished masses that lie at the details. bottom of society;-and unfolded, in the midThe pieces before us are not of this descrip-dling orders of the people, the workings of tion; they are mere supplementary chapters to "The Borough," or "The Parish Register." The same tone-the same subjects-the same style, measure, and versiLication;-the same finished and minute delineation of things ordinary and common-generally very engaging when employed upon external objects, but often fatiguing when directed merely to insignificant characters and habits;-the same strange mixture too of feelings that tear the heart and darken the imagination, with starts of low humour and patches of ludicrous imagery-the same kindly sympathy with the humble and innocent pleasures of the poor and inelegant, and the same indulgence for

those finer feelings, and the stirrings of those loftier emotions which the partiality of other poets had attributed, almost exclusively, to actors on a higher scene.

We hope, too, that this more amiable and consoling view of human nature will have the effect of rendering Mr. Crabbe still more popular than we know that he already is among that great body of the people, from among whom almost all his subjects are taken, and for whose use his lessons are chiefly in tended: and we say this, not only on account of the moral benefit which we think they may derive from them, but because we are persuaded that they will derive more pleasure

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