Spanish Horror FilmEdinburgh University Press, 20 nov 2012 - 256 páginas Spanish Horror Film is the first in-depth exploration of the genre in Spain from the 'horror boom' of the late 1960s and early 1970s to the most recent production in the current renaissance of Spanish genre cinema, through a study of its production, circulation, regulation and consumption. The examination of this rich cinematic tradition is firmly located in relation to broader historical and cultural shifts in recent Spanish history and as an important part of the European horror film tradition and the global culture of psychotronia. |
Índice
1 | |
11 | |
2 SPANISH HALL OF MONSTERS IN THE 1960s AND EARLY 1970s | 52 |
HISTORIAS PARA NO DORMIR 19668 LA RESIDENCIA 1969 AND QUIÉN PUEDE MATAR A UN NIÑO? 1976 | 97 |
4 THE HORROR CYCLE OF ELOY DE LA IGLESIA 19713 | 127 |
FROM TERROR FANTASTIC 19713 TO 2000 MANIACOS1989PRESENT | 156 |
6 POST1975 HORROR PRODUCTION | 198 |
NACHO CERDÀ JAUME BALAGUERÓ AND GUILLERMO DEL TORO | 233 |
CONCLUSION | 271 |
SELECT FILMOGRAPHY | 278 |
283 | |
297 | |
Otras ediciones - Ver todo
Términos y frases comunes
aesthetic amando American arte associated audiences Balagueró become body Carlos Carlos Aured chapter character cinema classic comic contemporary context conventions cover critics cultural cycle Dead death described director Dr Orloff early established example exploitation fans Fantastic fanzine female festivals fiction Figure film’s filmmakers final Franco genre ghost hand hombre horror genre Ibáñez Serrador Iglesia industry interest interviews issue Jesús Franco José la Iglesia living look Luis magazine mainstream male material Molina monsters morir murder narrative Naschy Night noche offered opening original past Paul period played popular present production promotional publications published pulp reception reference relation release role sangre scene screen script sexual short Spain Spanish horror film specific story success suspense television terror tion Toro traditions Valencia visual werewolf young