woman into whom the school-boy or girl is to grow will in shaping life be guided chiefly by the feelings. Whether the ordinary mortal lives well or ill, basely or nobly, dully or vividly, is practically determined by what he feels. However much the convictions have to do in ordering conduct, feeling has more, and conviction itself is with most mortals inseparably bound up with the emotions. The highest office of education is to develop the emotions highly and nobly; and it is no less essential to the intellectual than to the moral well-being of the child that he be bred to feel as deeply and as wholesomely as possible. Every teacher knows that in dealing with children the ultimate appeal is to their feelings. If a crisis arises in school-life it is to the emotions that the matter is inevitably referred, whether the instructor likes this or not, and whether the appeal is made openly or is indirect and tacit. Teaching must deal with the sentiments as well as with the understanding. That no other means of training and properly developing the feelings of youth is so efficient as literature seems to me a proposition too self-evident to need further comment.

Enthusiasm is so closely connected with the cultivation and training of the emotions that it is not easy to draw a line between them. While there is certainly no need to enlarge here upon the worth of enthusiasm in education or in life, or upon literature as a means of arousing it, it is worth while to emphasize the extent to which the mind of

youth may be affected by enthusiasm. The effects are naturally often so indirect or intangible as not to be easily measured, but often, too, they are direct and practical. Some years ago in a country school in eastern Maine was still paramount the old-time Greenleaf's "Arithmetic " which we elders remember with mixed feelings. The law of education in those days, when children were still expected to do things which were mapped out for them and to follow a course of study whether it chanced to please their individual fancy or not, enforced the mastering of everything in the textbook, even to sundry weird processes with queer names such as "Alligation Alternate" and the like. The teacher of this particular school, a plucky morsel of New England womanhood, not much bigger than a chickadee, set herself resolutely to carry through the arithmetic a class of farmer lads, better at the plow than in mathematics. What happened she told me twenty-five years ago, and I am still able to call up the vision of the air half of defiance, half of amusement with which she said: "The boys were in a perfectly hopeless muddle. I had explained and explained, until I wished I could either cry like a woman or be a man and swear! The third day I had an inspiration. In the very middle of the recitation, I told them to shut up their books, and I cleaned every mark of the lesson off of the blackboard. Then without a word of explanation I began to tell them a little about the pamphlet Sir Walter Ra

leigh wrote about the 'Revenge;' and then I began to recite Tennyson's ballad-which was new then. I was wrought up to the very top-notch anyway, and I just gave that ballad for all there was in me. They were dazed a minute, and then they pricked up their ears, their eyes began to shine, and I had them. We kindled each other, and by the time I got through the tears were running down my cheeks for simple excitement. When I got to the end, you could just feel the hush. Then I told them to go outdoors and snow-ball for ten minutes, and then to come in and conquer that lesson. They were great, rough farmer boys, you understand; but the moment they were outside, they gave a cheer, just to express things they could n't have put into words. When they came in they were alive to the ends of their fingers, and we went over that old Alligation with a perfect rush." This sort of thing would not be possible anywhere outside of the old-fashioned country school, but it is a capital illustration of the way in which poetry may stir the enthusiasm.

More valuable still, because at once deeper and most lasting, is the effect of literature in nourishing imagination. The real progress which children make in education- the assimilation of the knowledge which they receive depends largely upon this power. In many branches of study this is easily evident. What a child actually knows of geography or of history obviously depends upon the extent to which his mind is able to make real

places or events remote in space or in time. The same is true of those studies where the fact is not so evident; and it is hardly too much to say that the advance of any student in higher education is measured by the development of his imagination.

The teacher of literature in the secondary schools, then, is to consider that although his work is primarily done as a part of the school requirement, he need not be without some clear and deliberate intention in regard to the permanent effect upon the education and so upon the character of the pupil. He may treat the getting of his charges through the examinations as a purely secondary matter; a matter, moreover, which is practically sure to be accomplished if the greater and better purposes of the study have been secured. Besides a general knowledge of literary history, the student should gain from his training in the secondary school a vivid sense of the importance and value of words; an appreciation of word-values as shown in actual use by the masters; should increase in knowledge of life, and as it were gain experience vicariously, so as to advance in perception of intellectual and moral values; should be advanced in the control of the feelings; in enthusiasm; and in the development of that noblest of faculties, the imagination.

III

SOME DIFFICULTIES

To deal clearly with the work of teaching, it is first of all essential to deal frankly. In order that suggestions in regard to instruction in literature may be of practical value, we must be entirely honest in admitting and in facing whatever difficulties lie in the way and whatever limitations are imposed by the conditions under which the work is done.

As things are at present arranged, an instructor, it seems not unjust to say, must decide how far he is able to mingle genuine education with the routine work which the system imposes upon him. If he has not the power to settle this question, or if he is lacking in the disposition to propose the question to himself, his labor is inevitably confined chiefly to routine. His students are turned out examination-perfect, it may be, but with minds as fatally cramped and checked as the feet of a Chinese lady. If literature has a high and important function in education, the teacher must consider deeply both what that function is and how he is best to develop it.

The failure on the part of instructors to do this makes much of the work done in the secondary