The Album, Volumen 3J. Andrews., 1823 |
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Página 4
... success of his plays . Theatri- cal representations , at Athens were more a subject of instruction than of amusement . The flame of patriot- ism was fanned by the inspiring exhibitions of valour , and the enthusiastic sentiments of ...
... success of his plays . Theatri- cal representations , at Athens were more a subject of instruction than of amusement . The flame of patriot- ism was fanned by the inspiring exhibitions of valour , and the enthusiastic sentiments of ...
Página 5
... success of the an- cient tragedies ; but the opinion of posterity , more solid than the mere excitation of popular feeling , has deter- mined that the veneration of the Athenians for their dramatic poets was no less a proof of their ...
... success of the an- cient tragedies ; but the opinion of posterity , more solid than the mere excitation of popular feeling , has deter- mined that the veneration of the Athenians for their dramatic poets was no less a proof of their ...
Página 6
... successful rival of Athens in her literary glories , should have left no specimen of excellence in tragedy . The plays of Seneca are , for the most part , vapid and bombastic ; and in some instances , professedly an imitation , and that ...
... successful rival of Athens in her literary glories , should have left no specimen of excellence in tragedy . The plays of Seneca are , for the most part , vapid and bombastic ; and in some instances , professedly an imitation , and that ...
Página 7
... success of French tragedy . It impedes the fluency of expression , and increases tenfold that difficulty which so often mars a powerful thought , the clothing it in equally powerful language . It is a very acute observation of Aristotle ...
... success of French tragedy . It impedes the fluency of expression , and increases tenfold that difficulty which so often mars a powerful thought , the clothing it in equally powerful language . It is a very acute observation of Aristotle ...
Página 9
... success , are now scarcely known even by name . The elder Colman , in his prologue to the revival of Philas- ter , in 1763 , thus aptly characterizes the whole race : - Next , prim , and trim , and delicate , and chaste , A hash from ...
... success , are now scarcely known even by name . The elder Colman , in his prologue to the revival of Philas- ter , in 1763 , thus aptly characterizes the whole race : - Next , prim , and trim , and delicate , and chaste , A hash from ...
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Términos y frases comunes
Adam Blair admirable Æschylus Ali Pacha ancient Angels Apis appeared arms beautiful body called Captain Franklin Catline character Charles Kemble colour composite order death delight dramatic effect expression eyes Faulconbridge Faust feeling feet fire Fort Chipewyan genius Gibeah give Glenoe Græme Greeks hand happiness head heard heart heaven Hepburn honour Hood human imagination inches Indians language less lips living look Lord Lord Byron Lucy manner means ment Meph Mephistopheles mind Morea Mussulmen mysteries nature never night Osiris Othello passed passion Peloponnesus perhaps person Phorcys play poetical poetry racter reader recollection rites round scarcely scene seemed seen Serapeum Serapis Shakspeare shew side snow soul speak spirit style success taste thing thou thought tion tragedy tribe tripe de roche truth turn voice whilst whole words writing young
Pasajes populares
Página 21 - I'll not shed her blood, Nor scar that whiter skin of hers than snow, And smooth as monumental alabaster. Yet she must die, else she'll betray more men. Put out the light, and then put out the light.
Página 298 - Her feet beneath her petticoat Like little mice stole in and out, As if they feared the light: But, oh ! she dances such a way— No sun upon an Easter day Is half so fine a sight.
Página 410 - A countenance in which did meet Sweet records, promises as sweet ; A creature not too bright or good For human nature's daily food, For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles.
Página 429 - Why, this is hell, nor am I out of it. Think'st thou that I, who saw the face of God And tasted the eternal joys of heaven, Am not tormented with ten thousand hells, In being depriv'd of everlasting bliss?
Página 388 - In a dramatic composition the imagery and the passion should interpenetrate one another, the former being reserved simply for the full developement and illustration of the latter. Imagination is as the immortal God which should assume flesh for the redemption of mortal passion.
Página 410 - She was a Phantom of delight When first she gleamed upon my sight; A lovely Apparition sent To be a moment's ornament; Her eyes as stars of Twilight fair; Like Twilight's, too, her dusky hair; But all things else about her drawn From May-time and the cheerful Dawn; A dancing Shape, an Image gay, To haunt, to startle, and waylay.
Página 153 - And falling and brawling and sprawling, And driving and riving and striving, And sprinkling and twinkling and wrinkling, And sounding...
Página 97 - Tis but as ivy-leaves around the ruin'd turret wreath, All green and wildly fresh without, but worn and grey beneath. Oh, could I feel as I have felt, — or be what I have been, Or weep as I could once have wept, o'er many a vanish'd scene ; As springs in deserts found seem sweet, all brackish though they be, So, midst the wither'd waste of life, those tears would flow to me.
Página 94 - My joy was in the Wilderness, to breathe The difficult air of the iced mountain's top, Where the birds dare not build, nor insect's wing Flit o'er the herbless granite...
Página 153 - Sounds and motions forever and ever are blending, All at once and all o'er, with a mighty uproar, — And this way the water comes down at Lodore.