The Album, Volumen 3J. Andrews., 1823 |
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Página 13
... leaves no trace of his excellence behind him— that his fame perishes with those who had witnessed , and contributed to confer it . But , in return for this , he possesses a far stronger interest in the public mind - in the public heart ...
... leaves no trace of his excellence behind him— that his fame perishes with those who had witnessed , and contributed to confer it . But , in return for this , he possesses a far stronger interest in the public mind - in the public heart ...
Página 14
... knowledge of what he was , we should at least leave a record to shew how he was esteemed and honoured by his country , and loved and lamented by his friends . spectre - like , than the usual sleek and well 14 ON ANCIENT AND MODERN TRAGEDY .
... knowledge of what he was , we should at least leave a record to shew how he was esteemed and honoured by his country , and loved and lamented by his friends . spectre - like , than the usual sleek and well 14 ON ANCIENT AND MODERN TRAGEDY .
Página 29
... leaves , or the red wine's bubbles , In petulant debate , gallantly tilting Astride their darts . And one there was alone , Who with wet downcast eyelids threw aside The remnants of a broken heart , and looked Into my face , and bid me ...
... leaves , or the red wine's bubbles , In petulant debate , gallantly tilting Astride their darts . And one there was alone , Who with wet downcast eyelids threw aside The remnants of a broken heart , and looked Into my face , and bid me ...
Página 33
... leaving the proofs of such assertions to suggest themselves ( as they naturally and necessarily must ) to all my readers . And I desire it may be expressly understood , that I adopt this course purely out of respect to the judgment and ...
... leaving the proofs of such assertions to suggest themselves ( as they naturally and necessarily must ) to all my readers . And I desire it may be expressly understood , that I adopt this course purely out of respect to the judgment and ...
Página 39
... leave us to the mercy of the open street . We were not slow or nice in knocking at the door of the Bear ; but , " knock , and it shall not be opened to you " ( at least in the middle of the night , and when it was already full ) was the ...
... leave us to the mercy of the open street . We were not slow or nice in knocking at the door of the Bear ; but , " knock , and it shall not be opened to you " ( at least in the middle of the night , and when it was already full ) was the ...
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Términos y frases comunes
Adam Blair admirable Æschylus Ali Pacha ancient Angels Apis appeared arms beautiful body called Captain Franklin Catline character Charles Kemble colour composite order death delight dramatic effect expression eyes Faulconbridge Faust feeling feet fire Fort Chipewyan genius Gibeah give Glenoe Græme Greeks hand happiness head heard heart heaven Hepburn honour Hood human imagination inches Indians language less lips living look Lord Lord Byron Lucy manner means ment Meph Mephistopheles mind Morea Mussulmen mysteries nature never night Osiris Othello passed passion Peloponnesus perhaps person Phorcys play poetical poetry racter reader recollection rites round scarcely scene seemed seen Serapeum Serapis Shakspeare shew side snow soul speak spirit style success taste thing thou thought tion tragedy tribe tripe de roche truth turn voice whilst whole words writing young
Pasajes populares
Página 21 - I'll not shed her blood, Nor scar that whiter skin of hers than snow, And smooth as monumental alabaster. Yet she must die, else she'll betray more men. Put out the light, and then put out the light.
Página 298 - Her feet beneath her petticoat Like little mice stole in and out, As if they feared the light: But, oh ! she dances such a way— No sun upon an Easter day Is half so fine a sight.
Página 410 - A countenance in which did meet Sweet records, promises as sweet ; A creature not too bright or good For human nature's daily food, For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles.
Página 429 - Why, this is hell, nor am I out of it. Think'st thou that I, who saw the face of God And tasted the eternal joys of heaven, Am not tormented with ten thousand hells, In being depriv'd of everlasting bliss?
Página 388 - In a dramatic composition the imagery and the passion should interpenetrate one another, the former being reserved simply for the full developement and illustration of the latter. Imagination is as the immortal God which should assume flesh for the redemption of mortal passion.
Página 410 - She was a Phantom of delight When first she gleamed upon my sight; A lovely Apparition sent To be a moment's ornament; Her eyes as stars of Twilight fair; Like Twilight's, too, her dusky hair; But all things else about her drawn From May-time and the cheerful Dawn; A dancing Shape, an Image gay, To haunt, to startle, and waylay.
Página 153 - And falling and brawling and sprawling, And driving and riving and striving, And sprinkling and twinkling and wrinkling, And sounding...
Página 97 - Tis but as ivy-leaves around the ruin'd turret wreath, All green and wildly fresh without, but worn and grey beneath. Oh, could I feel as I have felt, — or be what I have been, Or weep as I could once have wept, o'er many a vanish'd scene ; As springs in deserts found seem sweet, all brackish though they be, So, midst the wither'd waste of life, those tears would flow to me.
Página 94 - My joy was in the Wilderness, to breathe The difficult air of the iced mountain's top, Where the birds dare not build, nor insect's wing Flit o'er the herbless granite...
Página 153 - Sounds and motions forever and ever are blending, All at once and all o'er, with a mighty uproar, — And this way the water comes down at Lodore.