The Album, Volumen 3J. Andrews., 1823 |
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... THOMAS SHERIDAN , ESQ . HUMAN SORROW ON THE ( SO CALLED ) TOMB OF PSAMMIS ... ON NATURE AND ART IN POETRY ... THE STRATFORD JUBILEE INSIDES AND OUTSIDES ........ SCRAPS , ORIGINAL AND SELECTED ..... THE REVIEW . 61 63 74 88 99 ...
... THOMAS SHERIDAN , ESQ . HUMAN SORROW ON THE ( SO CALLED ) TOMB OF PSAMMIS ... ON NATURE AND ART IN POETRY ... THE STRATFORD JUBILEE INSIDES AND OUTSIDES ........ SCRAPS , ORIGINAL AND SELECTED ..... THE REVIEW . 61 63 74 88 99 ...
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... human improvement , might justly give reason to expect ? For our own part , we are apt to think that there is often less ingenuity in the conduct of a modern play than in that of some of the best Greek tragedies . The Electra and ...
... human improvement , might justly give reason to expect ? For our own part , we are apt to think that there is often less ingenuity in the conduct of a modern play than in that of some of the best Greek tragedies . The Electra and ...
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... human nature , in all its bearings , and under all its varieties of aspect . The tragedies of Lear and Othello are , we think , especially calculated to display this peculiar excellence . We know of nothing , in the whole range of the ...
... human nature , in all its bearings , and under all its varieties of aspect . The tragedies of Lear and Othello are , we think , especially calculated to display this peculiar excellence . We know of nothing , in the whole range of the ...
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... human mind was as intimate and accurate with regard to its aber- rations as to its sane state ; —and he continually refers to , and quotes the actions and expressions of Lear , almost in the same manner as if they were recorded in a ...
... human mind was as intimate and accurate with regard to its aber- rations as to its sane state ; —and he continually refers to , and quotes the actions and expressions of Lear , almost in the same manner as if they were recorded in a ...
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... human nature in so many forms , all so true , and so dis- tinct from each other ; even in his supernatural beings , he has embodied a perfect representation of those whom he wishes to delineate . It may seem absurd to speak of na- ture ...
... human nature in so many forms , all so true , and so dis- tinct from each other ; even in his supernatural beings , he has embodied a perfect representation of those whom he wishes to delineate . It may seem absurd to speak of na- ture ...
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Términos y frases comunes
Adam Blair admirable Æschylus Ali Pacha ancient Angels Apis appeared arms beautiful body called Captain Franklin Catline character Charles Kemble colour composite order death delight dramatic effect expression eyes Faulconbridge Faust feeling feet fire Fort Chipewyan genius Gibeah give Glenoe Græme Greeks hand happiness head heard heart heaven Hepburn honour Hood human imagination inches Indians language less lips living look Lord Lord Byron Lucy manner means ment Meph Mephistopheles mind Morea Mussulmen mysteries nature never night Osiris Othello passed passion Peloponnesus perhaps person Phorcys play poetical poetry racter reader recollection rites round scarcely scene seemed seen Serapeum Serapis Shakspeare shew side snow soul speak spirit style success taste thing thou thought tion tragedy tribe tripe de roche truth turn voice whilst whole words writing young
Pasajes populares
Página 21 - I'll not shed her blood, Nor scar that whiter skin of hers than snow, And smooth as monumental alabaster. Yet she must die, else she'll betray more men. Put out the light, and then put out the light.
Página 298 - Her feet beneath her petticoat Like little mice stole in and out, As if they feared the light: But, oh ! she dances such a way— No sun upon an Easter day Is half so fine a sight.
Página 410 - A countenance in which did meet Sweet records, promises as sweet ; A creature not too bright or good For human nature's daily food, For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles.
Página 429 - Why, this is hell, nor am I out of it. Think'st thou that I, who saw the face of God And tasted the eternal joys of heaven, Am not tormented with ten thousand hells, In being depriv'd of everlasting bliss?
Página 388 - In a dramatic composition the imagery and the passion should interpenetrate one another, the former being reserved simply for the full developement and illustration of the latter. Imagination is as the immortal God which should assume flesh for the redemption of mortal passion.
Página 410 - She was a Phantom of delight When first she gleamed upon my sight; A lovely Apparition sent To be a moment's ornament; Her eyes as stars of Twilight fair; Like Twilight's, too, her dusky hair; But all things else about her drawn From May-time and the cheerful Dawn; A dancing Shape, an Image gay, To haunt, to startle, and waylay.
Página 153 - And falling and brawling and sprawling, And driving and riving and striving, And sprinkling and twinkling and wrinkling, And sounding...
Página 97 - Tis but as ivy-leaves around the ruin'd turret wreath, All green and wildly fresh without, but worn and grey beneath. Oh, could I feel as I have felt, — or be what I have been, Or weep as I could once have wept, o'er many a vanish'd scene ; As springs in deserts found seem sweet, all brackish though they be, So, midst the wither'd waste of life, those tears would flow to me.
Página 94 - My joy was in the Wilderness, to breathe The difficult air of the iced mountain's top, Where the birds dare not build, nor insect's wing Flit o'er the herbless granite...
Página 153 - Sounds and motions forever and ever are blending, All at once and all o'er, with a mighty uproar, — And this way the water comes down at Lodore.