Narratology: An IntroductionSusana Onega Jaén, José Angel García Landa Longman, 1996 - 324 páginas This text provides an excellent introduction and overview of Narratology, a rapidly growing field in the humanities. Literary narratologists have provided many key concepts and analytical tools which are widely used in the interdisciplinary analysis of such narrative features as plot, point of view, speech presentation, ideological perspective and interpretation. The introduction explains the central concepts of narratology, their historical development, and draws together contemporary trends from many different disciplines into common focus. It offers a compendium of the development of narratology from classical poetics to the present. The essays are all prefaced by individual forewords helping the reader to place each individual selection in context. Recent developments are assessed across disciplines, highlighting the mutual influences of narratology and deconstruction, psychoanalysis, feminism, film and media studies. |
Índice
ROLAND BARTHES Introduction to the Structural Analysis | 45 |
CLAUDE BREMOND The Logic of Narrative Possibilities | 70 |
61 | 76 |
Página de créditos | |
Otras 18 secciones no se muestran.
Otras ediciones - Ver todo
Términos y frases comunes
actants action amelioration analysis of narrative Barthes Branigan camera causal character cinema concept criticism defined diegesis diegetic distinction dramatic Essays example exposition external focaliser extradiegetic eyeline match fabula fiction fictive figure film first-person narrative focalization focalizor function Genette's genre GÉRARD GENETTE Greimas historical identified instance internal interpretation language linguistic literary literature logic meaning metafiction mock reader mode mythical Narrative Discourse narrative situation narratology narrator novel novelist object Oedipus Paris Paul Ricœur perception person perspective plot Poetics point of view possible present Propp question Reader-Response Criticism reading récit relation relationship representation Rhetoric Rhetoric of Fiction Ricœur Roland Barthes role Russian Formalists screen semiotic sentence sequence shot space specific spectator story structuralist structure tells temporal textual thematic Theory of Narrative Tom Jones trans Tristram Shandy types typology University Press Vladimir Propp word writing