Shakespeare: The Two TraditionsFairleigh Dickinson Univ Press, 1999 - 271 páginas The two traditions -- Shakespeare on stage and Shakespeare on film -- have experienced a midair collision with postmodernism. The purpose of Shakespeare is to examine recent productions of Shakespeare on stage and film and to lay out some interpretive guidelines for responding to the scripts as re-created in these two very different formats and within the conflicted environment of shifting critical paradigms. Illustrated. |
Índice
Shakespeare on Stage | 45 |
The Shakespeare Theatres Henry V and Henry VI and the Public Theaters Henry VI | 47 |
Three Tempests and One Macbeth | 77 |
Recent Hamlet Productions and Historicism | 96 |
Shakespeare Repertory 110 47 | 110 |
e 8 | 117 |
Shakespeare on Film | 154 |
Olivier Loncraine and Pacino | 155 |
Branaghs Film | 216 |
Conclusion | 225 |
Notes | 232 |
Production Credits | 244 |
Works Cited | 248 |
Index | 260 |
174 | 262 |
216 | 263 |
Stoppards Rosencrantz and Guildenstern Are Dead and Branaghs A Midwinters Tale | 162 |
Parkers Othello and Luhrmanns Romeo + Juliet | 174 |
Trevor Nunns Twelfth Night | 198 |
239 | 266 |
248 | 271 |
Otras ediciones - Ver todo
Términos y frases comunes
action actors approach argues asked audience battle become begins believe body Branagh's calls camera character Claudius close comes complete contrast course created critics culture death director dream early effect emerge example experience eyes face father film final force Fortinbras Gertrude Ghost gives Gonzago Guildenstern Hamlet hand Henry images imagination interpretation issues John Juliet King Lady lago language late later light lines live look Macbeth Malvolio meanings merely Michael moment moments moves murder Night occur Olivia once Ophelia Othello particularly performance perhaps person play Player political Polonius present Prince problem production Prospero question reality recent recognize response revenge Richard role Romeo Rosencrantz says scene script seems sense Shakespeare shows soliloquy song space speech stage story suggests takes tell theater things tion turned York young
Pasajes populares
Página 117 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
Página 21 - Piece out our imperfections with your thoughts ; Into a thousand parts divide one man, And make imaginary puissance ; Think, when we talk of horses, that you see them Printing their proud hoofs i...
Página 19 - No, no, no life! Why should a dog, a horse, a rat, have life, And thou no breath at all? Thou'lt come no more, Never, never, never, never, never!
Página 222 - Fie, my lord, fie! a soldier, and afeard? What need we fear who knows it, when none can call our power to account? Yet who would have thought the old man to have had so much blood in him? DoCT. Do you mark that? LADY M. The thane of Fife had a wife; where is she now? What, will these hands ne'er be clean? No more o' that, my lord, no more o' that: you mar all with this starting.
Página 166 - Audiences know what to expect and that is all they are prepared to believe in
Página 99 - What these elements are in themselves it skilleth not; it is enough, that to me which take them they are the body and blood of Christ; his promise in witness hereof sufficeth; his word he knoweth which way to accomplish; why should any cogitation possess the mind of a faithful communicant but this ? O my God, thou art true; O my soul, thou art happy!
Página 100 - Cut off even in the blossoms of my sin, Unhousel'd, disappointed, unanel'd, No reckoning made, but sent to my account With all my imperfections on my head: O, horrible!
Página 37 - I believe that the motion picture is destined to revolutionize our educational system and that in a few years it will supplant largely, if not entirely, the use of textbooks.
Referencias a este libro
Barthes and the Bard - Scriptibilité and Two Adaptations of "A Midsummer ... Thorsten Leiendecker No hay ninguna vista previa disponible - 2008 |
Información bibliográfica
| Título | Shakespeare: The Two Traditions |
| Autor | Herbert R. Coursen |
| Edición | ilustrada |
| Editor | Fairleigh Dickinson Univ Press, 1999 |
| ISBN | 0838637744, 9780838637746 |
| N.º de páginas | 271 páginas |
| Exportar cita | BiBTeX EndNote RefMan |