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But since we have said, it were good not to use men of ambitious natures, except it be upon necessity, it is fit we speak in what cases they are of necessity. Good commanders in the wars must be taken, be they never so ambitious; for the use of their service dispenseth with the rest; and to take a soldier without ambition, is to pull off his spurs. There is also great use of ambitious men in being screens to princes in matters of danger and envy; for no man will take that part except he be like a seeled dove, that mounts and mounts, because he cannot see about him. There is use also of ambitious men in pulling down the greatness of any subject that overtops; as Tiberius used Macro in the pulling down of Sejanus. Since therefore they must be used in such cases, there resteth to speak how they are to be riddled, that they may be less dangerous; there is less danger of them if they be of mean birth, than if they be noble; and if they be rather harsh of nature, than gracious and popular; and if they be rather new raised, than grown cunning and fortified in their greatness. It is counted by some a weakness in princes to have favourites; but it is, of all

others, the best remedy against ambitious great ones; for when the way of pleasuring and displeasuring lieth by the favourite, it is impossible any other should be overgreat. Another means to curb them is to balance them by others as proud as they ; but then there must be some middle counsellors to keep things steady ; for without that ballast the ship will roll too much. At the least a prince may animate and inure some meaner persons to be, as it were, scourges to ambitious men. As for the having of them obnoxious to ruin, if they be of fearful natures, it may do well; but if they be stout and daring, it may precipitate their designs, and prove dangerous. As for the pulling of them down, if the affairs require it, and that it may not be done with safety suddenly, the only way is, the interchange continually of favours and disgraces, whereby they may not know what to expect, and be, as it were, in a wood. Of ambitions, it is less harmful the ambition to prevail in great things, than that other to appear in every thing; for that breeds confusion, and mars business : but yet it is less danger to have an ambitious man stirring in business than great in dependences. N

He that seeketh to be eminent amongstable men hath a great task; but that is ever good for the public: but he that plots to be the only figure amongst cyphers, is the decay of a whole age. Honour hath three things in it ; the vantage ground to do good; the approach to kings and principal persons; and the raising of a man’s own fortunes. He that hath the best of these intentions, when he aspireth is an honest man; and that prince, that can discern of these intentions in another that aspireth, is a wise prince. Generally let princes and states choose such ministers as are more sensible of duty than of rising, and such as love business rather upon conscience than upon bravery; and let them discern a busy, nature from a willing mind.

OF MASQUES AND TRIUMPHS.

THESE things are but toys to come amongst such serious observations ; but yet, since princes will have such things, it is better they should be graced with elegancy than daubed with cost. Dancing to song is a thing of great

state and pleasure. I understand it that the song be in quire, placed aloft, and accompanied with some broken music; and the ditty fitted to the device. Acting in song, especially in dialogues, hath an extreme good grace; I say acting, not dancing : (for that is a mean and vulgar thing ;) and the voices of the dialogue would be strong and manly, (a base and a tenor; no treble,) and the ditty high and tragical; not nice or dainty. Several quires placed one over against another, and taking the voice by catches anthem-wise, give great pleasure. Turning dances into figure is a childish curiosity; and generally let it be noted, that those things which I here set down are such as do naturally take the sense, and not respect petty wonderments. It is true, the alterations of scenes, so it be quietly and without noise, are things of great beauty and pleasure; for they feed and relieve the eye before it be full of the same object. Let the scenes abound with light, especially coloured and varied; and let the masquers, or any other that are to come down from the scene, have some motions upon the scene itself before their coming down; for it draws the eye strangely, and makes it with

great pleasure to desire to see that it cannot perfectly discern. Let the songs be loud and cheerful, and not chirpings or pulings; let the music likewise be sharp and loud, and well placed. The colours that shew best by candlelight are white, carnation, and a kind of seawater green; and ouches, or spangs, as they are of no great cost, so they are of most glory. As for rich embroidery, it is lost and not discerned. Let the suits of the masquers be graceful, and such as become the person when the wizards are off; not after the examples of known attires; turks, soldiers, mariners, and the like. Let anti-masques not be long; they have been commonly of fools, satyrs, baboons, wild men, antics, beasts, spirits, witches, aethiopes, pygmies, turquets, nymphs, rustics, cupids, statues moving, and the like. As for angels, it is not comical enough to put them in anti-masques; and any thing that is hideous, as devils, giants, is, on the other side, as unfit; but chiefly, let the music of them be recreative, and with some strange changes. Some sweet odours suddenly coming forth, without any drops falling, are in such a company, as there is steam and heat, things of great pleasure and refreshment.

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