Decolonial Voices: Chicana and Chicano Cultural Studies in the 21st CenturyArturo J. Aldama, Naomi Quiñonez Indiana University Press, 4 abr 2002 - 432 páginas The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. This collection represents several key directions in the field: First, it charts how subaltern cultural productions of the US/ Mexico borderlands speak to the intersections of "local," "hemispheric," and "globalized" power relations of the border imaginary. Second, it recovers the Mexican women's and Chicana literary and cultural heritages that have been ignored by Euro-American canons and patriarchal exclusionary practices. It also expands the field in postnationalist directions by creating an interethnic, comparative, and transnational dialogue between Chicana and Chicano, African American, Mexican feminist, and U.S. Native American cultural vocabularies. Contributors include Norma AlarcÃ3n, Arturo J. Aldama, Frederick Luis Aldama, Cordelia Chávez Candelaria, Alejandra Elenes, RamÃ3n Garcia, MarÃa Herrera-Sobek, Patricia Penn Hilden, Gaye T. M. Johnson, Alberto Ledesma, Pancho McFarland, Amelia MarÃa de la Luz Montes, Laura Elisa Pérez, Naomi Quiñonez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, José David SaldÃvar, Anna Sandoval, and Jonathan Xavier Inda. |
Dentro del libro
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... discussing con- temporary issues affecting our society . The issue of violence , for example , is one that is grabbing headlines since senseless attacks on people seem to be on the rise . The Los Angeles Times reported a 12 percent ...
... discussing the aesthetics of " border culture " in relation to juridical , linguistic , and political tensions produced by the U.S. - Mexico border , Alfred Arteaga ( 1997 ) analyzes how the " cul- tural politics of hybridization " are ...
... discuss racialized , subaltern , feminist , and diasporic identities and the aesthetic politics of hybrid and mestiza / o cultural productions . In doing so , it pulls together a body of theoretically rigorous interdisciplinary essays ...
... discuss how Chicana and Chicano cultural productions enter into what Michel de Certeau calls the " the practice of everyday " resistance to negotiate space and time ( Lefebvre , 1991 ) in racialized and sexist political and discursive ...
... discuss the nature of our collaboration in putting this collection together . Arturo : It is an honor to work with Naomi Quinonez , a poet , feminist scholar , and cultural activist whose poetic con- sciousness is tied to the first wave ...
Índice
1 | |
Film Culture in Chicano Cultural | 64 |
Penalizing Chicanoa Bodies in Edward J Olmoss | 78 |
Biopower Reproduction and the Migrant Womans Body | 98 |
Inscribing Gynetics | 113 |
DISMANTLING COLONIAL | 127 |
Nationalism Race and Gender | 177 |
The Feminist Legacy of Estela | 195 |
MAPPING SPACE | 243 |
On the Bad Edge of La Frontera | 262 |
Chicano | 297 |
AfroChicano Interaction and Popular | 316 |
Narratives of Undocumented Mexican Immigration | 330 |
The Alamo Slavery and the Politics of Memory | 366 |
Reflections at the Millennium | 378 |
Contributors | 389 |
Otras ediciones - Ver todo
Decolonial Voices: Chicana and Chicano Cultural Studies in the 21st Century Arturo J. Aldama,Naomi Helena Quiñonez Vista previa restringida - 2002 |