Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2Walter Willson Cobbett Oxford University Press, H. Milford, 1930 |
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Página 32
... rhythmic variety , music loses its most spontaneous and virile element . The popular , untutored origins of jazz led to the natural and spontaneous em- ployment of an improvised counterpoint , both of instrumental timbres and of rhythmic ...
... rhythmic variety , music loses its most spontaneous and virile element . The popular , untutored origins of jazz led to the natural and spontaneous em- ployment of an improvised counterpoint , both of instrumental timbres and of rhythmic ...
Página 119
... rhythmic substance of the move- ment , which derives special animation from the continuous contrast of the two rhythms , 6/8 and 2/4 . The scheme of the first part of the scherzo is as follows : I. Ex . 8. Fmajor ; II . III . " " with ...
... rhythmic substance of the move- ment , which derives special animation from the continuous contrast of the two rhythms , 6/8 and 2/4 . The scheme of the first part of the scherzo is as follows : I. Ex . 8. Fmajor ; II . III . " " with ...
Página 394
... rhythmic figure in the piano part . The even steps of this deep - breathing melody and the bass of the piano balance the passionate character of the syncopated figures in the right hand ; all the more , then , should the violinist keep ...
... rhythmic figure in the piano part . The even steps of this deep - breathing melody and the bass of the piano balance the passionate character of the syncopated figures in the right hand ; all the more , then , should the violinist keep ...
Otras ediciones - Ver todo
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason Vista de fragmentos - 1963 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett Vista de fragmentos - 1963 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason No hay ninguna vista previa disponible - 1963 |
Términos y frases comunes
accompaniment adagio allegro Altmann amateurs andante appears artistic bars bass beautiful Beethoven Brahms cello sonata César Franck chamber music character charm chords clarinet classical coda colour combination composer's compositions concerts contrapuntal dance duets EDITOR effect ensemble expression figured bass finale flute follows French composer fugue G major G minor German composer harmony Haydn horn influence instru instruments interest Italian main theme melody ment middle section minuet moderato modern mood motif Mozart musician oboe opening orchestra original passages performance phrase pianist piano quartet piano trio pieces pizzicato played players poser published pupil quintet recapitulation rhythm rhythmic rondo Russian scherzo Schott Schubert Schumann second movement second subject second theme second violin Senart serenade sextet Simrock slow movement solo sonata form song string quartet style Suite symphony tempo thematic tion tonal tone variations viola violin sonata violinist whole writing written wrote