Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2Walter Willson Cobbett Oxford University Press, H. Milford, 1930 |
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Página 14
... period , it can be observed wherever examples of it exist , and its details can be completely grasped ; but in music it is only possible to read a printed score which is a passive piece of material , which has to be made to live its ...
... period , it can be observed wherever examples of it exist , and its details can be completely grasped ; but in music it is only possible to read a printed score which is a passive piece of material , which has to be made to live its ...
Página 386
... period , and , although he wrote a few really great works in that period , most of the compositions of those years show in a steadily increasing degree the weariness , the inroads of the disease which lamed his inspiration . The first ...
... period , and , although he wrote a few really great works in that period , most of the compositions of those years show in a steadily increasing degree the weariness , the inroads of the disease which lamed his inspiration . The first ...
Página 462
... period of his activity Stravinsky created the idea of himself as a composer operating on a huge scale and with massive sonorities . The public identified his manner with a striving for creation on big lines and an incisive specification ...
... period of his activity Stravinsky created the idea of himself as a composer operating on a huge scale and with massive sonorities . The public identified his manner with a striving for creation on big lines and an incisive specification ...
Otras ediciones - Ver todo
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason Vista de fragmentos - 1963 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett Vista de fragmentos - 1963 |
Cobbett's Cyclopedic Survey of Chamber Music, Volumen 2 Walter Willson Cobbett,Colin Mason No hay ninguna vista previa disponible - 1963 |
Términos y frases comunes
accompaniment adagio allegro Altmann amateurs andante appears artistic bars bass beautiful Beethoven Brahms cello sonata César Franck chamber music character charm chords clarinet classical coda colour combination composer's compositions concerts contrapuntal dance duets EDITOR effect ensemble expression figured bass finale flute follows French composer fugue G major G minor German composer harmony Haydn horn influence instru instruments interest Italian main theme melody ment middle section minuet moderato modern mood motif Mozart musician oboe opening orchestra original passages performance phrase pianist piano quartet piano trio pieces pizzicato played players poser published pupil quintet recapitulation rhythm rhythmic rondo Russian scherzo Schott Schubert Schumann second movement second subject second theme second violin Senart serenade sextet Simrock slow movement solo sonata form song string quartet style Suite symphony tempo thematic tion tonal tone variations viola violin sonata violinist whole writing written wrote