Imágenes de página
PDF
ePub

SCENE II.

The Inside of a Cottage, around which Flowers and Plants of various kinds are seen. Discovers ALVAR, ZULIMEZ, and ALHADRA, as on the point of leaving.

ALHADRA (¿ddressing ALVAR). Farewell, then! and though many thoughts perplex

me,

Aught evil or ignoble never can I

Suspect of thee! If what thou seem'st thou art, The oppressed brethren of thy blood have need Of such a leader.

ALVAR.

Noble-minded woman!

Long time against oppression have I fought,

And for the native liberty of faith

Have bled, and suffer'd bonds. Of this be certain:

Time, as he courses onwards, still unrolls

The volume of Concealment, In the Future,

As in the optician's glassy cylinder,

The indistinguishable blots and colors

Of the dim Past collect and shape themselves,
Upstarting in their own completed image
To scare or to reward.

I sought the guilty,
And what I sought I found: but ere the spear
Flew from my hand, there rose an angel form
Betwixt me and my aim. With baffled purpose
To the Avenger I leave Vengeance, and depart!

Whate'er betide, if aught my arm may aid,
Or power protect, my word is pledged to thee:
For many are thy wrongs, and thy soul noble.
Once more, farewell.

[Exit ALHADRA. Yes, to the Belgic states

We will return. These robes, this stain'd complexion,
Akin to falsehood, weigh upon my spirit
Whate'er befall us, the heroic Maurice
Will grant us an asylum, in remembrance
Of our past services.

ZULIMEZ.

And all the wealth, power, influence which is yours, You let a murderer hold?

ALVAR.

O faithful Zulimez! That my return involved Ordonio's death, I trust, would give me an unmingled pang, Yet bearable-but when I see my father Strewing his scant gray hairs, e'en on the ground, Which soon must be his grave, and my TeresaHer husband proved a murderer, and her infants, His infants-poor Teresa!-all would perish, All perish-all! and I (nay bear with me) Could not survive the complicated ruin!

ZULIMEZ (much affected).

Nay now! I have distress'd you-you well know,
I ne'er will quit your fortunes. True, 'tis tiresome!
You are a painter,* one of many fancies!
You can call up past deeds, and make them live
On the blank canvas! and each little herb,
That grows on mountain bleak, or tangled forest,
You have learnt to name-

[merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][ocr errors][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small]

Hark! heard you not some footsteps? What follows thence?

Vide Appendix, Note 1

ALVAR.

ORDONIO.

That you would fain be richer

[blocks in formation]

Did Alvar perish-he, I mean-the lover-
The fellow,-

ALVAR.

Nay, speak out! 'twill ease your heart To call him villain-Why stand'st thou aghast! Men think it natural to hate their rivals.

ORDONIO (hesitating).

[merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small][ocr errors][merged small][merged small][merged small][merged small][merged small][merged small][merged small][merged small]

ALVAR (alone, indignantly flings the purse away, and
gazes passionately at the portrait).
And I did curse thee?
At midnight? on my knees? and I believed
Thee perjured, thee a traitress! Thee dishonor'd
O blind and credulous fool! O guilt of folly!

Now, till she knows him dead, she will not wed me. Should not thy inarticulate Fonduesses,

[blocks in formation]

Thy Infant Loves-should not thy Maiden Vows
Have come upon my heart? And this sweet Image.
Tied round my neck with many a chaste endearment

I left you.

And thrilling hands, that made me weep and tremble-On such employment! With far other thoughts Ah, coward dupe! to yield it to the miscreant,

Who spake pollution of thee! barter for Life

This farewell Pledge, which with impassion'd Vow

ORDONIO (aside).

I had sworn that I would grasp-ev'n in my death- Ha! he has been tampering with her?

pang!

I am unworthy of thy love, Teresa,
Of that unearthly smile upon those lips,

Which ever smiled on me! Yet do not scorn me-
I lisp'd thy name, ere I had learnt my mother's.

Dear Portrait! rescued from a traitor's keeping,
I will not now profane thee, holy Image,
To a dark trick. That worst bad man shall find
A picture, which will wake the hell within him,
And rouse a fiery whirlwind in his conscience.

ACT III.

SCENE I.

A Hall of Armory, with an Altar at the back of the Stage. Soft Music from an instrument of Glass or Steel. VALDEZ, ORDONIO, and ALVAR in a Sorcerer's robe, are discovered.

ORDONIO.

This was too melancholy, father.

VALDEZ.

Nay,

My Alvar loved sad music from a child.
Once he was lost; and after weary search
We found him in an open place in the wood,
To which spot he had follow'd a blind boy,
Who breathed into a pipe of sycamore

Some strangely moving notes: and these, he said,
Were taught him in a dream. Him we first saw
Stretch'd on the broad top of a sunny heath-bank:
And lower down poor Alvar, fast asleep,

His head upon the blind boy's dog. It pleased me
To mark how he had fasten'd round the pipe
A silver toy his grandam had late given him.
Methinks I see him now as he then look'd-
Even so!-He had outgrown his infant dress,
Yet still he wore it.

ALVAR

My tears must not flow!

I must not clasp his knees, and cry, My father! Enter TERESA, and Attendants. TERESA.

Lord Valdez, you have ask'd my presence here, And I submit; but (Heaven bear witness for me) My heart approves it not! 'tis mockery.

ORDONIO.

Believe you then no preternatural influence? Believe you not that spirits throng around us?

TERESA.

[blocks in formation]
[merged small][merged small][merged small][merged small][ocr errors][merged small][merged small][merged small][merged small][merged small]

[Music

Even now your living wheel turns o'er my head!
[Music expressive of the movements and images
that follow.

Ye, as ye pass, toss high the desert sands,
That roar and whiten, like a burst of waters,
A sweet appearance, but a dread illusion
To the parch'd caravan that roams by night!
And ye build upon the becalmed waves
That whirling pillar, which from Earth to Heaven
Stands vast, and moves in blackness! Ye too split
The ice mount! and with fragments many and huge
Tempest the new-thaw'd sea, whose sudden gulfs
Suck in, perchance, some Lapland wizard skiff!
Then round and round the whirlpool's marge ye
dance,

Till from the blue swoln Corse the Soul toils out,
And joins your mighty Army.

[Here behind the scenes a voice sings the three
words, "Hear, sweet Spirit."

Soul of Alvar!
Hear the mild spell, and tempt no blacker Charm!
By sighs unquiet, and the sickly pang

Of a half dead, yet still undying Hope,
Pass visible before our mortal sense!

So shall the Church's cleansing rites be thine,
Her knells and masses that redeem the Dead!

SONG

Behind the Scenes, accompanied by the same Instru ment as before.

Hear, sweet spirit, hear the spell,
Lest a blacker charm compel!
So shall the midnight breezes swell
With thy deep long-lingering knell.

[blocks in formation]
[blocks in formation]

Had pamper'd his swoln heart and made him proud?
And what if Pride had duped him into guilt?

Yet still he stalk'd a self-created God,

Not very bold, but exquisitely cunning;

And one that at his Mother's looking-glass

Would force his features to a frowning sternness?

Still prompts thee wisely. Let the pangs of guilt
Surprise the guilty: thou art innocent!

[Exeunt TERESA and Attendant. (Music as before).

The spell is mutter'd-Come, thou wandering Shape
Who own'st no Master in a human eye,
Whate'er be this man's doom, fair be it, or foul
If he be dead, O come! and bring with thee
That which he grasp'd in death! but if he live,
Some token of his obscure perilous life.

[The whole Music clashes into a Chorus

CHORUS.

Wandering Demons, hear the spell!
Lest a blacker charm compel-

[The incense on the altar takes fire suddenly, and
an illuminated picture of AIVAR's assassina-
tion is discovered, and having remained a
few seconds is then hidden by ascending
flames.

ORDONIO (starting in great agitation).
Duped! duped! duped-the traitor Isidore!
[At this instant the doors are forced open, Mox-
VIEDRO and the Familiars of the Inquisition,
Servants etc. enter and fill the stage.

MONVIEDRO.

First seize the sorcerer suffer him not to speak!
The holy judges of the Inquisition
Shall hear his first words.-Look you pale, Lord
Valdez?

Plain evidence have we here of most foul sorcery.
There is a dungeon underneath this castle,
And as you hope for mild interpretation,
Surrender instantly the keys and charge of it.
ORDONIO (recovering himself as from stupor, to
Servants.)

Why haste you not? Off with him to the dungeon!
[All rush out in tumult

SCENE II.

Interior of a Chapel, with painted Window

Enter TERESA.

TERESA.

When first I enter'd this pure spot, forebodings

Young Lord! I tell thee, that there are such Beings-Press'd heavy on my heart: but as I knelt,

Yea, and it gives fierce merriment to the damn'd,
To see these most proud men, that lothe mankind,
At every stir and buzz of coward conscience,
Trick, cant, and lie, most whining hypocrites!
Away, away! Now let me hear more music.

TERESA.

[Music again.

Tis strange, I tremble at my own conjectures!
But whatsoe'er it mean, I dare no longer
Be present at these lawless mysteries,
This dark provoking of the Hidden Powers!
Already I affront-if not high Heaven-
Yet Alvar's Memory!-Hark! I make appeal
Against the unholy rite, and hasten hence
To bend before a lawful shrine, and seek
That voice which whispers, when the still
listens,

Comfort and faithful Hope! Let us retire.
ALVAR (to TERESA anxiously).
O full of faith and guileless love, thy Spirit

Such calm unwonted bliss possess'd my spirit,
A trance so cloudless, that those sounds, hard by,
Of trampling uproar fell upon mine ear

As alien and unnoticed as the rain-storm
Beats on the roof of some fair banquet-room,
While sweetest melodies are warbling-
Enter VALDEZ.

VALDEZ.

Ye pitying saints, forgive a father's blindness,
And extricate us from this net of peril!

TERESA.

Who wakes anew my fears, and speaks of peril?

VALDEZ.

O best Teresa, wisely wert thou prompted!
This was no feat of mortal agency!
heart That picture-Oh, that picture tells me all!

With a flash of light it came, in flames it vamsh'd
Self-kindled, self-consumed: bright as thy Life,
Sudden and unexpected as thy Fate,
Alvar! My son! My son!-The Inquisitor-

[blocks in formation]

I breathed to the Unerring

Permitted prayers. Must those remain unanswer'd,
Yet impious sorcery, that holds no commune
Save with the lying Spirit, claim belief?

VALDEZ.

O not to-day, not now for the first time
Was Alvar lost to thee-

[Turning off, aloud, but yet as to himself.
Accurst assassins!

Disarm'd, o'erpower'd, despairing of defence,
At his bared breast he seem'd to grasp some relict
More dear than was his life-

TERESA (with a faint shriek).
O Heavens! my portrait!
And he did grasp it in his death-pang!
Off, false Demon,
That beat'st thy black wings close above my head!
[ORDONIO enters with the keys of the dungeon

in his hand.

Hush! who comes here? The wizard Moor's em-
ployer!

Moors were his murderers, you say? Saints shield us
From wicked thoughts

[VALDEZ moves towards the back of the stage to
meet OR DONIO, and during the concluding
lines of TERESA's speech appears as eagerly
conversing with him.

Is Alvar dead? what then?
The nuptial rites and funeral shall be one!
Here's no abiding-place for thee, Teresa.—
Away! they see me not-Thou seest me, Alvar!
To thee I bend my course-But first one question,
One question to Ordonio.-My limbs tremble-
There I may sit unmark'd—a moment wil! restore me.
[Retires out of sight.

bled

Why-why, what ails you now?—

ORDONIO (confused).

Me? what ails me?

A pricking of the blood-It might have happen'd
At any other time.-Why scan you me?

VALDEZ

His speech about the corse, and stabs and murderers

Bore reference to the assassins

The traitor, Isidore!

ORDONIO.

Duped! duped! duped [A pause; then wildly. I tell thee, my dear father!

I am most glad of this.

VALDEZ (confused).

True Sorcery

Merits its doom; and this perchance may guide us
To the discovery of the murderers.

I have their statures and their several faces
So present to me, that but once to meet them
Would be to recognize.

ORDONIO.

Yes! yes! we recognize them
I was benumb'd, and stagger'd up and down
Through darkness without light-dark-dark-dark!
My flesh crept chill, my limbs felt manacled,
As had a snake coil'd round them!-Now''t is sun-
shine,

And the blood dances freely through its channels!
[Turns off abruptly; then to himself

This is my virtuous, grateful Isidore!

[Then mimicking ISIDORE'S manner and voice. "A common trick of gratitude, my Lord!" Oh Gratitude! a dagger would dissect His "own full heart"-'t were good to see its color.

[blocks in formation]

Hatred and Love! Fancies opposed by fancies!
What, if one reptile sting another reptile!
Where is the crime? The goodly face of Nature
Hath one disfeaturing stain the less upon it.
Are we not all predestined Transiency,

And cold Dishonor? Grant it, that this hand
Had given a morsel to the hungry worms
Somewhat too early-Where's the crime of this?
That this must needs bring on the idiocy
Of moist-eyed Penitence 't is like a dream!

VALDEZ.

ORDONIO (as he advances with VALDEZ). These are the dungeon keys. Monviedro knew not Wild talk, my son' But thy excess of feelingThat I too had received the wizard message,

[Averting himself

« AnteriorContinuar »