I wot, when the Cid was aware of this, a woful man was he, Absolve my soul, and penance I for my sin will dree." "Who is the sinner," quoth the Pope, "that at my foot doth kneel ?" -"I am Rodrigo Diaz-a poor Baron of Castille."— Much marvell'd all were in the hall, when that name they heard him say. "Rise up, rise up," the Pope he said, "I do thy guilt away; "I do thy guilt away," he said-" and my curse I blot it outGod save Rodrigo Diaz, my Christian champion stout ; I trow, if I had known thee, my grief it had been sore, ZARA'S EAR-RINGS.1 "My ear-rings! my ear-rings! they've dropt into the well, And what to say to Muça, I cannot, cannot tell." "Twas thus Granada's fountain by, spoke Albuharez' daughter,"The well is deep, far down they lie, beneath the cold blue waterTo me did Muça give them, when he spake his sad farewell, And what to say when he comes back, alas! I cannot tell. "My ear-rings! my ear-rings! they were pearls in silver set, That when my Moor was far away, I ne'er should him forget, That I ne'er to other tongue should list, nor smile on other's tale, But remember he my lips had kiss'd, pure as those ear-rings pale— When he comes back and hears that I have dropped them in the well, Oh what will Muça think of me, I cannot, cannot tell. "My ear-rings! my ear-rings! he'll say they should have been, "He'll think when I to market went, I loiter'd by the way; loosed; He'll think when I was sporting so beside this marble well, My pearls fell in,-and what to say, alas! I cannot tell. A Moorish ballad. "He'll say I am a woman, and we are all the same; "I'll tell the truth to Muça, and I hope he will believe— RIGHT HON. T. B. MACAULAY. THE Right Hon. T. B. Macaulay is the author of historical ballads eloquent and powerful in expression. His "Lays of Rome" are intended to imitate the lost ballad literature on which Niebuhr supposes the early Roman History to be founded. They are four in number,-“Horatius," "Battle of the Lake Regillus," "Virginia," and "The Prophecy of Capys." The language, reflections, and imagery of the ballads, are made to correspond with the supposed condition of the Roman constitution, and the supposed state of civilization at the time of the incident selected. The Homeric minuteness and simplicity and fervour of these splendid poems are admirable. Mr Macaulay's prose works abound with the fervid eloquence that characterises his verse. His History of England, which has recently so exalted his reputation, in its pictorial passages, exhibits all the qualities of epic description. THE BATTLE OF IVRY.1 Now glory to the Lord of Hosts, from whom all glories are! 1 The progress of the Reformation in France, in the 16th century, led ultimately to mass: cres and civil wars. The Huguenots, as the Protestants were termed in the reign of Charles IX., were driven to insurrection, by the evident designs for their destruction formed by the infamous Queen Mother Catherine de Medici and the Duke of Guise. A treacherous proposal of pacification, to be cemented by the marriage of Margaret of France with Henry de Bourbon, Prince of Navarre (one of the near heirs of the French throne, whose family was the chief support of the Protestant party), allured the Huguenot leaders to Paris, only to be massacred on the Eve of St Bartholomew's day (Sept. 5) 1572. Henry of Navarre and his relative the Prince of Condé escaped only by apparently acceding to the demand to change their religion. Freed from his thraldom, Henry of Navarre headed his party, whom the massacre had irritated rather than crushed or intimidated; and a new proposed pacification caused the formation, under the auspices of Guise, of a "Holy Catholic League" for the extirpation of heresy. This confederacy the King Henry III. was forced to act with, though he saw that the ambition of the house of Guise was dangerous to his throne. Both parties sought the aid of foreign alliances, the Protestants And thou Rochelle, our own Rochelle,1 proud city of the waters, Again let rapture light the eyes of all thy mourning daughters. As thou wert constant in our ills, be joyous in our joy, For cold and stiff, and still, are they who wrought thy walls annoy. Hurrah! Hurrah! a single field hath turned the chance of war, Hurrah! Hurrah! for Ivry, and Henry of Navarre! Oh! how our hearts were beating, when, at the dawn of day, The King is come to marshal us, all in his armour drest, He looked upon the traitors, and his glance was stern and high. "And if my standard-bearer fall, as fall full well he may, For never saw I promise yet of such a bloody fray, Press where ye see my white plume shine, amidst the ranks of war, And be your Oriflamme to-day the helmet of Navarrre.” Elizabeth of England and the Protestant German princes; the Catholics that of Philip II. of Spain: Swiss auxiliaries served in both armies. The King at length refusing to follow the dangerous measures of the League, an assembly of that body proposed his deposition, and the election of the Cardinal de Bourbon to the throne. In these circumstances, the King resolved to extricate himself by treacherously procuring the assassination of Guise and his brother the Cardinal of Lorraine. The other brothers of the duke escaped to head their party with increased hatred. The King threw himself, for protection and aid, into the arms of his opponent Henry of Navarre. Both princes marched to besiege Paris, now garrisoned by the Duke of Mayenne, the brother of the murdered Guise. During the siege the French King was assassinated by the monk Jaques Clement (1589), it is supposed at the instigation of the Guise party, and Henry of Navarre was now the legal sovereign of France. The Catholics refused to acknowledge him, and the war in the neighbourhood of Paris continued. The Duke of Mayenne was at length totally defeated (1590) at Ivry, a village a few miles from Paris, near the junction of the Seine and Marne. The King renewed the siege of the capital; and eventually ascended the throne only by the sacrifice of his religion. Rochelle was viewed as the Protestant capital; its capture in the next century (1628) by Cardinal Richelieu totally crushed the Huguenots as a political party. 2 The clergy were, as might have been expected, peculiarly violent against a Huguenot King; the pulpits of Paris rung with denunciations against the Man of Bearn;" the same epithet was applied to Charles I. of England. 3 Swiss Catholic mercenaries were in the camp of the League: Count Egmont had brought from the Spanish Low Countries, shortly before the battle, considerable re-inforcements to Mayenne. See note 1, p. 490. 5 The venerable Admiral of France, who perished in the massacre of St Bartholomew. See note 4, p. 394.-The Orifamme (golden-flame) was a red taffeta banner cut into three points, each adorned with a green silk tassel." It was always displayed in the crisis of the battle. The proper royal standard of France was white with embroidered lilies; used immemorially, till Charles VI. substituted a blue flag with a white cross; Hurrah! the foes are moving! Hark to the mingled din, Now, God be praised! the day is ours-Mayenne hath turned his rein D'Aumale hath cried for quarter-the Flemish Count is slain. Ho! maidens of Vienna ;3 Ho! matrons of Lucerne ;* Weep, weep and rend your hair for those who never shall return. Ho! Philip, send, for charity, thy Mexican pistoles, That Antwerp monks may sing a mass for thy poor spearmen's souls. Ho! gallant nobles of the League, look that your arms be bright; And mocked the counsel of the wise, and the valour of the brave. this banner was employed till Charles IX. resumed the White and Lilies. The revolutionary Tricolor united these three historical colours, red, blue, and white: red was the Burgundian, Parisian, and Oriflamme colour; blue was the colour of the "Chape" of St Martin of Tours; white, the royal colour, and that of "Our Lady." The white was resumed by the Bourbons in 1815. Fouche's remark to Louis XVIII. has been verified by subsequent history: "The Tricolor Flag," said he, is to your majesty what the Mass was to King Henry IV.:" implying that anything like a return to the ancient regime, even in symbols of the old monarchy, would cause a second expulsion of the Bourbon race from the throne. The name of the battle-field. The Catholic German powers, and especially Austria, from her Spanish connections, supported the League. Almayne (Germany), from the ancient confederacy of tribes, 41 lemanni. See note 3. See note 3, p. 491. 5 St Genevieve is the patron saint of Paris: the citizens were warm partizans of the Guise faction. Lars Porsena of Clusium by the Nine Gods' he swore East and west and south and north, East and west and south and north the messengers ride fast, The horsemen and the footmen are pouring in amain From lordly Volaterræ, where scowls the far-famed hold 6 From the proud mart of Pisa, queen of the western waves, 1 The last Roman king Tarquin, expelled in the year of the City 245 for the insolence and tyranny of his family, among other auxiliaries was promised the aid of the Etrurian Lucumo, Lars Porsena of Clusium, who seems, however, to have rather been influenced by ambitious views. The tale of this legendary war abounds in traditions of Roman magnanimity and courage (See Livy, ii. 10, 12); among these was the defence of the Sublician bridge almost single handed, by Horatius (surnamed Cocles, the One-eyed"), against the whole Tuscan army. When his resistance had given time to his countrymen to cut down the bridge behind him, he swam the Tiber amidst the darts of the enemy. This tradition is the subject of Mr Macaulay's first "Lay:" it is supposed to be sung about the period of the Gallic sack of Rome (B. c. 390), when the state was rent between contending factions, and when the “honest citizen" author might pine after "good old times," of which there were traditionary reminiscences.-Lars plur. Lartes), perhaps equivalent to the dignity Lord; Lares was applied to the Roman domestic tutelary deities. See note 1, p. 182. Clusium (Chiusi), in the vale of the Clanis Chiana), at this period the chief of the northern cities of Etruria: see Dennis' Etruria, vol. ii. p. 384, et seq. The Novensiles, the nine "Lightning-shedding" gods of the Etrurians.-Dennis, i. 52. 3 Comp. "Celsae nidum Acherontiae," Hor. Odes, iii. 4, 14. According to Dennis, this description is not applicable to the Etruscan cities.-Dennis, i. p. xxx. Dennis describes the situation of Volaterra as peculiarly meriting the epithet “lordly," "as it crowns the summit of a steep and lonely height. Volaterra was a city of "first importance, with a larger territory than belonged to any other city of the (Etruscan) Confederation;""we now see but the skeleton of her Titanic form.”—Dennis, ii. 141, &c. 5 Populonia, a colony of Volaterra, derived its consequence from its commerce and the strength of its semi-insulated position. The Sardinian mountains Dennis declares to be invisible from its heights.-Dennis, ii. 39. 6 Pisae (Pisa) was a splendid Pelasgian city, at the confluence of the Arnus (Arno) and Auser (Serchio), colonized by Rome about B. c. 180, on account of its excellent haven and facilities for shipbuilding. The commercial Pisa of the middle ages is so bright a vision as to throw into the shade the glories of her remoter antiquity:" it still retains its importance, and smiles in the garlands of ever-flourishing youth."-Dennis, ii. 87. Gallic and German slaves from Massilia (Marseilles) were imported in great numbers into Italy. |