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ling them to death. Above three thousand
killed upon
the place: "I never saw such
a charge of foot and horse," says one;
nor did I. Oliver was still near to York-
shire Hodgson where the shock succeeded;
Hodgson heard him say, "They run, I
profess they run!" And over St. Abb's
Head and the German Ocean, just then,
bursts the first gleam of the level Sun
upon us, "and I heard Nol say, in [190
the words of the Psalmist, 'Let God
arise, let His enemies be scattered,""
or in Rous's meter-

"Let God arise, and scattered

Let all his enemies be;

And let all those that do him hate
Before his presence flee!"

Even so. The Scotch Army is shivered to utter ruin; rushes in tumultuous wreck, hither, thither; to Belhaven, or, in [200 their distraction, even to Dunbar; the chase goes as far as Haddington; led by Hacker. "The Lord general made a halt," says Hodgson, "and sang the Hundred-and-seventeenth Psalm," till our horse could gather for the chase. Hundredand-seventeenth Psalm, at the foot of Doon Hill; there we uplift it, to the tune of Bangor, or some still higher score, and roll it strong and great against the [210 sky:

"Oh give ye praise unto the Lord,
All nati-ons that be;
Likewise ye people all, accord

His name to magnify!

For great to-us-ward ever are

His loving-kindnesses;
His truth endures for evermore:
The Lord oh do ye bless!"
And now, to the chase again.

JOHN RUSKIN (1819-1900)

about the islanded summits of the lower hills, untouched yet by more than dawn, colder and more quiet than a windless sea under the moon of midnight; watch when the first sunbeam is sent upon [10 the silver channels, how the foam of their undulating surface parts and passes away, and down under their depths the glittering city and green pasture lie like Atlantis, between the white paths of winding rivers; the flakes of light falling every moment faster and broader among the starry spires, as the wreathed surges break and vanish above them, and the confused crests and ridges of the dark hills shorten their [20 gray shadows upon the plain. . . . Wait a little longer, and you shall see those scattered mists rallying in the ravines, and floating up towards you, along the winding valleys, till they crouch in quiet masses, iridescent with the morning light, upon the broad breasts of the higher hills, whose leagues of massy undulation will melt back and back into that robe of material light, until they fade away, [30 lost in its lustre, to appear again above, in the serene heaven, like a wild, bright, impossible dream, foundationless and inaccessible, their very bases vanishing in the unsubstantial and mocking blue of the deep lake below. . . . Wait yet a little longer, and you shall see those mists gather themselves into white towers, and stand like fortresses along the promontories, massy and motionless, [40 only piled with every instant higher and higher into the sky, and casting longer shadows athwart the rocks; and out of the pale blue of the horizon you will see forming and advancing a troop of narrow, dark, pointed vapors, which will [220 cover the sky, inch by inch, with their gray network, and take the light off the landscape with an eclipse which will stop the singing of the birds and the mo- [50 tion of the leaves, together; and then you will see horizontal bars of black shadow forming under them, and lurid. wreaths create themselves, you know not how, along the shoulders of the hills; you never see them form, but when you look back to a place which was clear an instant ago, there is a cloud on it, hanging by the precipices, as a hawk pauses over

From MODERN PAINTERS SUNRISE AND SUNSET IN THE ALPS Stand upon the peak of some isolated mountain at daybreak, when the night mists first rise from off the plains, and watch their white and lake-like fields, as they float in level bays and winding gulfs

his prey. . . . And then you will [60 hear the sudden rush of the awakened wind, and you will see those watch-towers of vapor swept away from their foundations, and waving curtains of opaque rain let down to the valleys, swinging from the burdened clouds in black bending fringes, or pacing in pale columns along the lake level, grazing its surface into foam as they go. And then, as the sun sinks, you shall see the storm drift for [70 an instant from off the hills, leaving their broad sides smoking, and loaded yet with snow-white, torn, steam-like rags of capricious vapor, now gone, now gathered again; while the smouldering sun, seeming not far away, but burning like a redhot ball beside you, and as if you could reach it, plunges through the rushing wind and rolling cloud with headlong fall, as if it meant to rise no more, [80 dyeing all the air about it with blood. And then you shall hear the fainting tempest die in the hollow of the night, and you shall see a green halo kindling on the summit of the eastern hills, brighter -brighter yet, till the large white circle of the slow moon is lifted up among the barred clouds, step by step, line by line; star after star she quenches with her kindling light, setting in their stead [90 an army of pale, impenetrable, fleecy wreaths in the heaven, to give light upon the earth, which move together, hand in hand, company by company, troop by troop, so measured in their unity of motion, that the whole heaven seems to roll with them, and the earth to reel under them. . . . And then wait yet for one hour, until the east again becomes purple, and the heaving mountains, [100 rolling against it in darkness, like waves of a wild sea, are drowned one by one in the glory of its burning; watch the white glaciers blaze in their winding paths about the mountains, like mighty serpents with scales of fire: watch the columnar peaks of solitary snow, kindling downwards, chasm by chasm, each in itself a new morning; their long avalanches cast down in keen streams brighter than [110 the lightning, sending each his tribute of driven snow, like altar-smoke, up to the heaven; the rose-light of their silent

domes flushing that heaven about them and above them, piercing with purer light through its purple lines of lifted cloud, casting a new glory on every wreath as it passes by, until the whole heaven, one scarlet canopy, is interwoven with a roof of waving flame, and tossing, [120 vault beyond vault, as with the drifted wings of many companies of angels: and then, when you can look no more for gladness, and when you are bowed down with fear and love of the Maker and Doer of this, tell me who has best delivered this His message unto men!

THE TWO BOYHOODS

Born half-way between the mountains and the sea-that young George of Castelfranco of the Brave Castle:-Stout George they called him, George of Georges, so goodly a boy he was-Giorgione.

Have you ever thought what a world his eyes opened on-fair, searching eyes of youth? What a world of mighty life, from those mountain roots to the shore;

of loveliest life, when he went down, [10 yet so young, to the marble city-and became himself as a fiery heart to it?

A city of marble, did I say? nay, rather a golden city, paved with emerald. For truly, every pinnacle and turret glanced or glowed, overlaid with gold, or bossed with jasper. Beneath, the unsullied sea drew in deep breathing, to and fro, its eddies of green wave. Deep-hearted, majestic, terrible as the sea, the [20 men of Venice moved in sway of power and war; pure as her pillars of alabaster, stood her mothers and maidens; from foot to brow, all noble, walked her knights; the low bronzed gleaming of sea-rusted armor shot angrily under their blood-red mantle-folds. mantle-folds. Fearless, faithful, patient, impenetrable, implacable, every word a fate sat her senate. In hope and honor, lulled by flowing of wave [30 around their isles of sacred sand, each with his name written and the cross graved at his side, lay her dead. A wonderful piece of world. Rather, itself a world. It lay along the face of the waters, no larger, as its captains saw it from their masts at evening, than a bar of sunset

that could not pass away; but for its power, it must have seemed to them as if they were sailing in the expanse of [40 heaven, and this a great planet, whose orient edge widened through ether. A world from which all ignoble care and petty thoughts were banished, with all the common and poor elements of life. No foulness, nor tumult, in those tremulous streets, that filled, or fell, beneath the moon; but rippled music of majestic change, or thrilling silence. No weak walls could rise above them; no low- [50 roofed cottage, nor straw-built shed. Only the strength as of rock, and the finished setting of stones most precious. And around them, far as the eye could reach, still the soft moving of stainless waters, proudly pure; as not the flower, so neither the thorn nor the thistle, could grow in the glancing fields. Ethereal strength of Alps, dreamlike, vanishing in high procession beyond the Torcellan [60 shore; blue islands of Paduan hills, poised in the golden west. Above, free winds and fiery clouds ranging at their will;brightness out of the north, and balm from the south, and the stars of the evening and morning clear in the limitless light of arched heaven and circling sea. Such was Giorgione's school-such Titian's home.

Near the south-west corner of Co- [70 vent Garden, a square brick pit or well is formed by a close-set block of houses, to the back windows of which it admits a few rays of light. Access to the bottom of it is obtained out of Maiden Lane, through a low archway and an iron gate; and if you stand long enough under the archway to accustom your eyes to the darkness you may see on the left hand a narrow door, which formerly gave [80 quiet access to a respectable barber's shop, of which the front window, looking into Maiden Lane, is still extant, filled, in this year (1860), with a row of bottles, connected, in some defunct manner, with a brewer's business. A more fashionable neighborhood, it is said, eighty years ago than now-never certainly a cheerful one-wherein a boy being born on St. George's day, 1775, began soon after [90 to take interest in the world of Covent

Garden, and put to service such spectacles of life as it afforded.

No knights to be seen there, nor, I imagine, many beautiful ladies; their costume at least disadvantageous, depending much on incumbency of hat and feather, and short waists; the majesty of men founded similarly on shoebuckles and wigs;-impressive enough when [100 Reynolds will do his best for it; but not suggestive of much ideal delight to a boy.

"Bello ovile dov' io dormii agnello"; of things beautiful, besides men and women, dusty sunbeams up or down the street on summer mornings; deep furrowed cabbage-leaves at the greengrocer's; magnificence of oranges in wheelbarrows round the corner; and Thames' shore within three minutes' race. [110

None of these things very glorious; the best, however, that England, it seems, was then able to provide for a boy of gift: who, such as they are, loves themnever, indeed, forgets them. The short waists modify to the last his visions of Greek ideal. His foregrounds had always a succulent cluster or two of greengrocery at the corners. Enchanted oranges gleam in Covent Gardens of the Hesperides; [120 and great ships go to pieces in order to scatter chests of them on the waves. That mist of early sunbeams in the London dawn crosses, many and many a time, the clearness of Italian air; and by Thames' shore, with its stranded barges and glidings of red sail, dearer to us than Lucerne lake or Venetian lagoon,-by Thames' shore we will die.

With such circumstance round [130 him in youth, let us note what necessary effects followed upon the boy. I assume him to have had Giorgione's sensibility (and more than Giorgione's, if that be possible) to color and form. I tell you farther, and this fact you may receive trustfully, that his sensibility to human affection and distress was no less keen than even his sense for natural beautyheart-sight deep as eyesight. [140

Consequently, he attaches himself with the faithfullest child-love to everything that bears an image of the place he was born in. No matter how ugly it is, has it anything about it like Maiden Lane,

or like Thames' shore? If so, it shall be painted for their sake. Hence, to the very close of life, Turner could endure ugliness which no one else, of the same sensibility, would have borne with [150 for an instant. Dead brick walls, blank square windows, old clothes, marketwomanly types of humanity-anything fishy and muddy, like Billingsgate or Hungerford Market, had great attraction for him; black barges, patched sails, and every possible condition of fog.

You will find these tolerations and affections guiding or sustaining him to the last hour of his life; the notablest [160 of all such endurances being that of dirt. No Venetian ever draws anything foul; but Turner devoted picture after picture to the illustration of effects of dinginess, smoke, soot, dust, and dusty texture; old sides of boats, weedy roadside vegetation, dunghills, straw-yards, and all the soilings and stains of every common labor.

And more than this, he not only could endure, but enjoyed and looked for [170 litter, like Covent Garden wreck after the market. His pictures are often full of it, from side to side; their foregrounds differ from all others in the natural way that things have of lying about in them. Even his richest vegetation, in ideal work, is confused; and he delights in shingle, débris, and heaps of fallen stones. The last words he ever spoke to me about a picture were in gentle exultation [180 about his St. Gothard: "that litter of stones which I endeavored to represent."

The second great result of this Covent Garden training was understanding of and regard for the poor, whom the Venetians, we saw, despised; whom, contrarily, Turner loved, and more than loved-understood. He got no romantic sight of them, but an infallible one, as he prowled about the end of his lane, watching [190 night effects in the wintry streets; nor sight of the poor alone, but of the poor in direct relations with the rich. He knew, in good and evil, what both classes thought of, and how they dwelt with, each other.

Reynolds and Gainsborough, bred in country villages, learned there the country boy's reverential theory of "the squire,"

and kept it. They painted the squire [200 and the squire's lady as centres of the movements of the universe, to the end of their lives. But Turner perceived the younger squire in other aspects about his lane, occurring prominently in its night scenery, as a dark figure, or one of two, against the moonlight. He saw also the working of city commerce, from endless warehouse, towering over Thames, to the back shop in the lane, with its stale [210 herrings-highly interesting these last; one of his father's best friends, whom he often afterwards visited affectionately at Bristol, being a fishmonger and glueboiler; which gives us a friendly turn of mind towards herring-fishing, whaling, Calais poissardes, and many other of our choicest subjects in after life; all this being connected with that mysterious forest below London Bridge on one [220 side; and, on the other, with these masses of human power and national wealth which weigh upon us, at Covent Garden here, with strange compression, and crush us into narrow Hand Court.

"That mysterious forest below London Bridge"-better for the boy than wood of pine, or grove of myrtle. How he must have tormented the watermen, beseeching them to let him crouch anywhere in [230 the bows, quiet as a log, so only that he might get floated down there among the ships, and round and round the ships, and with the ships, and by the ships, and under the ships, staring, and clambering; -these the only quite beautiful things he can see in all the world, except the sky; but these, when the sun is on their sails, filling or falling, endlessly disordered by sway of tide and stress of anchorage, [240 beautiful unspeakably; which ships also are inhabited by glorious creatures-red-faced sailors, with pipes, appearing over the gunwales, true knights, over their castle parapets-the most angelic beings in the whole compass of London world. And Trafalgar happening long before we can draw ships, we, nevertheless, coax all current stories out of the wounded sailors, do our best at pres- [250 ent to show Nelson's funeral streaming up the Thames; and vow that Trafalgar shall have its tribute of memory some

day. Which, accordingly, is accomplished once, with all our might, for its death; twice, with all our might, for its victory; thrice, in pensive farewell to the old Témeraire, and, with it, to that order of things.

Now this fond companying with [260 sailors must have divided his time, it appears to me, pretty equally between Covent Garden and Wapping (allowing for incidental excursions to Chelsea on one side, and Greenwich on the other), which time he would spend pleasantly, but not magnificently, being limited in pocketmoney, and leading a kind of "PoorJack" life on the river.

In some respects, no life could be [270 better for a lad. But it was not calculated to make his ear fine to the niceties of language, nor form his moralities on an entirely regular standard. Picking up his first scraps of vigorous English chiefly at Deptford and in the markets, and his first ideas of female tenderness and beauty among nymphs of the barge and the barrow, another boy might, perhaps, have become what people usually term [280 "vulgar." But the original make and frame of Turner's mind being not vulgar, but as nearly as possible a combination of the minds of Keats and Dante, joining capricious waywardness, and intense openness to every fine pleasure of sense, and hot defiance of formal precedent, with a quite infinite tenderness, generosity, and desire of justice and truth-this kind of mind did not become vulgar, but [290 very tolerant of vulgarity, even fond of it in some forms; and on the outside, visibly infected by it, deeply enough; the curious result, in its combination of elements, being to most people wholly incomprehensible. It was as if a cable had been woven of blood-crimson silk, and then tarred on the outside. People handled it, and the tar came off on their hands; red gleams were seen through [300 the black, underneath, at the places where it had been strained. Was it ochre?said the world-or red lead?

of all. We have seen the principal differences between this boy and Giorgione, as respects sight of the beautiful, [310 understanding of poverty, of commerce, and of order of battle; then follows another cause of difference in our trainingnot slight, the aspect of religion, namely, in the neighborhood of Covent Garden. I say the aspect; for that was all the lad could judge by. Disposed, for the most part, to learn chiefly by his eyes, in this special matter he finds there is really no other way of learning. His father had [320 taught him "to lay one penny upon another." Of mother's teaching, we hear of none; of parish pastoral teaching, the reader may guess how much.

I chose Giorgione rather than Veronese to help me in carrying out this parallel; because I do not find in Giorgione's work any of the early Venetian monarchist element. He seems to me to have belonged more to an abstract contemplative [330 school. I may be wrong in this; it is no matter; suppose it were so, and that he came down to Venice somewhat recusant, or insentient, concerning the usual priestly doctrines of his day,-how would the Venetian religion, from an outer intellectual standing-point, have looked to him? He would have seen it to be a religion indisputably powerful in human affairs; often very harmfully so; sometimes [340 devouring widows' houses, and consuming the strongest and fairest from among the young; freezing into merciless bigotry the policy of the old: also, on the other hand, animating national courage, and raising souls, otherwise sordid, into heroism: on the whole, always a real and great power; served with daily sacrifice of gold, time, and thought; putting forth its claims, if hypocritically, at least [350 in bold hypocrisy, not waiving any atom of them in doubt or fear; and, assuredly, in large measure, sincere, believing in itself, and believed: a goodly system, moveover, in aspect; gorgeous, harmoniWas it ochre?-ous, mysterious;-a thing which had either

Schooled thus in manners, literature, and general moral principles at Chelsea and Wapping, we have finally to inquire concerning the most important point

to be obeyed or combated, but could not be scorned. A religion towering over all the city-many-buttressed-luminous in marble stateliness, as the dome [360 of our Lady of Safety shines over the

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