Taste and Fashion: From the French Revolution to the Present DayG. G. Harrap Limited, 1945 - 232 páginas |
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Página 93
... called it ) in which the décor and the costume were almost of equal importance to the actual dancing . Diaghilev's ballet , wrongly called " the Russian Ballet , " arrived in Paris in 1909 at the Châtelet Theatre . It provoked scenes of ...
... called it ) in which the décor and the costume were almost of equal importance to the actual dancing . Diaghilev's ballet , wrongly called " the Russian Ballet , " arrived in Paris in 1909 at the Châtelet Theatre . It provoked scenes of ...
Página 107
... called Russian boot . This boot — which might with almost equal propriety have been called the German boot - was a development from the gum - boot which had been found so useful during the War . During the winter of 1924-25 the use of ...
... called Russian boot . This boot — which might with almost equal propriety have been called the German boot - was a development from the gum - boot which had been found so useful during the War . During the winter of 1924-25 the use of ...
Página 131
... called in to attend in a case of curvature of the spine . It was strongly recommended - and that such a recommendation was necessary is sufficiently astonishing - that no girl should wear bones or steel until she had done growing ...
... called in to attend in a case of curvature of the spine . It was strongly recommended - and that such a recommendation was necessary is sufficiently astonishing - that no girl should wear bones or steel until she had done growing ...
Índice
CHAPTER PAGE I BACK TO NATURE AND THE GREEKS | 13 |
PRUDERY AND ROMANTICISM | 26 |
SENTIMENTALISM AND THE RISE OF THE BOURGEOISIE | 38 |
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Taste and Fashion - From the French Revolution to the Present Day James Laver Vista previa restringida - 2013 |
Taste and Fashion: From the French Revolution to the Present Day James Laver Vista de fragmentos - 1945 |
Términos y frases comunes
adopted æsthetic appearance bathing costumes became become began blouse blue bodice boléro bonnet brassière brim busk bust chapter cloche hat clothes coat coiffure collar colours contemporary corset crêpe crêpe de Chine crinoline curious day dresses décolletage dinner jacket Directoire effect eighteenth century elaborate English Esthetic extremely fact fashion journals fashion plates favourite female feminine French French Revolution frills front garments gowns hair hats hips hobble skirt influence interior decoration invented kind knee knickerbockers lace ladies lounge suit male material middle mode modern never nineteen-twenties nineties pale Paris Paul Poiret perhaps period petticoats pink plus-fours popular Revolution Romantic round sable satin Schéhérazade sealskin Second Empire seems seen short skirts shoulders shows silk skating sleeves sometimes sport style taffetas tail-coat taste tendency tennis tight tight-lacing toilette trimmed trousers twenties underneath uniform velvet vogue waist waistcoat wear whole woman women women's dress wore worn