Taste and Fashion: From the French Revolution to the Present DayG. G. Harrap Limited, 1945 - 232 páginas |
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Página 90
... Schéhérazade . Certainly Poiret always refused to execute dresses from Bakst's designs , and this was not jealousy on his part , but a very proper pride in his own creations . Poiret appears to have been an Orientalist from the very ...
... Schéhérazade . Certainly Poiret always refused to execute dresses from Bakst's designs , and this was not jealousy on his part , but a very proper pride in his own creations . Poiret appears to have been an Orientalist from the very ...
Página 93
... Schéhérazade . " The name Schéhérazade must remind us that this passion for the Orient was not entirely Poiret's doing , whatever his precise share in it may have been , for the year of the fête we have been describing was 1912 , and ...
... Schéhérazade . " The name Schéhérazade must remind us that this passion for the Orient was not entirely Poiret's doing , whatever his precise share in it may have been , for the year of the fête we have been describing was 1912 , and ...
Página 94
... Schéhérazade . This astonishing piece , which was shown to Paris in 1910 and shortly afterwards in London , was a piece of Orientalism as frankly voluptuous as had ever been presented on the stage . To most of those who saw it it came ...
... Schéhérazade . This astonishing piece , which was shown to Paris in 1910 and shortly afterwards in London , was a piece of Orientalism as frankly voluptuous as had ever been presented on the stage . To most of those who saw it it came ...
Índice
CHAPTER PAGE I BACK TO NATURE AND THE GREEKS | 13 |
PRUDERY AND ROMANTICISM | 26 |
SENTIMENTALISM AND THE RISE OF THE BOURGEOISIE | 38 |
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Otras ediciones - Ver todo
Taste and Fashion - From the French Revolution to the Present Day James Laver Vista previa restringida - 2013 |
Taste and Fashion: From the French Revolution to the Present Day James Laver Vista de fragmentos - 1945 |
Términos y frases comunes
adopted æsthetic appearance bathing costumes became become began blouse blue bodice boléro bonnet brassière brim busk bust chapter cloche hat clothes coat coiffure collar colours contemporary corset crêpe crêpe de Chine crinoline curious day dresses décolletage dinner jacket Directoire effect eighteenth century elaborate English Esthetic extremely fact fashion journals fashion plates favourite female feminine French French Revolution frills front garments gowns hair hats hips hobble skirt influence interior decoration invented kind knee knickerbockers lace ladies lounge suit male material middle mode modern never nineteen-twenties nineties pale Paris Paul Poiret perhaps period petticoats pink plus-fours popular Revolution Romantic round sable satin Schéhérazade sealskin Second Empire seems seen short skirts shoulders shows silk skating sleeves sometimes sport style taffetas tail-coat taste tendency tennis tight tight-lacing toilette trimmed trousers twenties underneath uniform velvet vogue waist waistcoat wear whole woman women women's dress wore worn