foreign commodities; except some manufactures of their own, as ticking, bedding, tartan, pladding, Scots cloth, &c. So that Leith for trade, with her merchandise for treasure, excels most, if not all the maritime ports in Scotland. Th. Pray what other accommodation hath she? Ar. She has fish and flesh in abundance, viz. oysters, cockles, muscles, crabs, crawfish, lobsters, soles, plaice, turbet, thornback, cod, keeling, haddock, mackrel, herring, &c. Then there's salmon, trout, pike, perch, eel, &c. but their flesh are beeves, veals, porks, veneson, kid, mutton, lamb, &c. And their fowl are eagles, sig. nets, hawks, geese, gossander, duck and mallard, teal, widgeon, cock, pidgeon, heath-game, moorfowl, curlue, partridg, pheasant, plover grey and green, and many more that I cannot remember. So great is their plenty and variety, that did not the popularity in Edinburgh render things more chargeable than other parts more remote up the country, a man might live almost without expense. And now we relinquish the flourishing ports of Leith, whose foundations are daily saluted by the ocean. O how sweetly the weather smiles, the horizon looks clear, the sky is serene, and the birds you may see them beat the ambient air with their tunable notes. Come, Theophilus, let us mount our horses, and lift up your eyes to behold those lofty imbellishments of Edinburgh. Th. They are obvious enough, half an eye may see them. Ar. Welcome to these elevated ports, the princely court of famous Edinburgh. This city stands upon a mighty scopulous mountain, whose foundations are cemented with mortar and stone; where the bulk of her lofty buildings represent it a rock at a reasonable distance, fronting the approaching sun; whose elevations are seven or eight stories high, mounted aloft in the ambient air. But the length, as I take it, exceeds not one mile, and the breadth on't measures little more than half a mile; nor is there more than one fair street, to my best remembrance. But then it is large and long, and very spacious, whose ports are splendid, so are her well-built houses and Palaces, corresponding very much to compleat it their metropolis. Th. What Fabrick is that on the east of Edinburgh? Ar. Hallirood-House, the Regal court of Scotland. Th. But there is yet another great fabrick, that presents westward. Ar. That's Edinburgh Castle, elevated in the air, on an impregnable precipice of rocky earth, perpendicular in some parts, rampir'd and barrocadoed with thick walls of stone, and graffs proportionable, to contribute an additional strength. So that you are to consider this inaccessible castle shines from a natural as well as an artificial product; because part of it you see contiguous with the rock; but the other part, because affixed by cemented stone, which inoculates and incorporates them so firmly together, that the whole mass of building is of such incredible strength, that it's almost fabulous for any man to report it, or sum up the impregnable lustre and beauty of this fair fortress, that defies all attempts, except famine, disease, or treachery be conduct; so that culverines and cannons signify but little, without bombs and carcasses. On the other hand the defendants must not be too liberal, lest their water forsake them sooner than their ammunition; so inevitably draw upon them the foregoing consequence, and incommode them with a thousand inconveniences. True it is, many arguments of art and artillery have been sent to examine this impregnable castle, but none were ever found more successful than hunger and disease, or the golden apples of the Hesperides. Such kind of magnets muzzle mercenaries, and make them a golden bridg to pass over. "Th. Is this fair fabrick the ParliamentHouse, where the grandees sit on national affairs? Ar. Yes, this is their palace where the Parliament sits to accommodate the kingdom; whose famous ports we now relinquish to take a review of the bars of Musselburg." We are no anglers, which we regret extremely, so that we have not ventured on the sporting part of this tour. But we shall send Captain Franck's book to our correspondent, Duncan M'Farlane at Aberfoyle, who will probably return his remarks on it for our next Number. We therefore say to our readers, in the words of Theophilus, "farewell, for it's almost sunset." MAZEPPA.* Ir Lord Byron be capable of receiving any pleasure from the interest his contemporaries and countrymen take in him and his muse, the eagerness of the reception which this little tale has met with must afford abundantly such gratification. In truth the public admiration for this remarkable man has been carried to such an extreme, that to suspect the possibility of a failure in any thing he attempts, is a thing altogether out of the question. Of our other great authors even the greatest are not exempted from the workings of the common-place critical mania so entirely as Lord Byron is. We doubt very much whether there ever was any popularity so extensive as his, and at the same time founded on such deep principles, in the whole history of English poets. Mazeppa is a very fine and spirited sketch of a very noble story, and is every way worthy of its author. The story is a well known one-namely, that of the young Pole who being bound naked on the back of a wild horse on account of an intrigue with the lady of a certain great Noble of his country, was carried by his steed into the heart of the Ukraine, and being there picked up by some Cossacks in a state apparently of utter hopelessness and exhaustion, recovered and lived to be long after the prince and leader of the nation among whom he had arrived in this extraordinary method. Lord Byron has represented the strange and wild incidents of this adventure, as being related in a half serious half sportive way by Mazeppa himself, to no less a person than Charles XII. of Sweden, in some of whose last campaigns the Cossack Hetman took a distinguished part. He tells it during the desolate bivouack of Charles and the few friends who fled with him towards Turkey after the bloody overthrow of Pultowa. There is not a little of beauty and gracefulness in this way of setting the picture-the age of Mazeppa-the calm practised indifference with which he now submits to the worst of fortune's deeds-the heroic unthinking coldness of the royal madman to whom he speaks-the dreary and perilous accompaniments of the scene around the speaker and the audience all contribute to throw a very striking charm both of preparation and of contrast over the wild story of the Hetman. Nothing can be more beautiful in like manner than the account of the love-the guilty love-the fruits of which had been so miraculous. The Polish lady is indeed a glorious crea ture. "She had the Asiatic eye, Such as our Turkish neighbourhood Hath mingled with our Polish blood, Dark as above as is the sky; Like the first moon-rise at midnight, But through it stole a tender light, Large, dark, and swimming is the stream, Which seemed to melt to its own beam." Mazeppa and she fell in love with each other at a ball, and mutual confessions escape them at a card-party. He visits her by night at her Lord's castle, and, says he, "The hour In which I sought that lady's bower, But some of the menials surprise and betray them, and the stern insulted husband orders Mazeppa to be immediately bound to the horse-of the lady's fate we hear nothing. "Bring forth the horse!'-the horse was brought; In truth, he was a noble steed, "Twas but a day he had been caught; They bound me on, that menial throng, I saw not where he hurried on: A moment from that rabble rout: And snapp'd the cord, which to the mane • MAZEPPA a poem by Lord Byron. Printed for John Murray. Octavo, 5s. 6d. It vexes me-for I would fain I paid it well in after days: Save what grows on a ridge of wall, And the hot lead pour down like rain, That one day I should come again, And if we do but watch the hour, As the Hetman proceeds, it strikes All human dwellings left behind; Whose threshold he shall cross no more, The earth gave way, the skies roll'd round, And strove to wake; but could not make When all the waves that dash o'er thee, But soon it pass'd with little pain, But a confusion worse than such : No matter; I have bared my brow Full in Death's face-before-and now. The next is a wonderful picture of the dream-like awaking from this swoon of utter weariness, brought about by the effect of the waves of a river into which Mazeppa plunged. My thoughts came back; where was I? Cold, My heart began once more to thrill; The waters broke my hollow trance, My stiffen'd limbs were rebaptized. 1819.] For all behind was dark and drear, We gain the top: a boundless plain Or scatter'd spot of dusky green, Then comes one of the dreary and But useless all to me. His new-born tameness nought avail'd, My limbs were only wrung the more, Which but prolong'd their pain: Plain, forest, river? Man nor brute, And not an insect's shrill small horn, The weary brute still staggered on ; And still we were-or seemed-alone : A trampling troop; I see them come! I strove to cry-my lips were dumb. Came thickly thundering on, His first and last career is done! And backward to the forest fly, I little deem'd another day Would see my houseless, helpless head." The next incident-that of the ravens-surpasses, we think, even those of the wolves and the horses. "And there from morn till twilight bound, Nor more unkind for coming soon; That prudence might escape: 3 I To even intolerable woes, And welcome in no shape. Hath nought to hope, and nought to And, save the future, (which is view'd Appears to his distemper'd eyes, lay Chained to the chill and stiffening steed, I thought to mingle there our clay; And my dim eyes of death had need, No hope arose of being freed: I cast my last looks up the sky, And there between me and the sun He flew, and perch'd, then flew once more, I could have smote, but lack'd the But the slight motion of my hand, Together scared him off at length.- An icy sickness curdling o'er My heart, and sparks that cross'd my brain- Mazeppa awakes in a Cossack cottage, where his slumbers of outworn nature are watched by such a figure as Allan would love to paint. A slender girl-long haired and tall A prying pitying glance at me, But that I lived and was released From adding to the vulture's feast. And when the Cossack maid beheld My heavy eyes at length unseal'd, She smiled and I essay'd to speak, But fail'd-and she approach'd, and made With lip and finger signs that said, I must not strive as yet to break The silence, till my strength should be Enough to leave my accents free; And then her hand on mine she laid, And smooth'd the pillow for my head, And stole along on tiptoe tread, And gently oped the door, and spake In whispers ne'er was voice so sweet! Even music follow'd her light feet ; But those she call'd were not awake, And she went forth; but, ere she pass'd, Another look on me she cast, Another sign she made, to say, Her due return: while she was gone, The whole of this charming story is worthy of Lord Byron. We wish we could say as much of an ode and a prose fragment which he had added to make up his pamphlet. The former is a foolish piece of heartless disloyal raving-truly pitiable in the son of the old Byrons-the other is a little drivelling story, not much better to our mind than the Vampyre-that audacious and unprincipled forgery of Dr Polidori. It is all very well for any Italian teacher or doctor to write an imitation of any author he pleasesbut to publish such an imitation, with the author's name, is a vile pilfering of the pockets of the public, and alike shameful to the hack who executes, and the publisher who countenances the imposition. We are sorry to see so respectable a publisher as Mr Colburn permitting any such doings to go on under his auspices. We are sure he will never do so again. |