The Plays and Poems of William Shakspeare: With the Corrections and Illustrations of Various Commentators, Volumen 5F. C. and J. Rivington, 1821 |
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Página 6
... STEEVENS . 3 This character I have restored to the Persona Dramatis . The name appears in the first folio : the description is taken from the quarto . STEEVENS . MERCHANT OF VENICE . ACT I. SCENE I. Venice . PERSONS REPRESENTED ' .
... STEEVENS . 3 This character I have restored to the Persona Dramatis . The name appears in the first folio : the description is taken from the quarto . STEEVENS . MERCHANT OF VENICE . ACT I. SCENE I. Venice . PERSONS REPRESENTED ' .
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... STEEVENS . So , in Sapho and Phao , a comedy by Lyly , 1591 : " As for you , Sir boy , I will teach you how to run away ; you shall be stript from top to toe , and whipt with nettles ; I will handle you for this geare well : I say no ...
... STEEVENS . So , in Sapho and Phao , a comedy by Lyly , 1591 : " As for you , Sir boy , I will teach you how to run away ; you shall be stript from top to toe , and whipt with nettles ; I will handle you for this geare well : I say no ...
Página 28
... STEEVENS . Minsheu supposes it to mean nauseous in so high a degree as to excite vomiting . MALONE . It perhaps only meant , in this passage , pregnant . Fulsome frequently was used for full , as it certainly was in Mr. Steevens's ...
... STEEVENS . Minsheu supposes it to mean nauseous in so high a degree as to excite vomiting . MALONE . It perhaps only meant , in this passage , pregnant . Fulsome frequently was used for full , as it certainly was in Mr. Steevens's ...
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... STEEVENS . Mr. Ritson asks , whether Mr. Steevens is not mistaken in saying that use and usance were anciently employed for usury . " Use and usance ( he adds ) mean nothing more than interest ; and the former word is still used by ...
... STEEVENS . Mr. Ritson asks , whether Mr. Steevens is not mistaken in saying that use and usance were anciently employed for usury . " Use and usance ( he adds ) mean nothing more than interest ; and the former word is still used by ...
Página 38
... STEEVENS . I perceive no need of alteration . The pleonasm appears to me consistent with the general tenour of Launcelot's speech . He had just before expressed the same thing in three different ways ; — " Use your legs ; take the start ...
... STEEVENS . I perceive no need of alteration . The pleonasm appears to me consistent with the general tenour of Launcelot's speech . He had just before expressed the same thing in three different ways ; — " Use your legs ; take the start ...
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Términos y frases comunes
Æneid ancient Ansaldo Antonio Baptista BASS Bassanio Ben Jonson Bianca BION Biondello BOSWELL called comedy daughter Demetrius doth ducats Duke editions editors emendation Enter Exeunt Exit eyes fair fairy father Feran Ferando flesh fool gentleman Giannetto give gleek Gratiano Gremio hast hath hear Hermia honour Hortensio JOHNSON Kate KATH KATHARINA King Henry lady LAUN Launcelot lion lord Lucentio Lysander MALONE marry master means mistress moon musick never night Oberon old copies Othello Padua passage Petruchio PHILOSTRATE play poet Portia pray PUCK Pyramus quarto Queen QUIN RITSON SCENE second folio Servant Shakspeare Shakspeare's Shrew Shylock signior speak STEEVENS suppose swear sweet tell thee Theobald Theseus thing Thisbe thou Titania Tranio translation TYRWHITT unto Venice Vincentio WARBURTON wife word
Pasajes populares
Página 129 - Nay, take my life and all, pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
Página 134 - The moon shines bright : — In such a night as this, When the sweet wind did gently kiss the trees, And they did make no noise ; in such a night, Troilus, methinks, mounted the Trojan walls, And sigh'd his soul toward the Grecian tents, Where Cressid lay that night.
Página 138 - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines...
Página 57 - Fair laughs the Morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes: Youth on the prow, and Pleasure at the helm: Regardless of the sweeping whirlwind's sway, That hush'd in grim repose expects his evening prey.
Página 25 - How like a fawning publican he looks ! I hate him for he is a Christian ; But more for that in low simplicity He lends out money gratis, and brings down The rate of usance here with us in Venice. If I can catch him once upon the hip, I will feed fat the ancient grudge I bear him.
Página 184 - Making it momentary as a sound, Swift as a shadow, short as any dream ; Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth. And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
Página 304 - I have had a most rare vision. I have had a dream, — past the wit of man to say what dream it was : man is but an ass, if he go about to expound this dream.
Página 223 - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath, That the rude sea grew civil at her song ; And certain stars shot madly from their spheres, To hear the sea-maid's music.
Página 141 - By the sweet power of music: therefore the poet Did feign that Orpheus drew trees, stones and floods; Since nought so stockish, hard and full of rage, But music for the time doth change his nature.
Página 18 - If to do were as easy as to know what were good to do, chapels had been churches and poor men's cottages princes