The Wounded Heart: Writing on Cherríe Moraga

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University of Texas Press, 15 nov 2001 - 199 páginas

In her work as poet, essayist, editor, dramatist, and public intellectual, Chicana lesbian writer Cherríe Moraga has been extremely influential in current debates on culture and identity as an ongoing, open-ended process. Analyzing the "in-between" spaces in Moraga's writing where race, gender, class, and sexuality intermingle, this first book-length study of Moraga's work focuses on her writing of the body and related material practices of sex, desire, and pleasure.

Yvonne Yarbro-Bejarano divides the book into three sections, which analyze Moraga's writing of the body, her dramaturgy in the context of both dominant and alternative Western theatrical traditions, and her writing of identities and racialized desire. Through close textual readings of Loving in the War Years, Giving Up the Ghost, Shadow of a Man, Heroes and Saints, The Last Generation, and Waiting in the Wings, Yarbro-Bejarano contributes to the development of a language to talk about sexuality as potentially empowering, the place of desire within politics, and the intricate workings of racialized desire.

 

Índice

Deconstructing the Lesbian Body
3
The Plays
23
Giving Up the Ghost Feminist Theory and the Staging of Mestiza Desire
31
Shadow of a Man Touching the Wound in Order to Heal
48
The Miracle People Heroes and Saints and Contemporary Chicano Theater
64
The Written Identity
83
I Long to Enter You Like a Temple Sex Salvation and Shamanism
85
Whiteness in The Last Generation The Nation the Halfbreed and the Queer
103
Writing the Lesbian Mother Waiting in the Wings
123
A Chronology of Major Works by Cherríe Moraga
155
Notes
157
Works Cited
175
Index
185
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Sobre el autor (2001)

Yvonne Yarbro-Bejarano is Professor of Spanish and Chair of Spanish and Portuguese at Stanford University.

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