Cubism: A History and an Analysis, 1907-1914Belknap Press of Harvard University Press, 1988 - 237 páginas Cubism is one of the most significant turning points in the history of Western art. John Golding recapitulates the creative excitement of this revolution in pictorial concept and shows its influence and its place in the general history of twentieth century art. He describes the way Cubism evolved, from the early experiments of Picasso and Braque -- through the new techniques developed by these two sovereign creators and Gris -- to the dissemination of the style and the Cubist work of Léger, Delaunay, and others. In defining the characteristics of Cubism, Golding proceeds from the evidence of the paintings themselves, giving illuminating readings of major works. Halftone reproductions of 160 works illustrate the analysis. -- From publisher's description. |
Índice
PICASSO AND BRAQUE 190712 | 33 |
PICASSO BRAQUE AND GRIS 191214 | 96 |
THE INFLUENCE OF CUBISM IN FRANCE 191014 | 145 |
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Cubism: A History and an Analysis, 1907-1914 John Golding No hay ninguna vista previa disponible - 1988 |
Términos y frases comunes
abstract ADAGP aesthetic Apollinaire appearance artists Baigneuses Bateau Lavoir become Blas Cadaquès Cahiers d'Art canvas Catalogue Cézanne's collage colour composition contemporary Cubist painting DACS DACS 1987 PICASSO Delaunay Delaunay's Demoiselles Derain Duchamp Duchamp-Villon early elements exhibition Fauconnier Fauves Fauvism figure Fresnaye Futurist Gallery Gleizes Guggenheim Museum Guitar head Horta Iberian influence of Cézanne intellectual Jacques Villon Juan Gris Kahnweiler kind of painting Kunstmuseum l'Estaque landscapes later Léger London Louise and Walter Marcel Duchamp March Matisse Metzinger Modern Art movement Musée National d'Art Museum of Art Museum of Modern National d'Art Moderne Nude objects Orphism painters papier collé Paris Peinture perspective Philadelphia Museum Picabia Picasso and Braque pictorial picture plane Portrait Private Collection purely Salon d'Automne Salon des Indépendants sculpture Section d'Or seen sensation sense shapes solid forms studio style technique traditional tribal art Vauxcelles Violin visual Walter Arensberg Walter Arensberg Collection York