Books and Printing: A Treasury for TypophilesPaul A. Bennett World Publishing Company, 1951 - 417 páginas A collection of forty articles, poems, and essays by practitioners of the art of bookmaking. A unique feature of this book is that its articles are set in twenty-two different typefaces; thus it serves as a student's specimen book, affording an interesting comparison of the "color" and body of various composition faces while at the same time supplementing the comments of the typographic experts. More than one hundred illustrations of printers' marks, decorative bookplates, specimen pages, etc., complement the text--From publisher description. |
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Página 244
... space between the letters is greater , or appears greater , by reason of the curves of the c , o , e , g ) , gains in consistency when there is a satisfactory lead between the lines . It is often argued that loose setting is not admir ...
... space between the letters is greater , or appears greater , by reason of the curves of the c , o , e , g ) , gains in consistency when there is a satisfactory lead between the lines . It is often argued that loose setting is not admir ...
Página 287
... space between the words even though the resultant " holes " are distressing to the eye . Some- times with very large types it is permissible to letter - space in a minor degree , as the spaces between the letters naturally are larger ...
... space between the words even though the resultant " holes " are distressing to the eye . Some- times with very large types it is permissible to letter - space in a minor degree , as the spaces between the letters naturally are larger ...
Página 350
... space — to achieve your results . Meaningless decorations disclose the designer's poverty of invention . 4. Simplicity is the best policy . 5. Make no attempt to design every page ... let type and space have their natural rhythm . 6 ...
... space — to achieve your results . Meaningless decorations disclose the designer's poverty of invention . 4. Simplicity is the best policy . 5. Make no attempt to design every page ... let type and space have their natural rhythm . 6 ...
Índice
OTTO F EGE The Story of the Alphabet | 3 |
LANCELOT HOGBEN Printing Paper and Playing Cards | 15 |
RUTH S GRANNISS Colophons | 31 |
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abcdefghijklmnopqrstuvwxyz 1234567890 ABCDEFGHIJKLMNOPQRSTUVWXYZ& ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz Abel Buell advertising alphabet amateur American artist beauty Benjamin Bodoni Bruce Rogers called calligraphy capitals Caslon century character Cockerel colophon COMPOSED composition compositor copy Copyright craft David Garnett decoration early English engraved Eric Gill essays folio fonts foundry Franklin friends Galesburg graphic arts Greek hand illustrations important imprint invention Italics Jenson Keimer Kelmscott legibility letter limited editions Linotype look lower-case machine manuscript mark means mechanical modern Monotype never Nonesuch Nonesuch Press old style original paper printer private press produced publisher reader Reprinted by permission Roman roman types Romney Street Senex serifs Shaw Shaw's space specimen standards Stanley Morison taste things tion trade type design type faces type ornaments typography volume W. A. Dwiggins William Maxwell William Morris word writing