Books and Printing: A Treasury for TypophilesPaul A. Bennett World Publishing Company, 1951 - 417 páginas A collection of forty articles, poems, and essays by practitioners of the art of bookmaking. A unique feature of this book is that its articles are set in twenty-two different typefaces; thus it serves as a student's specimen book, affording an interesting comparison of the "color" and body of various composition faces while at the same time supplementing the comments of the typographic experts. More than one hundred illustrations of printers' marks, decorative bookplates, specimen pages, etc., complement the text--From publisher description. |
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Página 166
... legibility and simplicity , with no extraneous tricks . " Morris Colman concurred in feeling the Anatomy text is pretty arbitrary for today , and that chapter openings , running page heads and all other normal elements of a book should ...
... legibility and simplicity , with no extraneous tricks . " Morris Colman concurred in feeling the Anatomy text is pretty arbitrary for today , and that chapter openings , running page heads and all other normal elements of a book should ...
Página 238
... legibility . In this he differed from another poet and amateur of printing , Robert Bridges , who used Gothic characters for the Daniel Press edition of his poems to induce slow ingestion . Morris believed that solidity of type and ...
... legibility . In this he differed from another poet and amateur of printing , Robert Bridges , who used Gothic characters for the Daniel Press edition of his poems to induce slow ingestion . Morris believed that solidity of type and ...
Página 348
... legibility is the greatest enemy , the infamous thing that must at all costs be crushed . We read , he argues , too easily . Our eyes slide over the words , and the words , in consequence , mean nothing to us . An illegible type makes ...
... legibility is the greatest enemy , the infamous thing that must at all costs be crushed . We read , he argues , too easily . Our eyes slide over the words , and the words , in consequence , mean nothing to us . An illegible type makes ...
Índice
OTTO F EGE The Story of the Alphabet | 3 |
LANCELOT HOGBEN Printing Paper and Playing Cards | 15 |
RUTH S GRANNISS Colophons | 31 |
Página de créditos | |
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Términos y frases comunes
abcdefghijklmnopqrstuvwxyz 1234567890 ABCDEFGHIJKLMNOPQRSTUVWXYZ& ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz Abel Buell advertising alphabet amateur American artist beauty Benjamin Bodoni Bruce Rogers called calligraphy capitals Caslon century character Cockerel colophon COMPOSED composition compositor copy Copyright craft David Garnett decoration early English engraved Eric Gill essays folio fonts foundry Franklin friends Galesburg graphic arts Greek hand illustrations important imprint invention Italics Jenson Keimer Kelmscott legibility letter limited editions Linotype look lower-case machine manuscript mark means mechanical modern Monotype never Nonesuch Nonesuch Press old style original paper printer private press produced publisher reader Reprinted by permission Roman roman types Romney Street Senex serifs Shaw Shaw's space specimen standards Stanley Morison taste things tion trade type design type faces type ornaments typography volume W. A. Dwiggins William Maxwell William Morris word writing