Emotion and Meaning in MusicUniversity of Chicago Press, 1956 - 315 páginas "Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory "This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review |
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Página 33
... meaning . Musical meaning according to the referentialists lies in the relationship between a musical symbol or sign and the extra- musical thing which it designates . Since our concern in this study is not primarily with the refer ...
... meaning . Musical meaning according to the referentialists lies in the relationship between a musical symbol or sign and the extra- musical thing which it designates . Since our concern in this study is not primarily with the refer ...
Página 38
... meaning is colored and conditioned by hypothetical meaning . For the actual relationship between the gesture and its consequent is always considered in the light of the expected rela- tionship . In a sense the listener even revises his ...
... meaning is colored and conditioned by hypothetical meaning . For the actual relationship between the gesture and its consequent is always considered in the light of the expected rela- tionship . In a sense the listener even revises his ...
Página 48
... meaning of a sound term is very different from its evident meaning , and its evident meaning is conditioned and modified by this difference . The C - minor Fugue from the first book of the Well - tempered Clavier furnishes an excellent ...
... meaning of a sound term is very different from its evident meaning , and its evident meaning is conditioned and modified by this difference . The C - minor Fugue from the first book of the Well - tempered Clavier furnishes an excellent ...
Índice
THEORY | 1 |
EXPECTATION AND LEARNING | 43 |
THE LAW OF GOOD | 83 |
Página de créditos | |
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Términos y frases comunes
A-flat A. M. Jones accented aesthetic experience affective aesthetic affective experience ambiguous amphibrach anacrusis anapest architectonic level arise arouse articulation aspects basic beat become behavior C. P. E. Bach changes chord chromatic chromaticism complete composer concepts connotation consonance and dissonance context continuation create culture Curt Sachs delay deviation diatonic differentiation discussed embellishment emotional established example expectations fact feeling folk music Gestalt give rise harmonic Ibid important incomplete inhibited instance involves jazz law of return listener listener's meaning measure melodic mental meter metric levels mind minor mode mood motion motor musical experience musical processes musical stimuli norms notes organization ornamentation particular passage pattern perception performer phrase pitch play present probability progression psychological rāgas relationships repetition rhythm rhythmic sense sequence shape sonata sound term stimulus situation structural gaps style system stylistic tend tendency tension texture theme theory tion tonal tones tonic triad trochaic uniformity Western music