Emotion and Meaning in MusicUniversity of Chicago Press, 1956 - 315 páginas "Altogether it is a book that should be required reading for any student of music, be he composer, performer, or theorist. It clears the air of many confused notions . . . and lays the groundwork for exhaustive study of the basic problem of music theory and aesthetics, the relationship between pattern and meaning."—David Kraehenbuehl, Journal of Music Theory "This is the best study of its kind to have come to the attention of this reviewer."—Jules Wolffers, The Christian Science Monitor "It is not too much to say that his approach provides a basis for the meaningful discussion of emotion and meaning in all art."—David P. McAllester, American Anthropologist "A book which should be read by all who want deeper insights into music listening, performing, and composing."—Marcus G. Raskin, Chicago Review |
Dentro del libro
Resultados 1-3 de 93
Página 62
... important role in the development of response patterns . And , hence , early instruction in musical perform- ance is important , not only because of the immediate pleasure in performance which it gives , but also because it instills ...
... important role in the development of response patterns . And , hence , early instruction in musical perform- ance is important , not only because of the immediate pleasure in performance which it gives , but also because it instills ...
Página 138
... important single facet of style , the sine qua non of even the most primitive musical organization . It is important also to recall that the norms of style , of tonality , important as they are , can be altered through training and ...
... important single facet of style , the sine qua non of even the most primitive musical organization . It is important also to recall that the norms of style , of tonality , important as they are , can be altered through training and ...
Página 231
... important role in the development of the style system . Why the octave is perceived as a particularly stable , well - shaped Gestalt and why the fifth and fourth tend , as demonstrated by their very frequent appearance in widely ...
... important role in the development of the style system . Why the octave is perceived as a particularly stable , well - shaped Gestalt and why the fifth and fourth tend , as demonstrated by their very frequent appearance in widely ...
Índice
THEORY | 1 |
EXPECTATION AND LEARNING | 43 |
THE LAW OF GOOD | 83 |
Página de créditos | |
Otras 7 secciones no se muestran.
Otras ediciones - Ver todo
Términos y frases comunes
A-flat A. M. Jones accented aesthetic experience affective aesthetic affective experience ambiguous amphibrach anacrusis anapest architectonic level arise arouse articulation aspects basic beat become behavior C. P. E. Bach changes chord chromatic chromaticism complete composer concepts connotation consonance and dissonance context continuation create culture Curt Sachs delay deviation diatonic differentiation discussed embellishment emotional established example expectations fact feeling folk music Gestalt give rise harmonic Ibid important incomplete inhibited instance involves jazz law of return listener listener's meaning measure melodic mental meter metric levels mind minor mode mood motion motor musical experience musical processes musical stimuli norms notes organization ornamentation particular passage pattern perception performer phrase pitch play present probability progression psychological rāgas relationships repetition rhythm rhythmic sense sequence shape sonata sound term stimulus situation structural gaps style system stylistic tend tendency tension texture theme theory tion tonal tones tonic triad trochaic uniformity Western music