A damsel, as our train stops at Five Ashes, Down to the station in a dog-cart dashes. A footman buys her ticket, "Third class, parly; And, in huge-button'd coat and "Champagne Charley" And such scant manhood else as use allows her, Her two shy knees bound in a single trouser, With, 'twixt her shapely lips, a violet Perch'd as a proxy for a cigarette, She takes her window in our smoking carriage, And scans us, calmly scorning men and marriage. Ben frowns in silence; older, I know better Than to read ladies 'havior in the letter. This aping man is crafty Love's devising To make the woman's difference more surprising; And, as for feeling wroth at such rebelling, Who'd scold the child for now and then And smiles, forbidden her lips, as weakness horrid, Broke, in grave lights, from eyes and chin and forehead ; And, as I push'd kind 'vantage 'gainst the scorner, The two shy knees press'd shyer to the cor ner; And Ben began to talk with her, the rather Because he found out that he knew her father, Sir Francis Applegarth, of Fenny Compton, And danced once with her sister Maude at Brompton ; And then he star'd until he quite confus'd her, More pleas'd with her than I, who but excus'd her; And, when she got out, he, with sheepish glances, Said he'd stop too, and call on old Sir Francis. FROM "THE UNKNOWN EROS" THE TOYS My little son, who look'd from thoughtful eyes And mov'd and spoke in quiet grown-up wise, Having my law the seventh time disobey'd, His Mother, who was patient, being dead. Then, fearing lest his grief should hinder sleep, I visited his bed, But found him slumbering deep, With darken'd eyelids, and their lashes yet From his late sobbing wet. And I, with moan, Kissing away his tears, left others of my own; For, on a table drawn beside his head, A box of counters and a red-vein'd stone, A bottle with bluebells And two French copper coins, ranged there with careful art, To comfort his sad heart. SAY, did his sisters wonder what could In a mild, silent little Maid like thee? True Virgin lives not but does know, All mothers worship little feet, Beside her, on a table round, inlaid Lay phials, scent, a novel and a Bible, With the dry sherry, and the pills prescrib'd. A gorgeous, pious, comfortable life Of all her house, and all the nation's sins, And all the sins of all the world beside, Bore as her special cross, confessing them Vicariously day by day, and then She comforted her heart, which needed it, With bric-a-brac and jelly and old wine. Beside the fire, her elbow on the mantel, And forehead resting on her finger-tips, Shading a face where sometimes loom'd a frown, And sometimes flash'd a gleam of bitter It was not noble, and despise it all, Scorning herself for being what she was, Against the wires, and sometimes sat and pin'd, But mainly peck'd her sugar, and eyed her glass, And trill'd her graver thoughts away in song. Mother and daughter-yet a childless mother, And motherless her daughter; for the world Had gash'd a chasm between, impassable, And they had nought in common, neither love, Nor hate, nor anything except a name. Yet both were of the world; and she not least Whose world was the religious one, and stretch'd A kind of isthmus 'tween the Devil and God, A slimy, oozy mud, where mandrakes grew, Ghastly, with intertwisted roots, and things Amphibious haunted, and the leathern bat Flicker'd about its twilight evermore. THE SELF-EXILED THERE came a soul to the gate of Heaven A soul that was ransom'd and forgiven, A mystic light beam'd from the face And the angels all were silent. |