Patterns in Play: A Model for Text Setting in the Early French Songs of Guillaume Dufay
U of Nebraska Press, 1999 - 326 páginas
The relationship between text and music is a central issue in fifteenth-century music studies. Decades of research and performance have failed to provide clear answers to the most basic questions, such as which notes go with which syllables and why. Patterns in Play focuses on the early French songs of Guillaume Dufay and proposes a basis for determining some rules of common procedure for interpreting both underlay and style.
Graeme M. Boone examines questions of rhythm and declamation, considering mensuration, linguistic and poetic prosody, and prosody in song. The first three chapters comprise a set of discussions preliminary to close rhythmic analysis of Dufay?s texted song melodies. Beginning with mensural rhythm and proceeding to poetics and the relationship between Dufay?s poetic and musical rhythms and musical declamation, Boone examines the musical features of rhythm, melody, tonal organization, counterpoint, text setting, and text expression. Offering fresh insight into the issues he raises, Boone clarifies the relationship between underlay and style and provides a better understanding of the technical and aesthetic issues that Dufay and other composers faced in weaving their patterns of song.
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ambiguity amoureux analysis articulation basic beginning Besseler Besseler's breve breve initium cadence caesura cantus and tenor Chap Chapter chier amy coloration contrapuntal contratenor correspondence cuer decasyllabic declamation declamatory discussion distinct Dufay songs Dufay's Early Chansons duration emendation Example facsim fall fifteenth-century final syllables French poetry French songs grave accent Guillaume Dufay Harran hemiola initia initium initium level instances interpretation jour de l'an later strophes ligature manuscript underlay melisma Mellon Chansonnier melodic mensural placement Meter metrical minim musical rhythm musical setting neumes notes number of syllables occur offbeat Ox underlay passages phrase poem poetic line poetic rhythm prosodic pulse reading reduced ending reduced-e endings refrain regular alternation relation relationship repertory Resvellies Resvelons rhyming syllable role rondeau scribe seems semibreve solution spoken stress strong syllables strophe style text-setting model textual tion tonal tonic accent transcription trochaic verse versification violation voices words