Art History and Its Institutions: Foundations of a Discipline

Portada
Elizabeth Mansfield
Psychology Press, 2002 - 329 páginas
"What is art history? The answer depends on who asks the question. Museum staff, academics, art critics, collectors, dealers and artists themselves all stake competing claims to the aims, methods, and history of art history. Dependent on and sustained by different - and often competing - institutions, art history remains a multi-faceted field of study. Art History and Its Institutions focuses on the professional and institutional formation of art history, showing how the discourses that shaped its creation continue to define the field today. Grouped into three sections, articles examine the sites where art history is taught and studied, the role of institutions in conferring legitimacy, the relationship between modernism and art history, and the systems that define and control it. From museums and universities to law courts and photography studios, the contributors explore a range of different institutions, revealing the complexity of their interaction and their impact on the discipline of art history." --BOOK JACKET.
 

Páginas seleccionadas

Índice

PART II
5
the formation of biographical art history
7
Art history and modernism
11
art history museology and
28
the museum as utopian space
46
Marburg Harvard and purposebuilt architecture for
65
on
85
the origins of art history in Australia
100
the Louvre and its public persona 184852
178
on excluding the ethnographic subject from
191
fait en la terre du Brésil autrement dite Amerique Geneva 1578
199
Taines philosophy of art
215
PART III
229
photography and the institutional
246
discourse
271
race
283

of art history
113
fashioning
132
interdependencies in the study
146
the case of Henri Regnault
163
Art photography history and aesthetics
295
engraving 1889
298
Index
315
Página de créditos

Otras ediciones - Ver todo

Términos y frases comunes

Referencias a este libro

New Museum Theory and Practice: An Introduction
Janet Marstine
No hay ninguna vista previa disponible - 2005
New Museum Theory and Practice: An Introduction
Janet Marstine
No hay ninguna vista previa disponible - 2005

Sobre el autor (2002)

Paula Schwartz wrote over 35 regency and historical romance novels under the pseudonym Elizabeth Mansfield. She was born in the Bronx, New York in 1925. She studied English at Hunter College and became a teacher. She became a full-time writer in the late 1970s. She died of ovarian cancer in December 2003.

Información bibliográfica