PRINTED HORE-Continued.

morocco and outlined in gold, doublure of red morocco tooled and gilt in a floral design, gilt edges, by Hardy-Mennil, in a Paris: Simon Vostre [ca. 1514]

case.

* PRINTED ON VELLUM (176 x 110 mm.). Almanac for 17 years (1514-1530). A very rare edition, imperfectly described by Brunet (no. 96). Fine copy with all the woodcuts free from coloring. Bohatta, 885.

(See Reproduction.)

1587. HORE. Hore diuine virginis Marie, secundum ] vsum Romanum, cum alijs multis folio se quēti notatis: vna cum figuris Apocalipsis et destructio Hierusalem, et multis figuris Biblie insertis. [Colophon] ... Parisius, nouiter impressum. Opera Egydij hardouyn . . . | . . . | . . . │, . . Et Germani Hardou- on (sic) ... Roman characters. 96 leaves (A-M8). Hardouyn's mark on title, the anatomical man, 16 large and 26 small woodcuts, ALL ILLUMINATED IN GOLD AND COLORS, and illuminated initials throughout; each page within historiated woodcut borders, containing scenes of the Destruction of Jerusalem, the Apocalypse, etc. 8vo, dark brown morocco blind tooled, gilt edges, by Bedford.

Paris: Gillet and Germain Hardouyn [ca. 1518]

* PRINTED ON VELLUM (175 x 108 mm.). Almanac for 15 years (1518-1532). A VERY RARE EDITION. Brunet, no. 250 (?); Bohatta, 935.

1588. HORÆ. Horæ diue virginis marie secun- dum ritum ac cōsuetudinem insignis ecclesie Romane. Venundantur Parisiis apud Ger | manum hardouin commorantem pipe Palacium regis. Roman characters 96 leaves (a-m8). Printer's device and 17 small woodcuts ILLUMINATED IN GOLD AND COLORS, gold borders, and illuminated initials throughout; on the recto of the last leaf is A CURIOUS REBUS, the answer to which is given in a verse of 8 lines, in praise of the Virgin. Narrow 8vo, old red morocco, gilt borders on the sides, gilt edges, in an old brown morocco case, with inlays of red morocco, richly tooled and gilt.

Paris: Germain Hardouyn [ca. 1525] *PRINTED ON VELLUM (137 x 65 mm.). Almanac for 12 years (1525-1536). A RARE EDITION not noticed by Brunet. the verso of title are verses in praise of The Host and the miracle in connection with it, at Dijon. Bohatta, 999.

On

1589. HORE. Die ghetijden van onser lieuer vrou wē, ende vander helyghe cruce, en vande heylighe gheest met die seuen psalmen . [Colophon] Dese ghetijden sijn gedruckt te Paris: by die weuwe va Thielman keruer, in sint iacobs strate, in den eenhore, en daer worden sij v'cost | Int iaer ons heeren. M. ccccc. ende. xxxiij. Gothic characters, in black and red. 136 leaves (A-R8). Printer's mark on title,

PRINTED HORE-Continued.

the anatomical man, and 32 large woodcuts, including the murder of Uriah, Nathan reproaching David, Solomon receiving from David the order to build the temple, Adam and Eve expelled from Eden, "Les trois vifs et les trois morts," etc.; each page surrounded by ornamental and historiated woodcut borders, including a Dance of Death in 66 subjects. 8vo, brown levant morocco, gilt edges, by Chambolle-Duru.

Paris: Widow of Thielman Kerver, 1533

* Almanac for 13 years (1532-1544). 170 x 105 mm. A RARE EDITION of a Flemish Book of Hours; unknown to Brunet. Fine copy, with all the woodcuts and borders free from coloring. Bohatta, 1423.

80

1590. HORE. Ces presentes heures sont a lusaige de Rome toutes au long sans requerir. Lettres bâtardes. leaves (A-K8). G. Hardouyn's mark on title, the anatomical man, and 19 small and 16 large woodcuts, including the Vision of Octavius, the Death of the Virgin, David ordering the murder of Uriah, the raising of Lazarus, etc.; Illuminated initials throughout. 8vo, contemporary Lyonnese binding, with a semis of small trefoils on the sides, arabesque centre and corner ornaments painted in silver and dark brown on a gold ground, gilt edges. In a morocco case.

nouuellement Imprimees a Paris par Germain Hardonyn [ca. 1534]

* PRINTED ON VELLUM (187 x 125 mm.). Almanac for 13 years (1534-46). Fine copy, with all the woodcuts free from coloring. Brunet, no. 274; Bohatta, 1058.

1591. HORE. Hore in laudem gloriosissime virginis marie secu- dū vsum Romanum totaliter ad longu sine require: | . . . . [Colophon] . . . . Imprimees a Paris par Ger- | main hardouyn Imprimeur & Libraire iure de Luniuersite de Paris. . . . Roman characters. 92 leaves (A-L8, M4). Printer's mark on title, the anatomical man, 17 large and 18 small woodcuts illuminated in gold and colors, and illuminated initials. Each page surrounded by ornamental and historiated woodcut borders. 8vo, red levant morocco, the sides tooled and gilt to a Grolieresque design of scrolls and arabesques, gilt edges, by Chambolle-Duru.

Paris: Germain Hardouyn [ca. 1534]
Almanac for 19

* PRINTED ON VELLUM (183 x 117 inches).
years (1534-1552). A VERY RARE EDITION not noticed by Brunet.
All the borders are uncolored. Bohatta, 1061.

1592. HORE. Ces presentes heures a lusaige de Paris toutes au long sans ries reqrir, Nou uellemēt imprimees a Paris auec plusieurs belles hystoires. . . . [Colophon] nouuellement imprimées a Paris par Jolande bōhōme veufue de Thielman keruer, Demourate en la grant Rue sainct Jacques au dessus des matu- | rins, a lenseigne de la Licorne. | M.D.xxxviij. Large Gothic characters in black and red

PRINTED HORE-Continued.

clxxxj+47 leaves (A-Z8, A-B8, A8, B4, aa-bb8). Kerver's mark on title, the anatomical man, 12 woodcuts in the Calendar representing the occupations of the months and 44 in the text, including scenes from the life of Christ and the Virgin, etc., with 30 smaller illustrations. 8vo, brown levant morocco, gilt tooled sides, in a 16th century manner, gilt edges, by Bedford. Paris: Jolande Bonhomme, widow of T. Kerver, 1538

* Almanac for 14 years (1535-1548). 174 x 110 mm. AN EXTREMELY RARE EDITION, apparently undescribed by bibliographers, and remarkable on account of the unusual subjects of the woodcuts.

1593. HORÆ. Heures Paris contenant plusieurs oraisons deboutes en françoys & en Latin, & confession Generalle. Roman characters red and black. 168 leaves (A-012). 14 fine small cuts, and each page surrounded by woodcut borders of flowers, fruits, butterflies, etc., introducing the Salamander, the crowned monograms of Francis I and Louise of Savoy, and the arms of France and Savoy. 12mo, contemporary French binding in calf, the sides in compartments formed by interlaced bands painted black and grey and outlined in gold, the intervening spaces filled with pointillé, or having gilt and painted arabesques, chased silver clasps, gilt edges, in a morocco case (joints and corners restored). Signat. L12, and 48 other leaves (A-D12) containing French prayers, missing. Paris, par Thielman Kerver (II), 1552

* Almanac for 20 years (1551-1570). 156 x 91 mm. The cuts are reprints of those in the 16mo Tory edition of 1529, and the borders were reprinted from the blocks used for the edition of Olivier Maillard, 1541. Brunet, no. 209; Bohatta, 322. From the library of MARIE DESMARQUET, THE FRIEND OF RONSARD, with her autograph signature repeated several times on the flyleaves, and with TWO VERSES OF 4 LINES EACH IN THE AUTOGRAPH OF RONSARD on the last fly-leaf. From the libraries of Charles Nodier, Aimé Martin and J. Renard, with a signed statement in the handwriting of the first referring to the autographs of Marie Desmarquet and Ronsard.

1594. HORE DIURNE Breviàrii Romani, ex decreto S. Concilij Tridentini restituti. Svo, old black morocco, gauffred and painted gilt edges. Venetiis: apud Iuntas, 1607

1595. HORDAL (JOANNES). Heroinæ nobilissimæ Ioanne d'Arc Lotharingæ vulgo Aurelianensis puellæ historia. Engraved titles and 2 portraits of Jeanne d'Arc engraved by L. Gaultier. Small 4to, red levant morocco gilt, gilt edges, by Quinet. Ponti-Mussi (Pont-a-Mousson), 1612

1596. HORNE (HERBERT P.). Alessandro Filipepi, commonly called Sandro Botticelli, Painter of Florence. 42 plates after the originals by Botticelli. Folio, half boards, and cloth, uncut. London, 1908

* One of 240 copies, printed at the Chiswick Press.