The Work of Antonio Sant'Elia: Retreat Into the Future
Yale University Press, 1995 - 249 páginas
Born in 1888 and killed during World War I, Antonio Sant'Elia was an Italian visionary architect who brilliantly anticipated in his remarkable sketches and futurist manifesto many of the characteristics of the great metropolises of the modern age. His drawings, which are practically all that remains of his work, include revolutionary cityscapes with setback skyscrapers, overpasses for pedestrians, and traffic lanes; power plants that express both admiration for science and a lingering need for lyricism; and futurist stations for trains and airplanes dramatized by bold, kinetic facades.
This handsome book is the most comprehensive account of Sant'Elia's work ever written. Esther da Costa Meyer analyzes his dazzling designs, decoding his "high-tech" imagery and showing how he was influenced not only by the futurist movement but also by other international currents that wove through Milanese culture - such as symbolism, art nouveau, and the Vienna Secession - as well as visual culture and industrial architecture. Da Costa Meyer also covers Sant'Elia's short life, his career as a socialist, and the posthumous cult that grew around him during Italy's fascist regime.
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Two The Early Years
Three The Impact of Vienna
Four Nuove Tendenze
Five The Manifesto of Futurist Architecture
Six The Late Work
The Myth of SantElia
Accetti aesthetic Antonio Sant'Elia Arata architects Archivi Art Nouveau artistic avant-garde Balla Banham Boccioni Boito Brera Buggelli Calvesi Camillo Boito Caramel and Longatti Carra cemetery century Citta Nuova competition concorso Crispolti cultural D'Aronco d'Arte d'ltalia decoration dinamismi Disegni drawings Dudreville Einfuhlung elevation exhibition Expressionist Architecture facade Famiglia Artistica famous fascist Floreale futurism futurismo Futurist Architecture futurist manifestos Giuseppe Hugh Ferriss Ibid ideas industrial influence Italian architecture Italy Italy's L'architettura Liberty Lacerba later Le Corbusier Luigi magazine Manifesto of Futurist Marinetti Mario Chiattone masses Messaggio metropolis Milan Milanese modern architecture Monumental building Monza Musei Civici Mussolini Nebbia Nicoletti Nuove Tendenze Otto Wagner painting perspective Photo pittura Plate political power stations Prampolini published Raimondo D'Aronco rationalists Rome Russolo Sant'Elia's projects Schmidt-Thomsen sculpture secessionist Severini sketches skyscrapers socialist Storia structures Study style Technical Manifesto Terragni theory tion Turin urban Verona villa Wagnerschule Zevi