Imágenes de página
PDF
ePub

Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth

[day,

Swung blind and blackening in the moonless air;
Morn came and went—and came, and brought no
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chill'd into a selfish prayer for light:

And they did live by watchfires and the thrones,
The palaces of crowned kings-the huts,
The habitations of all things which dwell,

Were burnt for beacons ; cities were consumed,
And men were gather'd round their blazing homes
To look once more into each other's face;
Happy were those who dwelt within the eye
Of the volcanos, and their mountain-torch :
A fearful hope was all the world contain'd;
Forests were set on fire-but hour by hour
They fell and faded-and the crackling trunks
Extinguish'd with a crash—and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them; some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smiled;
And others hurried to and fro, and fed

Their funeral piles with fuel, and look'd up

With mad disquietude on the dull sky,
The pall of a past world; and then again

With curses cast them down upon the dust,

And gnash'd their teeth and howl'd: the wild birds shriek'd,

And, terrified, did flutter on the ground,

And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawl'd
And twined themselves among the multitude,
Hissing, but stingless-they were slain for food:
And War, which for a moment was no more,
Did glut himself again; a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought—and that was death,
Immediate and inglorious; and the pang

Of famine fed upon all entrails-men

Died, and their bones were tombless as their flesh
The meagre by the meagre were devour'd,
Even dogs assail'd their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famish'd men at bay,
Till hunger clung them, or the dropping dead
Lured their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answer'd not with a caress-he died.
The crowd was famish'd by degrees; but two
Of an enormous city did survive,

And they were enemies: they met beside
The dying embers of an altar-place

Where had been heap'd a mass of holy things

For an unholy usage; they raked up,

;

And shivering scraped with their cold skeleton hands

The feeble ashes, and their feeble breath

Blew for a little life, and made a flame

Which was a mockery; then they lifted up

Their eyes as it grew lighter, and beheld
Each other's aspects-saw, and shriek'd, and died —
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless-
A lump of death-a chaos of hard clay.
The rivers, lakes, and ocean all stood still,
And nothing stirr'd within their silent depths;
Ships sailorless lay rotting on the sea,

And their masts fell down piecemeal; as they dropp'd
They slept on the abyss without a surge.
The waves were dead; the tides were in their grave,
The Moon, their mistress, had expired before;
The winds were wither'd in the stagnant air,
And the clouds perish'd; Darkness had no need
Of aid from them-She was the Universe. (1)

Diodati, July, 1816.

(1) ["Darkness" is a grand and gloomy sketch of the supposed consequences of the final extinction of the Sun and the heavenly bodies; executed, undoubtedly, with great and fearful force, but with something of German exaggeration, and a fantastical solution of incidents. The very conception is terrible above all conception of known calamity, and is too oppressive to the imagination to be contemplated with pleasure, even in the faint reflection of poetry. - JEFFREY.]

CHURCHILL'S GRAVE;

A FACT LITERALLY RENDERED.

I STOOD beside the grave of him who blazed
The comet of a season, and I saw
The humblest of all sepulchres, and gazed
With not the less of sorrow and of awe
On that neglected turf and quiet stone,
With name no clearer than the names unknown,
Which lay unread around it; and I ask'd

The Gardener of that ground, why it might be That for this plant strangers his memory task'd

Through the thick deaths of half a century;
And thus he answer'd- "Well, I do not know
Why frequent travellers turn to pilgrims so;
He died before my day of Sextonship,

And I had not the digging of this grave."
And is this all? I thought,—and do we rip
The veil of Immortality? and crave
I know not what of honour and of light
Through unborn ages, to endure this blight?
So soon, and so successless? As I said,
The Architect of all on which we tread,

(1) [On the sheet containing the original draught of these lines, Lord Byron has written:-"The following poem (as most that I have endea voured to write) is founded on a fact; and this detail is an attempt at a serious imitation of the style of a great poet-its beauties and its defects: I say, the style; for the thoughts I claim as my own. In this, if there be any thing ridiculous, let it be attributed to me, at least as much as to Mr. Wordsworth; of whom there can exist few greater admirers than myself. I have blended what I would deem to be the beauties as well as defects of his style; and it ought to be remembered, that, in such things, whether there be praise or dispraise, there is always what is called a compliment, however unintentional."- -El

For Earth is but a tombstone, did essay
To extricate remembrance from the clay,
Whose minglings might confuse a Newton's thought,
Were it not that all life must end in one,

Of which we are but dreamers;

-as he caught As 'twere the twilight of a former Sun,

Thus spoke he, "I believe the man of whom
You wot, who lies in this selected tomb,

Was a most famous writer in his day,

And therefore travellers step from out their way
Το
pay him honour, and myself whate'er

Your honour pleases," then most pleased I
From out my pocket's avaricious nook [shook(1)
Some certain coins of silver, which as 'twere
Perforce I gave this man, though I could spare
So much but inconveniently:- Ye smile,
I see ye, ye profane ones! all the while,
Because my homely phrase the truth would tell.
You are the fools, not I- for I did dwell
With a deep thought, and with a soften'd eye,
On that Old Sexton's natural homily,

In which there was Obscurity and Fame,-
The Glory and the Nothing of a Name. (2)

Diodati, 1816.

(1) [Originally

"then most pleased, I shook

My inmost pocket's most retired nook,
And out fell five and sixpence." — E.]

(1) [The Grave of Churchill might have called from Lord Byron a deeper commemoration; for, though they generally differed in character and genius, there was a resemblance between their history and character. The satire of Churchill flowed with a more profuse, though not a more embittered, stream; while, on the other hand, he cannot be compared to Lord Byron in point of tenderness or imagination. But both these poets

« AnteriorContinuar »