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Twenty suns did rise and set,
And he could no further get;
But, unable to proceed,

Made a virtue out of need,

And his labours wiselier deem'd of,
Did omit what the queen dream'd of.

HESTER.

When maidens such as Hester die,
Their place ye may not well supply,
Though ye among a thousand try,
With vain endeavour.

A month or more hath she been dead,
Yet cannot I by force be led
To think upon the wormy bed
And her together.

A springy motion in her gait,
A rising step, did indicate
Of pride and joy no common rate,
That flush'd her spirit.

I know not by what name beside
I shall it call:-if 'twas not pride,
It was a joy to that allied,
She did inherit.

Her parents held the Quaker rule,
Which doth the human feeling cool,

But she was train'd in Nature's school,
Nature had blest her.

A waking eye, a prying mind,
A heart that stirs, is hard to bind,
A hawk's keen sight ye cannot blind,
Ye could not Hester.

My sprightly neighbour, gone before
To that unknown and silent shore,
Shall we not meet as heretofore,
Some summer morning,

When from thy cheerful eyes a ray
Hath struck a bliss upon the day,
A bliss that would not go away,
A sweet fore-warning?

SCOTLAND has the honour of giving birth to this illustrious poet of the nineteenth century. Thomas Campbell was born in Glasgow, in 1777. After studying the elements of classical learning, he was sent, at the age of twelve, to the University of his native city, where he gained a bursary from a candidate twice as old as himself; and in Greek he made such proficiency, that he far outstripped all his fellow students. Even already he had written a considerable portion of verse, and while attending the Greek class, he produced poetical versions from the choruses of the Greek Tragedians, which were declared superior to any similar exercises that had been produced at that college. After the usual curriculum had been finished at the University, Campbell removed to Argyleshire, where the romantic scenery of the Highlands vivified his natural perceptions of the sublime and beautiful, and stored his mind with those images of which he afterwards so happily availed himself. It was here that, among other pieces, he composed The Dirge of Wallace, which we have inserted in this collection.

While still in his minority, Campbell took up his residence in Edinburgh, where his talents and acquirements procured him the acquaintanceship of the most distinguished characters in the northern metropolis. It was here, also, that, at the early age of twenty-one, he produced The Pleasures of Hope-an astonishing work, especially when the youth of the author is taken into account. The public hailed it as the commencement of a new era in poetry, and were charmed with the depth of thought and intensity of feeling which it displayed in such beautiful and harmonious numbers. But notwithstanding the celebrity of this poem, and the profit which it yielded to the publishers, at the rate of two or three hundred pounds per annum, the author received at first only ten pounds for the copyright, which was afterwards augmented.

After he had enjoyed for a short time the fame which his publication had procured, Campbell travelled for about a year in Germany, where several of his most beautiful poems owed their existence to local circumstances. Thus, The Exile of Erin was suggested by his meeting several unfortunate Irish exiles at Hamburgh; and The Battle of Hohenlinden might have been prefaced with quæque ipse miserrima vidi, as he surveyed the whole conflict from the walls of a convent that overlooked the field. During this tour, also, he acquired a knowledge of the German language, and the acquaintanceship of the two Schlegels, and spent a day with Klopstock. On his return to London, he composed those splendid national odes, “Ye Mariners of England," and the "Battle of the Baltic," which, if he had written nothing more, would have ensured him the highest place in poetry, as well as the lasting gratitude of his country.

After this period, the author of The Pleasures of Hope took up his residence at Sydenham, where he seems to have spent his time for several years in literary ease, if we may judge from the amount of his labours, as nothing proceeded from his pen but Gertrude of Wyoming. This poem did not produce at first the sensation that might have been expected: perhaps the great work of his youth had raised the public expectation extravagantly high as to what his matured age would produce; or, perhaps, the public ear, from long disuse, was unaccustomed to the Spenserian stanza which he had adopted. But this work possesses even a higher poetical power and greater originality than his first production, and nothing can be more beautiful than his description of the Indian village, or more sublime than the death of Outalissi.

The subsequent poetical productions of Campbell are all distinguished by his prevailing characteristics-originality of conception, and the most classical correctness and delicacy of execution. Indeed, on account of this latter quality, he is cautious and slow in composition; and hence the small amount of his poetry, compared with the long life which he has spent, since the commencement of his public career. All his productions are sterling gold, of which the intrinsic value cannot be measured by mere bulk. Besides his distinction as a poet and a critic, he will be always remembered with gratitude as the founder of the London University, an institution, the idea of which originated with himself, and in which he laboured until his efforts were crowned with success.

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Unfading Hope! when life's last embers burn, When soul to soul, and dust to dust, return! Heaven to thy charge resigns the awful hour! Oh! then, thy kingdom comes, immortal Power! What though each spark of earth-born rapture fly The quivering lip, pale cheek, and closing eye! Bright to the soul thy seraph hands convey The morning dream of life's eternal dayThen, then, the triumph and the trance begin, And all the phoenix spirit burns within!

Oh! deep-enchanting prelude to repose, The dawn of bliss, the twilight of our woes! Yet half I hear the panting spirit sigh, It is a dread and awful thing to die! Mysterious worlds, untravell'd by the sun! Where Time's far-wandering tide has never run,

From your unfathom'd shades, and viewless spheres,
A warning comes, unheard by other ears.
"Tis Heaven's commanding trumpet, long and loud,
Like Sinai's thunder, pealing from the cloud!
While nature hears, with terror-mingled trust,
The shock that hurls her fabric to the dust:
And, like the trembling Hebrew, when he trod
The roaring waves, and call'd upon his God,
With mortal terrors clouds immortal bliss,
And shrieks, and hovers o'er the dark abyss!

Daughter of Faith! awake, arise, illume
The dread unknown, the chaos of the tomb;
Melt, and dispel, ye spectre-doubts, that roll
Cimmerian darkness on the parting soul!
Fly, like the moon-eyed herald of dismay,
Chased on his night-steed by the star of day!
The strife is o'er-the pangs of Nature close,
And life's last rapture triumphs o'er her woes.
Hark! as the spirit eyes, with eagle gaze,
The noon of Heaven undazzled by the blaze,
On heavenly winds that waft her to the sky,
Float the sweet tones of star-born melody;
Wild as that hallow'd anthem sent to hail
Bethlehem's shepherds in the lonely vale,
When Jordan hush'd his waves, and midnight still
Watch'd on the holy towers of Zion hill!

Soul of the just! companion of the dead!
Where is thy home, and whither art thou fled?
Back to its heavenly source thy being goes,
Swift as the comet wheels to whence he rose;
Doom'd on his airy path awhile to burn,

And doom'd, like thee, to travel, and return.-
Hark! from the world's exploding centre driven,
With sounds that shook the firmament of Heaven,
Careers the fiery giant, fast and far,

On bickering wheels, and adamantine car;
From planet whirl'd to planet more remote,
He visits realms beyond the reach of thought;
But wheeling homeward, when his course is run,
Curbs the red yoke, and mingles with the sun!
So hath the traveller of earth unfurl'd
Her trembling wings, emerging from the world;
And o'er the path by mortal never trod,
Sprung to her source, the bosom of her God!

From The Pleasures of Hope.

THE HOPE OF INDIA.

When Europe sought your subject realms to gain, And stretch'd her giant sceptre o'er the main, Taught her proud barks the winding way to shape, And braved the stormy spirit of the Cape; Children of Brama! then was Mercy nigh To wash the stain of blood's eternal dye? Did Peace descend, to triumph and to save, When free-born Britons cross'd the Indian wave? Ah, no!-to more than Rome's ambition true, The nurse of Freedom gave it not to you! She the bold route of Europe's guilt began, And, in the march of nations, led the van!

Rich in the gems of India's gaudy zone, And plunder piled from kingdoms not their own, Degenerate trade! thy minions could despise The heart-born anguish of a thousand cries; Could lock, with impious hands, their teeming store, While famish'd nations died along the shore: Could mock the groans of fellow-men, and bear The curse of kingdoms peopled with despair; Could stamp disgrace on man's polluted name, And barter, with their gold, eternal shame!

But hark! as bow'd to earth the Bramin kneels, From heavenly climes propitious thunder peals; Of India's fate her guardian spirits tell, Prophetic murmurs breathing on the shell, And solemn sounds that awe the listening mind, Roll on the azure paths of every wind.

"Foes of mankind! (her guardian spirits say,) Revolving ages bring the bitter day,

When Heaven's unerring arm shall fall on you,
And blood for blood these Indian plains bedew;
Nine times have Brama's wheels of lightning hurl'd
His awful presence o'er the alarmed world;
Nine times hath Guilt, through all his giant frame,
Convulsive trembled, as the Mighty came;
Nine times hath suffering Mercy spared in vain-
But Heaven shall burst her starry gates again!
He comes! dread Brama shakes the sunless sky
With murmuring wrath, and thunders from on high,
Heaven's fiery horse, beneath his warrior form,
Paws the light clouds, and gallops on the storm!

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