NarrativePsychology Press, 2001 - 267 páginas This comprehensive, accessible guidebook traces the ways in which human beings have used narrative to make sense of time, space and identity over the centuries. Particular attention is given to: * early narrative, from Hellenic and Hebraic * the rise of the novel * realist representation * imperialism and narrative * modernism and cinema * postmodern narrative * narrative and new technologies. With a strong emphasis on clarity and a range of examples from oral cultures to cyberspace, this is the ideal guide to an essential critical topic. |
Índice
The End | 1 |
2 Early Narrative | 29 |
3 The Rise and Rise of the Novel | 56 |
4 Realist Representation | 88 |
5 Beyond Realism | 117 |
6 Modernism and the Cinema | 146 |
7 Postmodernism | 171 |
The Beginning | 201 |
Glossary | 229 |
Bibliography | 246 |
261 | |
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Términos y frases comunes
action analysis argues Aristotle Auerbach Bakhtin Bordwell camera Chapter cinema classic realist classic realist text Conrad crucial culture depiction detours devices dialogue discourse Divine Comedy early embodied Émile Benveniste epic especially example existence fact fiction film Freud genre grand narratives hard-boiled Havelock Heart of Darkness heteroglossia Homer human hypertext identity imitative mimesis Implied Author Implied Reader individual interpretation kind Lévi-Strauss Lyotard means Middlemarch mimesis mimetic mode modern modernist myth mythemes narrative form narrative levels narratology narrator’s narratorial voice nineteenth century non-fiction Northrop Frye novel novelists object Odyssey ofthe omniscient narration oral narrative Plato poet poet’s voice postmodern present produced radio rative reading Real Reader realism refer relation representamen representation Ricoeur role romance s/he scene sense sequence shot social space specific story suggests television tion tive tradition twentieth century Un Chien Andalou verisimilitude viewer Vladimir Propp writing written