Narratology: An IntroductionSusana Onega, Jose Angel Garcia Landa Routledge, 19 sept 2014 - 336 páginas This text provides an excellent introduction and overview of Narratology, a rapidly growing field in the humanities. Literary narratologists have provided many key concepts and analytical tools which are widely used in the interdisciplinary analysis of such narrative features as plot, point of view, speech presentation, ideological perspective and interpretation. The introduction explains the central concepts of narratology, their historical development, and draws together contemporary trends from many different disciplines into common focus. It offers a compendium of the development of narratology from classical poetics to the present. The essays are all prefaced by individual forewords helping the reader to place each individual selection in context. Recent developments are assessed across disciplines, highlighting the mutual influences of narratology and deconstruction, psychoanalysis, feminism, film and media studies. |
Índice
1941 | |
ROLAND BARTHES Introduction to the Structural Analysis of Narratives | 1 |
Some | |
MEIR STERNBERG What is Exposition? An Essay in Temporal Delimitation | |
PAUL RICŒUR The Time of Narrating Erzählzeit and Narrated Time | |
WAYNE C BOOTH Types of Narration | |
CELESTINO DELEYTO Focalisation in Film Narrative | |
PETER BROOKS Reading for the Plot | |
HAYDEN WHITE The Value of Narrativity in the Representation of Reality | |
Notes on Authors | |
References and Further Reading | |
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Términos y frases comunes
actants action amelioration analysis of narrative Barthes Branigan camera causal character Cinema concept Criticism defined diegesis diegetic distinction dramatic Essays example exposition external focaliser eyeline match fabula Fiction fictive film first-person narrative focalization focalizor function Genette Genette's genre GÉRARD GÉRARD GENETTE Greimas historical identified instance internal interpretation language linguistic literary literature logic meaning metafiction Mieke mock reader mode mythical Narrative Discourse narrative situation narratology narrator novel object Oedipus Paris Paul Ricœur perception person perspective plot Poetics Today point of view possible present Propp question reading récit relation relationship representation Rhetoric Rhetoric of Fiction Ricœur Roland Barthes role Russian Formalists screen Semiotics sentence sequence Seuil shot space spatial specific spectator Stanzel story structuralist structure tells temporal textual thematic Theory of Narrative third-person narrative Todorov Tom Jones trans Tristram Shandy typology Vladimir Propp writing