Introducción a los conceptos y teorías de las ciencias físicas

Portada
Reverte, 1996 - 860 páginas
Quizás la característica más sorprendente de este libro es el énfasis que pone en la naturaleza del descubrimiento, el razonamiento y la formación de conceptos como un tópico fascinante. Esto significa que los aspectos históricos y filosóficos de la exposición no son meramente un ingrediente dulzón para conseguir que el lector digiera el texto lo más fácilmente posible, sino que se presentan por su propio interés intrínseco.
 

Índice

Movimiento de rotación
199
Ley de la gravitación universal de Newton
209
SOBRE LA ESTRUCTURA Y EL MÉTODO EN LAS CIEN
253
Sobre la dualidad y crecimiento de la ciencia
275
Sobre el descubrimiento de las leyes
301
Parte E LAS LEYES DE CONSERVACIÓN
331
Ley de conservación de la energía
361
Página de créditos

Términos y frases comunes

Pasajes populares

Página 817 - Entropy and Art: An Essay on Order and Disorder. Berkeley. University of California Press. 1971.
Página 820 - Cosmos and History: the Myth of the Eternal Return, translated from French by WR Trask, New York: Harper Torchbook paperback reprint, 1959 Elkana, Y., "Helmholtz' 'KrafV: An illustration of concepts in flux," Historical Studies in the Phvsical Sciences, Vol.

Sobre el autor (1996)

Born in Berlin, Germany, Gerald Holton received his Ph.D. in physics from Harvard University in 1946. Shortly afterward, he launched into what has become a major part of his career---directing a well-known program that originally was developed to teach physical science to liberal arts majors at Harvard. This program, called Harvard Project Physics, became the model for an ambitious program to teach physics in a similar historical manner in colleges and high schools throughout the United States. Later, Holton used this model in a somewhat different manner, establishing a program for the public understanding of science that eventually grew into a journal, Science, Technology and Human Values. For many years, Holton was a coeditor of Daedalus, the journal of the American Academy of Arts and Sciences. He has also gained recognition as a biographer of Albert Einstein, and he has worked tirelessly to demonstrate that science requires as much creative imagination as do the arts and humanities.

Información bibliográfica