Books and Printing; a Treasury for Typophiles"Books and Printing; a Treasury for Typophiles" by Various. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format. |
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"So far as this had any influence, then or later," he remarked, "the experiment of Typographie Economique is as dead as Queen Anne." All of which points up Bertrand Russell's remarks, "On Being Modern Minded," in his recent Unpopular ...
"So far as this had any influence, then or later," he remarked, "the experiment of Typographie Economique is as dead as Queen Anne." All of which points up Bertrand Russell's remarks, "On Being Modern Minded," in his recent Unpopular ...
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Later on, about the third century A.D. to distinguish the "g" sound from the "k" sound they added a little bar below the opening. Thus we get both C and G from the picture of the camel. Stevenson said that when he was a child the ...
Later on, about the third century A.D. to distinguish the "g" sound from the "k" sound they added a little bar below the opening. Thus we get both C and G from the picture of the camel. Stevenson said that when he was a child the ...
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When the Romans received it, it was simply a vertical stroke, I (ee) which represented the same long "e" sound as it did with the Greeks, but later they used it both as a consonant and vowel, differentiating the consonant by making the ...
When the Romans received it, it was simply a vertical stroke, I (ee) which represented the same long "e" sound as it did with the Greeks, but later they used it both as a consonant and vowel, differentiating the consonant by making the ...
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... but later they introduced the angles and made the downward strokes equal. The Romans formed the letter by continuing the curve farther than the Phoenicians and called it "pe" (pay).
... but later they introduced the angles and made the downward strokes equal. The Romans formed the letter by continuing the curve farther than the Phoenicians and called it "pe" (pay).
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The Greeks, as was to be expected, turned the letter around, and later, oddly enough, introduced a curve making it exactly like the Roman letter P. The extra stroke which we find in the Roman letter was no doubt due to the carelessness ...
The Greeks, as was to be expected, turned the letter around, and later, oddly enough, introduced a curve making it exactly like the Roman letter P. The extra stroke which we find in the Roman letter was no doubt due to the carelessness ...
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Índice
EDWIN ELIOTT WILLOUGHBY Printers Marks | |
THEIR FORMS AND DEVELOPMENT | |
RONALD B McKERROW Typographic Debut | |
Ligatures | |
ANNE LYON HAIGHT Are Women the Natural Enemies of Books? | |
CHRISTOPHER SANDFORD Printing for Love | |
EDWIN GRABHORN The Fine Art of Printing | |
HOLBROOK JACKSON THE TYPOGRAPHY OF WILLIAM MORRIS | |
CARL PURINGTON ROLLINS American Type Designers and Their Work | |
THEODORE LOW DE VINNE The Old and the New A FRIENDLY DISPUTE | |
ADVENTURER WITH TYPE ORNAMENT | |
SOME TENDENCIES IN MODERN TYPOGRAPHY | |
CLELAND Harsh Words | |
W A DWIGGINS EXTRACTS FROM AN INVESTIGATION INTO | |
MR MCG MR A MR L | |
and | |
OSCAR OGG A Comparison of Calligraphy Lettering | |
EARNEST ELMO CALKINS The Book Job Print | |
G B S ANDR R C 18981948 | |
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Términos y frases comunes
advertising alphabet American appeared artist beauty become beginning called capitals cast century character colophon common COMPOSED copy decoration device early edition English example experience face fact Franklin friends give Greek hand head idea illustrations important impression interest invention issued Italy John kind known later less letter limited living look machine mark matter means mechanical mind natural never original ornaments perhaps period possible practice present printer printing private press produced publisher question reader reason result Roman rule seems sense space standards style Table of Contents taste things thought trade turn typography volume whole writing written