Books and Printing; a Treasury for Typophiles"Books and Printing; a Treasury for Typophiles" by Various. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format. |
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... exhibitionistic antics of its own, it is just a bad servant.... Typography, I repeat, is a servant—the servant of thought and language to which it gives visible existence. When there are new ways of thinking and a new language, it will.
... exhibitionistic antics of its own, it is just a bad servant.... Typography, I repeat, is a servant—the servant of thought and language to which it gives visible existence. When there are new ways of thinking and a new language, it will.
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And while you are working at it, you must expect cynical observers to give your experiments the adjective 'wacky'; you must expect certain curious kinds of people to praise your work for the wrong reasons ...
And while you are working at it, you must expect cynical observers to give your experiments the adjective 'wacky'; you must expect certain curious kinds of people to praise your work for the wrong reasons ...
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The hand in profile bent at the knuckles and wrist gives us the character "yod" (the hand) as used by the Phoenicians. The Greeks, who always liked to have their words end in vowels, added "a" and called it "Iota" (e-o ́ta).
The hand in profile bent at the knuckles and wrist gives us the character "yod" (the hand) as used by the Phoenicians. The Greeks, who always liked to have their words end in vowels, added "a" and called it "Iota" (e-o ́ta).
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... J; but they did not give a distinct letter form for the capital J until the sixteenth century. The small j came into being nearly a century later. The dot over the i was first introduced in a thirteenth century manuscript.
... J; but they did not give a distinct letter form for the capital J until the sixteenth century. The small j came into being nearly a century later. The dot over the i was first introduced in a thirteenth century manuscript.
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... first turning our attention to Dr. Pollard's book, [5] with his own rendering into English of the unwieldy fifteenth-century Latin. In the introduction, Dr. Richard Garnett gives a brief sketch of the derivation and earliest ...
... first turning our attention to Dr. Pollard's book, [5] with his own rendering into English of the unwieldy fifteenth-century Latin. In the introduction, Dr. Richard Garnett gives a brief sketch of the derivation and earliest ...
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Índice
EDWIN ELIOTT WILLOUGHBY Printers Marks | |
THEIR FORMS AND DEVELOPMENT | |
RONALD B McKERROW Typographic Debut | |
Ligatures | |
ANNE LYON HAIGHT Are Women the Natural Enemies of Books? | |
CHRISTOPHER SANDFORD Printing for Love | |
EDWIN GRABHORN The Fine Art of Printing | |
HOLBROOK JACKSON THE TYPOGRAPHY OF WILLIAM MORRIS | |
CARL PURINGTON ROLLINS American Type Designers and Their Work | |
THEODORE LOW DE VINNE The Old and the New A FRIENDLY DISPUTE | |
ADVENTURER WITH TYPE ORNAMENT | |
SOME TENDENCIES IN MODERN TYPOGRAPHY | |
CLELAND Harsh Words | |
W A DWIGGINS EXTRACTS FROM AN INVESTIGATION INTO | |
MR MCG MR A MR L | |
and | |
OSCAR OGG A Comparison of Calligraphy Lettering | |
EARNEST ELMO CALKINS The Book Job Print | |
G B S ANDR R C 18981948 | |
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Términos y frases comunes
advertising alphabet American appeared artist beauty become beginning called capitals cast century character colophon common COMPOSED copy decoration device early edition English example experience face fact Franklin friends give Greek hand head idea illustrations important impression interest invention issued Italy John kind known later less letter limited living look machine mark matter means mechanical mind natural never original ornaments perhaps period possible practice present printer printing private press produced publisher question reader reason result Roman rule seems sense space standards style Table of Contents taste things thought trade turn typography volume whole writing written