Books and Printing; a Treasury for Typophiles"Books and Printing; a Treasury for Typophiles" by Various. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format. |
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The Roman letter was the parent of all the styles notwithstanding the diversity that has appeared in Europe since the beginning of the Christian era. With a little imagination it is not difficult to note the resemblance between similar ...
The Roman letter was the parent of all the styles notwithstanding the diversity that has appeared in Europe since the beginning of the Christian era. With a little imagination it is not difficult to note the resemblance between similar ...
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The Romans had no need for this letter at first, as C furnished the same sound. ... source of M and that fish, "nun" (noon) the source of N. The letter M has changed but little in form, it is the Greek letter "Mu" and the Roman M (em).
The Romans had no need for this letter at first, as C furnished the same sound. ... source of M and that fish, "nun" (noon) the source of N. The letter M has changed but little in form, it is the Greek letter "Mu" and the Roman M (em).
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Various Paul A. Bennett. a suspended one. The Greeks reversed the stroke and called it "Nu" and the Romans did not change its form but called it N (en). ... It is easy to trace the Roman O (oh) from its Greek parent, "omicron." ...
Various Paul A. Bennett. a suspended one. The Greeks reversed the stroke and called it "Nu" and the Romans did not change its form but called it N (en). ... It is easy to trace the Roman O (oh) from its Greek parent, "omicron." ...
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Its form closely resembled our W. The Greeks made it perpendicular for their "sigma" and the Romans simplified and curved it giving S ... The only change of "tahv" to Greek "tau," and to Roman T (tay) was the raising of the cross-bar.
Its form closely resembled our W. The Greeks made it perpendicular for their "sigma" and the Romans simplified and curved it giving S ... The only change of "tahv" to Greek "tau," and to Roman T (tay) was the raising of the cross-bar.
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It came from the Roman X (eex) which may have been derived from the Greek "ksi. ... The Romans did not change its name or shape, but although there has been little change in 2,000 years we see little resemblance to the short sword in ...
It came from the Roman X (eex) which may have been derived from the Greek "ksi. ... The Romans did not change its name or shape, but although there has been little change in 2,000 years we see little resemblance to the short sword in ...
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Índice
EDWIN ELIOTT WILLOUGHBY Printers Marks | |
THEIR FORMS AND DEVELOPMENT | |
RONALD B McKERROW Typographic Debut | |
Ligatures | |
ANNE LYON HAIGHT Are Women the Natural Enemies of Books? | |
CHRISTOPHER SANDFORD Printing for Love | |
EDWIN GRABHORN The Fine Art of Printing | |
HOLBROOK JACKSON THE TYPOGRAPHY OF WILLIAM MORRIS | |
CARL PURINGTON ROLLINS American Type Designers and Their Work | |
THEODORE LOW DE VINNE The Old and the New A FRIENDLY DISPUTE | |
ADVENTURER WITH TYPE ORNAMENT | |
SOME TENDENCIES IN MODERN TYPOGRAPHY | |
CLELAND Harsh Words | |
W A DWIGGINS EXTRACTS FROM AN INVESTIGATION INTO | |
MR MCG MR A MR L | |
and | |
OSCAR OGG A Comparison of Calligraphy Lettering | |
EARNEST ELMO CALKINS The Book Job Print | |
G B S ANDR R C 18981948 | |
Otras ediciones - Ver todo
Términos y frases comunes
advertising alphabet American appeared artist beauty become beginning called capitals cast century character colophon common COMPOSED copy decoration device early edition English example experience face fact Franklin friends give Greek hand head idea illustrations important impression interest invention issued Italy John kind known later less letter limited living look machine mark matter means mechanical mind natural never original ornaments perhaps period possible practice present printer printing private press produced publisher question reader reason result Roman rule seems sense space standards style Table of Contents taste things thought trade turn typography volume whole writing written