Shakespeare's Comedy of A Midsummer-night's DreamAmerican Book Company, 1903 - 230 páginas |
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Página 11
... mentioned above , and when he could write the poetry of the other parts of this very comedy . There seems , therefore , warrant for the opinion that this drama was one of the very first con- ceptions of the young poet ; that , living in ...
... mentioned above , and when he could write the poetry of the other parts of this very comedy . There seems , therefore , warrant for the opinion that this drama was one of the very first con- ceptions of the young poet ; that , living in ...
Página 13
... mentioned as the " contriver " of it ; but that may refer either to his being responsible for the representation or to his playing the part of Bottom , for which , as we see , he was punished . a farce or droll , ' which was frequently ...
... mentioned as the " contriver " of it ; but that may refer either to his being responsible for the representation or to his playing the part of Bottom , for which , as we see , he was punished . a farce or droll , ' which was frequently ...
Página 23
... mentioned in which directions are given to the actors , but nothing is said about an- other rehearsal . And yet Philostrate , just before the performance , tells of his amusement when he saw the play rehearsed ! The performance was on ...
... mentioned in which directions are given to the actors , but nothing is said about an- other rehearsal . And yet Philostrate , just before the performance , tells of his amusement when he saw the play rehearsed ! The performance was on ...
Página 121
... mentioned in the Notes . This lengthening occurs most frequently at the end of the line . ( b ) Many monosyllables ending in r , re , rs , res , preceded by a long vowel or diphthong , are often made dissyllables ; as fare , fear , dear ...
... mentioned in the Notes . This lengthening occurs most frequently at the end of the line . ( b ) Many monosyllables ending in r , re , rs , res , preceded by a long vowel or diphthong , are often made dissyllables ; as fare , fear , dear ...
Página 122
... mentioned in the notes to the plays in which they occur . 6. Words are also contracted for metrical reasons , like plurals and possessives ending in a sibilant , as balance , horse ( for horses and horse's ) , princess , sense ...
... mentioned in the notes to the plays in which they occur . 6. Words are also contracted for metrical reasons , like plurals and possessives ending in a sibilant , as balance , horse ( for horses and horse's ) , princess , sense ...
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Términos y frases comunes
1st quarto accent actors AMERICAN BOOK COMPANY Athenian Athens Ben Jonson Bergomask Bottom called changeling Chaucer Cobweb comedy critics Cymb death Demetrius dissyllable doth duke early eds Egeus Enter PUCK Exeunt Exit eyes fair fairy fear flower Flute folios Furness gentle grace Halliwell-Phillipps quotes hast hath hear heart Helena Hermia Hippolyta hounds ladies Lear lion look lord Love's Love's Labour's Lost lovers Lysander Macb means Milton moon Moonshine mounsieur Mustardseed never night NIGHT'S DREAM noun o'er Oberon Ovid passage Peaseblossom Peter Quince Philostrate play Plutarch prologue prose Puck Pyramus Pyramus and Thisbe quarto queen Quince reading rhyme Rich roar Robin Goodfellow scene Schmidt Schools sense Shakespeare shine sleep Snout sometimes Sonn speak Spenser Starveling Steevens quotes sweet syllable Temp thee Theseus things Thisbe thou Titania tongue trisyllable troth unto verb verse wall wood word
Pasajes populares
Página 56 - Philomel, with melody Sing in our sweet lullaby; Lulla, lulla, lullaby ; lulla, lulla, lullaby ; Never harm, nor spell nor charm, Come our lovely lady nigh; So, good night, with lullaby.
Página 51 - Yet mark'd I where the bolt of Cupid fell: It fell upon a little western flower, Before milk-white, now purple with love's wound, And maidens call it love-in-idleness.
Página 149 - Or fill the fixed mind with all your toys! Dwell in some idle brain, And fancies fond with gaudy shapes possess, As thick and numberless As the gay motes that people the sun-beams, Or likest hovering dreams, The fickle pensioners of Morpheus
Página 51 - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath, That the rude sea grew civil at her song ; And certain stars shot madly from their spheres, To hear the sea-maid's music.
Página 49 - The seasons alter: hoary-headed frosts Fall in the fresh lap of the crimson rose, And on old Hiems' thin and icy crown An odorous chaplet of sweet summer buds Is, as in mockery, set...
Página 108 - The best in this kind are but shadows ; and the worst are no worse, if imagination amend them.
Página 137 - Methinks I see in my mind a noble and puissant nation rousing herself like a strong man after sleep, and shaking her invincible locks : methinks I see her as an eagle, mewing her mighty youth, and kindling her undazzled eyes at the full mid-day beam...
Página 51 - That very time I saw (but thou couldst not), Flying between the cold moon and the earth, Cupid all arm'd : a certain aim he took At a fair vestal throned by the west, And loos'd his love-shaft smartly from his bow, As it should pierce a hundred thousand hearts : But I might see young Cupid's fiery shaft Quench'd in the chaste beams of the watery moon, And the imperial votaress passed on, In maiden meditation, fancy-free.
Página 24 - But earthlier happy is the rose distill'd, Than that, which, withering on the virgin thorn, Grows, lives, and dies, in single blessedness.
Página 169 - Where then shall hope and fear their objects find ? Must dull suspense corrupt the stagnant mind ? Must helpless man, in ignorance sedate, Roll darkling down the torrent of his fate...