From the church came a murmur of folks at their prayers, But we stood without in the cold blowing airs. We climb'd on the graves, on the stones, worn with rains, And we gaz'd up the aisle through the small leaded panes. She sate by the pillar; we saw her clear: Margaret, hist! come quick, we are here. Dear heart," I said, we are long alone. 66 The sea grows stormy, the little ones moan." For her eyes were seal'd to the holy book. Down, down, down. Down to the depths of the sea. She sits at her wheel in the humming town, Hark, what she sings; "O joy, O joy For the humming street, and the child with its toy. For the wheel where I spun, And the bless'd light of the sun." And so she sings her fill, Singing most joyfully, Till the shuttle falls from her hand, And the whizzing wheel stands still. She steals to the window, and looks at the sand; A long, long sigh. For the cold strange eyes of a little Mermaiden Come away, away children. She will start from her slumber We shall see, while above us Singing, "Here came a mortal, But faithless was she. And alone dwell for ever The kings of the sea." But, children, at midnight, We will gaze, from the sand-hills, At the church on the hill side, She left lonely for ever The kings of the sea." M. Arnold. THE BUILDERS. ALL are architects of Fate, Working in these walls of time: Some with massive deeds and great, Some with ornaments of rhyme. Nothing useless is, or low, Each thing in its place is best; For the structure that we raise, Our to-days and yesterdays Are the blocks with which we build. Truly shape and fashion these, Leave no yawning gaps between: Think not, because no man sees, Such things will remain unseen. In the elder days of art, Builders wrought with greatest care Each minute and unseen part, For the gods are everywhere. Let us do our work as well, Both the unseen and the seen; Else our lives are incomplete Longfellow. |