Principles of Vocal Expression: Being a Revision of the Rhetoric of Vocal Expression, Volumen 10Scott, Foresman, 1897 - 479 páginas |
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Página 244
... SHYLOCK . I am not bound to please thee with my answer . BASSANIO . Do all men kill the things they do not love ? SHYLOCK . Hates any man the thing he would not kill ? BASSANIO . Every offense is not a hate at first 244 MENTAL TECHNIQUE .
... SHYLOCK . I am not bound to please thee with my answer . BASSANIO . Do all men kill the things they do not love ? SHYLOCK . Hates any man the thing he would not kill ? BASSANIO . Every offense is not a hate at first 244 MENTAL TECHNIQUE .
Página 306
... SHYLOCK . May I speak with Antonio ? BASSANIO . If it please you to dine with us . SHYLOCK . Yes , to smell pork ; to eat of the habitation which your prophet the Nazarite conjured the Devil into . I will buy with you , sell with you ...
... SHYLOCK . May I speak with Antonio ? BASSANIO . If it please you to dine with us . SHYLOCK . Yes , to smell pork ; to eat of the habitation which your prophet the Nazarite conjured the Devil into . I will buy with you , sell with you ...
Página 360
... SHYLOCK . I thank God , I thank God ! Is it true , is it true ? SHYLOCK . TUBAL . I spoke with some of the sailors that escaped the wreck . I thank thee , good Tubal . Good news , good news ! ha , ha ! Where ? in Genoa ? ― TUBAL . Your ...
... SHYLOCK . I thank God , I thank God ! Is it true , is it true ? SHYLOCK . TUBAL . I spoke with some of the sailors that escaped the wreck . I thank thee , good Tubal . Good news , good news ! ha , ha ! Where ? in Genoa ? ― TUBAL . Your ...
Índice
INTRODUCTION | 1 |
NOTES ON CHAPTER I | 8 |
Interpretation the end in all expression 9 Expressional paraphrasing | 21 |
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Términos y frases comunes
action amphibrach analysis anapestic Antony artist assertion audience breath Brutus Cassius CHAPTER chest circumflex CITIZEN clause climax connection contrast dependent clauses diaphragm discrimination effect elements emotion examples Expansive Paraphrasing expressional eyes falling slide FALSTAFF feeling gesture give grammatical Hamlet hand hath hear heard heart heaven Hendiadys honorable idea illustration incompleteness inflection interpretation John ix Julius Cæsar King Robert lines Lord Macbeth manifest Mark Mark Antony means melody ment mental Merchant of Venice mind momentary completeness movement muscles nature NOTE pantomimic passages pause phrase practice principle purpose reader recitation relations rhetorical rhythm rising slide Rustum scene sentence SHYLOCK Sicily significance singing Sohrab soul sound speak speaker speech spondaic stress student subordinate suggestive syllables thee thing thou thought tion tone trochaic types of utterance unto verse viii vocal expression voice volition vowels words