Principles of Vocal Expression: Being a Revision of the Rhetoric of Vocal Expression, Volumen 10

action amphibrach analysis anapestic Antony artist assertion audience breath Brutus Cassius CHAPTER chest circumflex CITIZEN clause climax connection contrast dependent clauses diaphragm discrimination effect elements emotion examples Expansive Paraphrasing expressional eyes falling slide FALSTAFF feeling gesture give grammatical Hamlet hand hath hear heard heart heaven Hendiadys honorable idea illustration incompleteness inflection interpretation John ix Julius Cæsar King Robert lines Lord Macbeth manifest Mark Mark Antony means melody ment mental Merchant of Venice mind momentary completeness movement muscles nature NOTE pantomimic passages pause phrase practice principle purpose reader recitation relations rhetorical rhythm rising slide Rustum scene sentence SHYLOCK Sicily significance singing Sohrab soul sound speak speaker speech spondaic stress student subordinate suggestive syllables thee thing thou thought tion tone trochaic types of utterance unto verse viii vocal expression voice volition vowels words