In Another Country: Feminist Perspectives on Renaissance Drama, Volumen 10Dorothea Kehler, Susan Baker Scarecrow Press, 1991 - 345 páginas This anthology aligns feminist essays about Shakespeare with essays on other dramatists of the English Renaissance, particularly Peele, Marlowe, Webster, Marston, and Middleton. Foregrounding the intertextuality of Elizabethian drama, the thirteen essays_eleven of them new_explore the contribution of the stage to various feminist subjects, drawing on diverse theoretical approaches_formalists, materialist, historical, new historicist, deconstructionist, psychoanalytic, rhetorical_and resisting the figuration of feminist criticism as simple or univocal. Essayists include Laura Bromley, Mary Ann Bushman, Christy Desmet, Coppelia Kahn, Margaret Mikesell, Thomas Moisan, Jeanie Grant Moorem Phyllis Rackin, James Schiffer, Jeremy Tambling, Carolyn Whitney-Brown, and the editors. With extensive bibliographies. |
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Página 20
... perspective image extends beyond its immediate scene : through the queen it may be considered as an invitation to the audience to seek a different perspective on the drama.2 Adding to the layers of metaphoric meaning in Richard II are ...
... perspective image extends beyond its immediate scene : through the queen it may be considered as an invitation to the audience to seek a different perspective on the drama.2 Adding to the layers of metaphoric meaning in Richard II are ...
Página 21
... perspective " or " perspective device " -also offered in- sight through visual means . Linear perspective , a technique practiced by the ancient Greeks and rediscovered by Renaissance artists , was used to achieve an illusion of reality ...
... perspective " or " perspective device " -also offered in- sight through visual means . Linear perspective , a technique practiced by the ancient Greeks and rediscovered by Renaissance artists , was used to achieve an illusion of reality ...
Página 32
... perspective and for Richard . Through reflections and through the oblique subversive view , she has offered new awareness to Richard and the audience ; although she has moved in the shadows , she has provided an enlightening new perspective ...
... perspective and for Richard . Through reflections and through the oblique subversive view , she has offered new awareness to Richard and the audience ; although she has moved in the shadows , she has provided an enlightening new perspective ...
Índice
Introduction Dorothea Kehler and Susan Baker | 1 |
Laura G Bromley | 50 |
Rhetoric of | 71 |
Página de créditos | |
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In Another Country: Feminist Perspectives on Renaissance Drama, Volumen 10 Dorothea Kehler,Susan Baker Vista previa restringida - 1991 |
Términos y frases comunes
Abigail Absalon Antony and Cleopatra audience authority Barabas Barabas's beard Bethsabe Bethsabe's Brachiano Cambridge Univ characters chaste chastity Comedy Coppélia daughter David death desire discourses Dissertation Abstracts International Duchess of Malfi Dutch Courtesan Elizabeth Elizabethan Emilia England English Renaissance Essays father female feminine feminist criticism figure Flamineo Freevill gender heroines husband identity ideology Isabel Isabella Jacobean Drama Jew of Malta Kahn King Lady Macbeth language Literature London lust male Margaret marriage married Marston's Mary masculine matrimony Measure for Measure Merchant of Venice metaphor Methuen mirror Noble Kinsmen Othello paradox patriarchal patriarchalist Paulina perspective play's pleasure political Press protagonists queen relationship Renaissance Drama rhetorical Richard Richard II role Romeo and Juliet scene sense sexual Shakespeare Quarterly Shakespeare Studies Shakespeare's Plays social society speech stage subversive Swetnam tion Tragedy tragic Vittoria Webster whore widow wife Winter's Tale wives woman womb women York
Referencias a este libro
Dramatic Discourse: Dialogue as Interaction in Plays Vimala Herman No hay ninguna vista previa disponible - 1998 |
"Shall She Famish Then?": Female Food Refusal in Early Modern England Nancy A. Gutierrez No hay ninguna vista previa disponible - 2003 |