Derek JarmanManchester University Press, 2005 - 210 páginas This book gives detailed and original critical readings of all eleven of Derek Jarman's feature-length films, arguing that he occupies a major and influential place in European and world cinema rather than merely being a cult figure. It places particular emphasis on the importance of Renaissance art and literature for Jarman, and emphasizes his interest in Jungian psychology. Wymer shows how Jarman used his films to take his audience with him on an inner journey in search of the self, while remaining fully aware of the dangers of such a journey. |
Índice
Caravaggio 1986 | 92 |
Where in all of this is Love? The Last of England 1987 | 110 |
War Requiem 1989 | 122 |
The Garden 1990 | 132 |
Edward II 1991 | 143 |
Wittgenstein 1993 | 158 |
FILMOGRAPHY | 185 |
| 195 | |
| 204 | |
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Términos y frases comunes
Akenaten alchemical ambiguous Angelic Conversation appears Ariel Art of Mirrors artist audience BFI Jarman Collection blue British Film Institute Britten camera Caravaggio Channel Four Christ cinema colour culture Dancing Ledge dark death Derek Jarman Derek Jarman's Caravaggio desire editing Edward II Elizabethan English erotic figure film's footage fuck Garden Gaveston homosexual Ibid identity images Imagining October James Mackay Jarman wrote Jarman's film John Jubilee Kicking the Pricks Last of England London look lovers Marlowe Marlowe's Michael O'Pray Modern Nature mother narcissistic Nigel Terry Owen Owen's painter painting Pasolini Pet Shop Boys philosophical play poems producer promotional video Prospero psychological punk Ranuccio Renaissance repr Requiem scene screen Sebastian seems sequence Severus sexual Shakespeare short films shot Slow Motion Smiling in Slow soldiers sonnets sound soundtrack super-8 symbolic Tempest Tilda Swinton Toyah Willcox University Press violence voice-over War Requiem Wittgenstein young Yves Klein