Avant-garde Jazz Musicians: Performing "out There"

African African-American Albert Ayler Alto Sax Archie Shepp Ascension audience avant-garde bass bassist bebop bebop musicians big band Billy Bang blues Cecil Taylor Charlie Mingus chord changes collectively improvised approach Coltrane's communicate composer compositions context culture Daniel Carter development of jazz Dewey Johnson dominant society drummer early New Orleans emotions Ensemble Eric Dolphy expression Frank Lowe Free Jazz free-form functional hard bop harmonic influence innovators instruments interaction jazz musicians jazz performers Jazz Styles Jemeel Moondoc John Coltrane Knitting Factory label listeners loft meaning melodic lines metaphors Milford Graves mode musical performance nightclubs organized Orleans jazz Ornette Coleman perceive phrases play players recording refer rehearsal rhythm rhythmic role saxophonist sidemen small combo social solo improvisation soloists sound Soundscape spiritual style of musical styles of jazz stylistic substyles Sun Ra swing feeling symbolic techniques tenor tion tonal tones trumpet tune Western William Parker worldview