Schoenberg and His SchoolOpen Road Media, 17 dic 2019 - 305 páginas The noted music theorist presents a brilliant and sweeping study of Schoenberg’s compositions and his influence on the generations that followed. A pioneering composer and leader of the Second Viennese School, Arthur Schoenberg was one of the most important figures in twentieth-century classical music. In Schoenberg and His School, composer, conductor, and music theorist René Leibowitz offers an authoritative analysis of Schoenberg’s groundbreaking contributions to composition theory and Western polyphony. In addition to detailing his subject’s major works, Leibowitz also explores Schoenberg’s influence on the works of his two great disciples, Alban Berg and Anton Webern. Leibowitz considers how the influences of all three men have, in turn, created new movements within contemporary music today. |
Índice
Arnold Schoenberg | |
Sound | |
Alban Berg | |
Anton Webern | |
Acquisitions into the Future | |
The Structure of Contemporary Musical Speech | |
Conclusion | |
Notes | |
Otras ediciones - Ver todo
Schoenberg and His School: The Contemporary Stage of the Language of Music René Leibowitz Vista previa restringida - 2015 |
Schoenberg And His School: The Contemporary Stage Of The Language Of Music Rene Leibowitz Vista de fragmentos - 1975 |
Schoenberg and His School: The Contemporary Stage of the Language of Music René Leibowitz Vista de fragmentos - 1970 |
Términos y frases comunes
acquisitions Alban Berg Anton Webern appears Arnold Schoenberg Bach bass clarinet becomes beginning Berg’s canon cello characteristics chords chromatic scale chromaticism completely composers composition Concerto contemporary musical contrapuntal contrary motion counterpoint culmination dramatic elaborated elements essence evolution of polyphony example Finally fourth fugue Furthermore Gurre-Lieder harmonic idea imitation instrumental style intervals Introduction to Twelve-Tone invention inversion Kammersymphonie Klangfarbenmelodie leading-tone Lulu master means measure melody minor third modal modes motives movement musical language musical speech musicians opera orchestral original passage piano accompaniment piece Pierrot Lunaire played possible principles problems recapitulation resources of chromaticism rhythm rhythmic Schoenbergian score segment sonata sonata form Songs with piano sound-forms strict string quartet structure superposition Symphony thematic theme tonal functions tonal system tone-row tones total resources tradition Twelve-Tone Music twelve-tone row twelve-tone technique unfoldment unity viola violin vocal voice Wagner Webern world of sound Wozzeck