of value and interest. Most are copiously illustrated. They cast light, as a rule, not only upon the author, but upon the group in which he moved.]

Berger, Blake.

Shorter, C. Brontë (and her family).

Cary, E. L., Browning.

Chesterton, Browning.

Griffin and Minchin, Browning.

Cary, E. L., W. Morris.
Mackail, W. Morris.
Drinkwater, W. Morris.
Ward, W., Newman.
Marillier, D. G. Rossetti.
Sharp, W., D. G. Rossetti.
Benson, A. C., Ruskin.
Cook, E. T., Ruskin.

* Earland, Ruskin and his Circle.

Brock, C., Shelley.

Balfour, Stevenson.

Tennyson, H., Tennyson.

Harper, Wordsworth.

THE SHORT STORY:

Canby, The Short Story in English.

Cooper, Some English Story Tellers.

Pitkin, Short Story Writing.

Allbright, The Short Story and its Principles.

DRAMA (modern):

Dickinson, Modern Dramatists.

Huneker, Iconoclasts (on modern dramatists).

(For recent plays, see reading list, pages 586, 587.)

BOOK IV. LIST OF AUTHORS AND THEIR WORKS

The relative importance of each author (or work) is indicated by face of type. Works starred are recommended for reading. Double asterisks indicate that the book is especially recommended for student's reading.

The sign (Col.) means that the work indicated (or selections from the author indicated) should be read in standard works. See the list on page xiv.

Page numbers indicate the page of this book where the author or work is discussed. (The list of works under an author's name is not, as a rule, complete. The aim is merely to indicate representative works.)

WILLIAM BLAKE (Col.) SONGS OF INNOCENCE (1789) (Col.)*

1757-1827

poems p. 342

Songs of Experience (1793) (Col.)*

ROBERT BURNS (Col.) COTTER'S SATURDAY NIGHT*

ANN RADCLIFFE (Col.) Mysteries of Udolpho* (Col.) p. 354 poems

1764-1823

WORTH (Col.)
poems 1770-1850

War of 1812 with WILLIAM WORDS-LYRICAL BALLADS (1798), p. 367
America

See collection of

Excursion (1814)

PRELUDE (1850)

pp. 367-379

selected

Poems

Thomas Love Peacock Headlong Hall, etc. Odd novels and fantastic poems

novels

poems 1785-1866

WILLIAM HAZLITT

prose 1778-1830

p. 431

Essays, Lectures, etc. (1599-1830) (Col.)*

Greece becomes con- GEORGE GORDON CHILDE HAROLD (Col.)** (1812) stitutional monarchy. (LORD) BYRON PRISONER OF CHILLON** p. 399 (Col.) DON JUAN (Col.)* (1819), p. 400 poems 1788-1824 MAZEPPA (1819)

1844

poems 1792-1822

Civil War in America,

1861-5

ENGLISH MAIL-COACH**

Murder as one of the Fine Arts (1827)
The Flight of a Tartar Tribe*
Miscellaneous Essays

Midshipman Easy.*

Peter Simple

Sea novels, not artistic, but full of humor and interest

Alastor (1816)

ADONAIS (1818)

PROMETHEUS UNBOUND**(Col.) (1820)
Shorter poems** (Col.)

THOMAS CARLYLE ESSAY ON BURNS**

prose 1795-1881

SARTOR RESARTUS (Col.)* (1833)

pp. 442-448 HEROES AND HERO-WORSHIP* (1841) FRENCH REVOLUTION* (Selections

George Grote

1794-1871

especially Book V, Chapter VI) Selected passages*

History of Greece (the standard work upon the subject) (1846-56)

* See explanation, page 559.

EVENTS IN HISTORY
AND LETTERS

AUTHOR

PARTICULAR WORKS

Disraeli, Prime
Minister, 1867.

JOHN KEATS

ENDYMION (Col.)* (1818), p. 415 (Col.) LAMIA** (1820)

poems 1795-1821 EVE OF ST. AGNES ** (1820)
pp. 410-418 Hyperion* (1820), p.413 See also com-
Shorter poems** (Col.) plete works
Frankenstein (1817). A story of the
supernatural, full of shudders.
the type discussed on page 353-

Mary Shelley

novel 1797-1851

Samuel Lover

novels 1797-1868
Thomas Hood (Col.)

British Empire, 1867-poems 1798-1845

Development of

1877

William Barnes
poems 1800-1886

Of

Rough rollicking Irish fiction, lively humor

Poems in Dorset Dialect ("The Burns
of Dorset" in the south of Eng-
land. See Golden Treasury, Second
Series, and other collections)*

THOMAS BABING-LAYS OF ANCIENT ROME** (1842)
TON MACAULAY (Col.)