English Romantic PoetsHarold Bloom Chelsea House Publishers, 1986 - 408 páginas A collection of critical essays on the work of the Romantic poets--Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats. |
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Página 77
... object . He feels this object to be very urgent , but at first he does not know why . As he looks steadily at it , he simplifies it , and as he simplifies it , he sees what it means . He usually continues to simplify and interpret until ...
... object . He feels this object to be very urgent , but at first he does not know why . As he looks steadily at it , he simplifies it , and as he simplifies it , he sees what it means . He usually continues to simplify and interpret until ...
Página 327
... object is almost complete , and the living character of the object is caught and shared in its full diversity and given vital expres- sion in art . It is " power or passion defining any object . " But the result need not be subjective ...
... object is almost complete , and the living character of the object is caught and shared in its full diversity and given vital expres- sion in art . It is " power or passion defining any object . " But the result need not be subjective ...
Página 368
... object , and so to bring us back to either a sublimated substitute for the object or , more crucially , a reconsideration of ourselves as mourning subjects . In the first Hyperion , Keats took up too directly the burden of Miltonic ...
... object , and so to bring us back to either a sublimated substitute for the object or , more crucially , a reconsideration of ourselves as mourning subjects . In the first Hyperion , Keats took up too directly the burden of Miltonic ...
Índice
The Keys to the Gates | 21 |
The Bard of Sensibility and the Form | 41 |
Blakes Critique | 55 |
Página de créditos | |
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Términos y frases comunes
Adonais allegory becomes begins Blake Byron Cain called Christian Coleridge Coleridge's consciousness creation creative critics dark death Demogorgon dialectic divine dramatic dream Eichhorn Endymion Eolian epic eternal experience Ezekiel Fall of Hyperion feeling Fiction figure Four Zoas Freud Harold Harold Bloom heart Heaven human imagery imagination Jerusalem Jupiter Keats Keats's Kubla Kubla Khan language Lara light lines literary Luvah lyric M. H. Abrams means Merkabah metaphor metaphysical Milton mind mode moral mystery myth mythology nature Ode to Psyche Oriental original Paradise passage passion poem poem's poet poet's poetic poetry Prelude present Prometheus Unbound prophetic quest reader represented Romantic Romanticism Rousseau Satan scene seems sense sequence Shelley Shelley's song soul sound Spectre spirit stanza sublime symbol Tharmas things thou thought tradition Triumph tropes truth turn University Press Urizen Urthona vision visionary William Blake words Wordsworth writing