English Romantic PoetsHarold Bloom Chelsea House Publishers, 1986 - 408 páginas A collection of critical essays on the work of the Romantic poets--Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats. |
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Página 60
... imagination's point of view . The imagination is here the victim of superior forces , and its self - mutilation can be explained only by the " cause " -fear . The text goes on to assert that the astonishment which borders on terror ...
... imagination's point of view . The imagination is here the victim of superior forces , and its self - mutilation can be explained only by the " cause " -fear . The text goes on to assert that the astonishment which borders on terror ...
Página 79
... Imagination and Fancy were creative ; and they wished to make Imagination not merely creative but a power for apprehending truth . It is a pity that neither of them was ever very clear on the subject . Perhaps the problem is too ...
... Imagination and Fancy were creative ; and they wished to make Imagination not merely creative but a power for apprehending truth . It is a pity that neither of them was ever very clear on the subject . Perhaps the problem is too ...
Página 90
... imagination moving him by means of nature , just as Beatrice guided Dante by means of Virgil . It is not nature as such but nature in- distinguishably blended with imagination that compels the poet along his Negative Way . Yet , if VI ...
... imagination moving him by means of nature , just as Beatrice guided Dante by means of Virgil . It is not nature as such but nature in- distinguishably blended with imagination that compels the poet along his Negative Way . Yet , if VI ...
Índice
The Keys to the Gates | 21 |
The Bard of Sensibility and the Form | 41 |
Blakes Critique | 55 |
Página de créditos | |
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Términos y frases comunes
Adonais allegory becomes begins Blake Byron Cain called Christian Coleridge Coleridge's consciousness creation creative critics dark death Demogorgon dialectic divine dramatic dream Eichhorn Endymion Eolian epic eternal experience Ezekiel Fall of Hyperion feeling Fiction figure Four Zoas Freud Harold Harold Bloom heart Heaven human imagery imagination Jerusalem Jupiter Keats Keats's Kubla Kubla Khan language Lara light lines literary Luvah lyric M. H. Abrams means Merkabah metaphor metaphysical Milton mind mode moral mystery myth mythology nature Ode to Psyche Oriental original Paradise passage passion poem poem's poet poet's poetic poetry Prelude present Prometheus Unbound prophetic quest reader represented Romantic Romanticism Rousseau Satan scene seems sense sequence Shelley Shelley's song soul sound Spectre spirit stanza sublime symbol Tharmas things thou thought tradition Triumph tropes truth turn University Press Urizen Urthona vision visionary William Blake words Wordsworth writing